As a follow-up to “yesterday’s” post, Wildflower is the second (of two) albums by sample-maniacs The Avalanches. Receiving its worldwide birth in July of 2016, singles from the album include Frank Sinatra, Colours, and Subways. This isn’t your mother’s electro hip-hop, but if you’ve had any eyes, ears, fingers, or tongues outside of standard radio garbage for the past (nearly) two decades, you’re already well aware of this group’s global influence, and can easily understand how essential this good-time Charlie band has been.
I’ll admit a few things, though I recognize this isn’t a wise attempt before my first cup of coffee. I was not immediately blown away by Run the Jewels’ Junior effort, RTJ3. Ok, that’s the first thing. The second thing is, as highly recommended as this album comes, I’m banking on the idea that this album is a slow-grower, and will eventually become one of my favorite spins. The same blanket statement can be said (because it happened) for the entire Dead Kennedys library. So, here’s hoping RTJ can channel some Jello Biafra, at least within these reverberating walls.
I’ve been waiting for 8 months to showcase an amazing analysis of Monolith of Phobos, the spectacular debut release from The Claypool Lennon Delirium (Les Claypool and Sean Lennon… no joke), and this post is (clearly) not said analysis. I’ll have to circle back when 1) I have more time and 2) well, there is no 2). If you haven’t already, and I’m sure you have, CHECK. OUT. THE. CLAYPOOL. LENNON. DELIRIUM.
It’s always a good day when a new Refused record is released. Servants of Death was, in fact, the first record I grabbed last Friday (RSD Black Friday). The only record from that day’s haul that came with a download card (thank you Epitaph), this six track EP contains the “single” Servants of Death from last year’s Freedom release, as well as a new, never before released-on-vinyl track Stolen Voices, as well as four live tracks from the band’s 2015 tour. Overall a fantastic little accompaniment to an already stellar discography.
Another day, another essential, yet overpriced Kinks Record Store Day release. The only one I was unable to acquire from this year’s Black Friday releases was the black and white swirled version of 1977’s Sleepwalker. I mean, Sleepwalker isn’t bad, but they need to start releasing sexy colored versions of Muswell Hillbillies, if you ask me. And since you didn’t, I’d suggest something similar to the 2011 UK rerelease of The Kinks Are the Village Green Preservation Society (green translucent / orange splatter colored vinyl). Well, there’s always next year, I suppose.
There are only two bands whose 7″ Record Store Day overpriced buffoonery I’d throw money at, and one of these bands is The Kinks. Complete with hype sticker (that will never be removed as far as I’m still breathing), this Village Green-era make-shift EP features the classics, Do You Remember Walter? and People Take Pictures of Each Other, both found on the Village Green masterpiece, as well as the brilliant throwaway, Till Death Us Do Part, which was apparently the theme to a film based on a popular British television series. Long story short, one can never go wrong with any Kinks record, and this EP is certainly no exception, regardless of its hefty price tag.
Just one of the great Record Store Day Black Friday releases acquired this morning in Los Angeles, Mike Watt + The Bobblymen’s The Bobblymen EP. If three unreleased tracks from over three decades ago originally intended for The Minutemen isn’t enough to persuade you, have a read at what Mr. Watt himself has to say about this historic 7″:
“Here’s three tunes I wrote for The Minutemen thirty-five years ago that never got released (hell, one never ever got play live and the other two only a tiny bit), I recorded them very recently w/guys I regularly play w/but never together in this configuration which was Bob Lee’s idea and hence the name of the proj” – Mike Watt
So, this happened. I really need to steer clear of https://mondotees.com, although, if I did, I’d never had stumbled across this insane double LP. The only selling point you need… wait for it… “Music by The Dust Brothers.” You’re welcome.
It’s certainly not often that one’s favorite band, once considered obsolete (mainly due to the final, RIP concert one attended some 10 years back), releases a new track, then limits said song to a 440 7″ pressing only available at a recent Denver, CO show. As a Los Angeleon, I was excited to hear said news, but very worrisome of the avenue with which to obtain it. Thank you Discogs and your reasonably priced sellers. More Rocket, yeah, that’ll do.
Willie Nelson – Red Headed Stranger
George Thorogood & the Destroyers – More George Thorogood & the Destroyers
Minutemen – The Punch Line
The Statler Brothers – The Best of the Statler Brothers
Tim Hardin – This is Tim Hardin (mono)d
Underworld – MMM Skyscraper, I Love You
In more ways than one. Surgical Meth Machine’s self titled debut arrived yesterday, in all it’s neon pink vinyl’d glory. I started spinning it this morning, then got called in early to work. Tonight’s festivities consisted of falling asleep to radio programs by the fire, so the inaugural, complete spin will have to wait. I had to reach to Germany for this colored variant, but I’m certain it was entirely worth it.
Between rain delays and episodes of Murder She Wrote, I was able to get through a few records this weekend. One of which was this Record Story Day release by bay area misfits NOFX titled