Lost and Paramount

This album has brought me close to tears, multiple times. Not only is this “New Orleans Jazz” release a perfect standalone, it bridges the geographic gap between my previous chapter in Wisconsin, and my current stint in Los Angeles. James Booker and his iconic Junco Partner happened to be the last melody of any significance I had giddily immersed myself into days leading to my permanent departure from the rural Midwest. What turned out to be rather¬†serendipitous was that The Lost Paramount Tapes was, in fact, the first album of any format (compact disc) I was able to acquire upon my arrival to sunny, congested, southern California (September of 2003 with thanks to Grady’s Record Refuge in Ventura, CA). The first soundtrack to my new life has, today finally joined the fold. Thank you Vinyl Me, Please (a damn good record of the month club that I only recently discontinued) for seeing the unspoken greatness of this absolutely and profoundly perfect record, and for FINALLY providing it a much deserved, and greatly anticipated vinyl release. James Booker was most certainly a character, both sides of the coin, and his efforts on The Lost Paramount Tapes not only resonate on a deeply personal level, they make for one of the best (expletive) albums I’ve ever had the pleasure of spinning. Top 3 records of all time. Hands down.

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