Though a band using the Revolting Cocks handle released albums after a 13 year “Revolting Cocks” hiatus, 1993 and the album, Linger Ficken’ Good… and Other Barnyard Oddities marked the last era that the core group would record together under that name. Reasons why may stem from the Al Jourgensen documentary Fix (I’ll leave you to discover that one), but nevertheless, a strong and fruitful run (1986 – 1993) had inevitably come to a screeching halt. The last single from LFG…aOBO was released in 1994, but was comprised of alt versions of previously released tracks. This, the first single from the album, features the Cocks’ take on the Rod Stewart hit, Da Ya Think I’m Sexy?, and is clearly the better of the two versions.
Unknown Road is / was Pennywise’s second studio album. These punk brats released ‘er way back in 1993 and she was one of my first ventures into the genre. More importantly, though, its opening track, Unknown Road, was the intro song to our Junior Varsity basketball warmup mix tape. The things you remember, eh?
Fresh from the Bizarre Ride II The Pharcyde The Singles Collection, this 2012 colored vinyl reissue of the 1993 classic was one of 7 x 7″ 45s that make up this essential Delicious Vinyl release (record 6 of 7 to be exact). The music isn’t all that bad, either. Otha Fish Single Version on side A, and Otha Fish Acapella on side B, for those of you wanting to tickle your hip hop beat production fancy.
Manning vocals, guitar, bass, and wearing his producer hat, former Black Flag leader and principal songwriter Greg Ginn released his debut solo album, 1993’s Getting Even on Ginn’s own Cruz Records, an offshoot of SST Records, also owned by Mr. Ginn. As far as the music goes, it’s solid-state punk blues at its absolute finest. Think a VERY mature Black Flag, or a VERY IMMATURE Murder City Devils, but like, circa: 1993. It’s an amazing solo effort by one of the founding fathers of Southern California hardcore, and comes highly recommended.
Not enough can be said about the soundtrack to the 1993 thriller Judgment Night. Pairing unlikely acts for an entire album’s worth of new material was a brilliant marketing technique from Music Supervisor Karyn Rachtman. You may know her work as Music Sup on a few of these other masterpieces: Desperado, Four Rooms, Reservoir Dogs, Mystery Men, Boogie Nights, and Pulp Fiction, to name a short few.
This comical insert to Propagandhi’s 7″ from Fat Wreck Chords once hung prominently on my bedroom wall some 18 years ago (yes, I’m that old). Now, it rests, tucked away inside the rarely played 7″ which is filed inside a shoe box on the office room floor. I can’t look at this and not think of innocent times nearly two decades ago. They don’t make ’em like they used to.
Sometimes when you’re piecing together the rooted discography of your favorite band, you opt for, “the works.” 1993’s Ghetto-Box Rock found its release within issue #4 of Speed Kills Magazine. This virgin copy has yet to be extracted from its source, and currently lives like a cocoon of motor music history.