One part feeling kind of lazy, mixed with a healthy dash of missing hype stickers, we’ll (briefly) stop to focus on this vibrant stamp on the left. This one is for Roy Orbison’s debut album from 1961, which received the RSD Black Friday treatment back in 2014. Numbered, limited, all that jazz, but most importantly, she’s an affordable way to enjoy this legendary artist’s first studio record. Thanks, hype sticker! You’ve done your job.
Did some late RSD Black Friday shopping and nabbed this groovy 10″ by At the Drive In. Apparently there exists a black / doublemint version limited to only 100 copies, but I’m happy to settle for this coke bottle clear w/ bone splatter version (but seriously, who comes up with these vinyl color names?!).
I’m excited to start my collection of reissue debut classics from the seminal four from Sun Records. First acquired is Roy Orbison’s At the Rock House (originally released in 1961). Somewhere in transit is Jerry Lee Lewis’ 1958 debut of the same name, and down the pike will be Dance Album of Carl Perkins and Johnny Cash’s With His Hot and Blue Guitar. As you can plainly see, Roy’s reissue is on rockin’ red vinyl, where Mr. Lewis’ is on sleek silver. Carl’s is on blue suede, and Cash’s on fire orange. A great (and cheap) way to acquire these rock n’ roll classics.
I was beside myself with excitement back in 2015 for this Record Store Day release of Rainbow Ffolly’s 1968 debut, Sallies Fforth… that was until I realized that it skipped on all three of my turntables. Brand new, extracted from beneath the cellophane coffin myself, and she skips… multiple times. This led me to believe, or at least consider, that it may be time to up the quality of my “everyday” turntable. So, once the fog of damage that is my car repair bill finally settles, it’ll be turntable hunting time. I guess it would be cheaper just to buy another copy of this classic psychedelic album, but I’m not one for taking chances.
So, it appears that Vagrant Records is doing a 20th anniversary vinyl rerelease series, and its two Rocket from the Crypt records are showcased. Both 2001’s Group Sounds (one of their best), and 2002’s Live from Camp X-Ray (not a live album, and neither 20 years old) are featured. The record to the left isn’t part of that series (I only just ordered the lot this morning), but instead was sold at both the band’s 2013 European reunion tour, and on 2013’s North American Record Store Day. Here is the Vagrant link if you fancy a look.
Another day, another essential, yet overpriced Kinks Record Store Day release. The only one I was unable to acquire from this year’s Black Friday releases was the black and white swirled version of 1977’s Sleepwalker. I mean, Sleepwalker isn’t bad, but they need to start releasing sexy colored versions of Muswell Hillbillies, if you ask me. And since you didn’t, I’d suggest something similar to the 2011 UK rerelease of The Kinks Are the Village Green Preservation Society (green translucent / orange splatter colored vinyl). Well, there’s always next year, I suppose.
There are only two bands whose 7″ Record Store Day overpriced buffoonery I’d throw money at, and one of these bands is The Kinks. Complete with hype sticker (that will never be removed as far as I’m still breathing), this Village Green-era make-shift EP features the classics, Do You Remember Walter? and People Take Pictures of Each Other, both found on the Village Green masterpiece, as well as the brilliant throwaway, Till Death Us Do Part, which was apparently the theme to a film based on a popular British television series. Long story short, one can never go wrong with any Kinks record, and this EP is certainly no exception, regardless of its hefty price tag.
Just one of the great Record Store Day Black Friday releases acquired this morning in Los Angeles, Mike Watt + The Bobblymen’s The Bobblymen EP. If three unreleased tracks from over three decades ago originally intended for The Minutemen isn’t enough to persuade you, have a read at what Mr. Watt himself has to say about this historic 7″:
“Here’s three tunes I wrote for The Minutemen thirty-five years ago that never got released (hell, one never ever got play live and the other two only a tiny bit), I recorded them very recently w/guys I regularly play w/but never together in this configuration which was Bob Lee’s idea and hence the name of the proj” – Mike Watt
Between rain delays and episodes of Murder She Wrote, I was able to get through a few records this weekend. One of which was this Record Story Day release by bay area misfits NOFX titled, Sid & Nancy. With some sources claiming a limited run of 1000 copies, and others saying 750, I felt it wise to enlist / convince a buddy to nab an additional copy. The music is run of the mill NOFX (and that’s a good thing), but the vinyl presentation is brilliant. Full disclosure here, I forgot to take a photo for today’s post, and was stuck with attempting to salvage whatever random record related photo I had on my phone… hence the birth, and by tomorrow, the ultimate death of this post. When your reminders go off, don’t ignore them…
Death of a Clown received an outstanding rerelease on this Dave Davies Hits 7″ for 2016’s Record Store Day. One of three Kinks releases, Dave Davies Hits also contains the personal fav, Susannah’s Still Alive. I, of course, say this with all due respect, but thankfully, Dave’s personal career didn’t take off in 1968. Village Green, Lola, Arthur, and Muswell were all to follow, and I for one can’t imagine what they would have been without master Dave on the 6-string.
Finally, a reasonably priced vinyl version of the Original Soundtrack to High Fidelity. It only took 15 years, but this Record Store Day Black Friday exclusive was well worth the wait. The Kinks, The Velvet Underground, The Beta Band, and The Thirteenth Floor Elevators to name only a few rampant cuts covering four sides of wax make for a damn good compilation album. This album is best enjoyed while accompanied by Johnny Cash’s autobiography, Cash By Johnny Cash.
One wonders what Joe Strummer would think of his first Clash record being released on blue / white split vinyl for Black Friday… My interjections of Joe’s disdain for this release aside, she does make for a perfectly viable reason to fork over $29 for an album one already owns three times over. One never, ever goes wrong with The Clash, and this was, most certainly, $29 very well spent.
Today’s haul from the 2015 Record Store Day sponsored Black Friday event. Only four of these were actual RSD exclusives, but we certainly couldn’t turn down $0.33.3 clearance lounge records. The Sun Records picture disc was an impulse buy, and certainly justified. We hope you’re enjoying your holiday, if in fact you actually get a holiday, and we hope said holiday involves many a spun record.
Looking for some grade A (+) Mike Patton on a budget? Why not spring for the 2012 Ipecac Recordings box set (also a Record Store Day release, so, that gets a tag), Eponymous to Anonymous. Spanning Tomahawk’s first three albums, this forward-thinking box comes, complete, with room for their 4th release (and future release as of the time of this set’s release), 2013’s Oddfellows. As a “comp” this release sees the first vinyl pressing of both Tomahawk’s first (and best) album, Tomahawk, 2007’s Anonymous, as well as a reissue of 2003’s Mit Gas. Seriously (I really wish I didn’t need the seriously), for those of you into quality vibes without all the schticky bullshit, get this box set. Happy Friday and drive safely tonight, kids!
So, I made a mistake with this purchase, mainly for two separate, but strikingly similar reasons. Reason #1: I’m an idiot. Reason #2: I’m an idiot. When I initially saw this release pop up on the RSD checklist, I stupidly thought it was a reissue of one of their early singles or EPs, and not a 2-track nub of material released after I’d already disowned the band. That, in a nutshell, is Reason #1. I didn’t do my homework, and now I’m $10 poorer. Reason #2 is a bit more complicated, but just as foolhardy. Because I exhibit obsessive-compulsive behavior and want to maintain the stupid-ass Record Store Day sticker on the plastic shrink wrap, I can’t tell with a degree of certainty which way the sealed sleeve opens. All other RSD 7″‘s purchased open on the right like a standard LP, but I’m not so sure with 311’s release. The only other option would be the top, but I’m not seeing a definitive opening with which to start my blade. So, here it sits.. unwanted, and unopened. 311 for sale.
Reissued for the first time in the US, RSD’s exclusive live recording of 1965’s You Really Got Me back with Milk Cow Blues (recorded live at Twickenham Television Studios) is pure Kinks gold. $9.98 may in fact be a bit too much for a 2-track 45, but after all, we’re talking about the Kinks here… GOD SAVE THE KINKS!
So, as each and every one of you poor, sorry, socially conscious chaps know, tomorrow is Record Store Day. Below, to nobody’s inquiry, is my ideal checklist… we’ll see, tomorrow around noon, how well the Groove netted out…
311 – Grifter / Who’s Got the Herb? 7” – MAYBE
101ers – Elgin Avenue Breakdown – double LP – MAYBE
International Noise Conspiracy – Live at Oslo Jazz Festival LP – MAYBE
The Kinks – Kinksize Hits 7” – YeAH!
The Kinks – Kinksize Sessions 7” – YeAH!
The Kinks – You Really Got Me 7” – YeAH!
Paul McCartney – Family Way OST LP – FaF (For a Friend)
Pizza Underground – PU Demo 7” – MAYBE
Rainbow Ffolly – Sallies Fforth – FUGG YeAH!!
Various Artists – Darjeeling Limited OST LP – YeAH!
Here’s hoping tomorrow is a grand day for everyone… so long as we all get our shit!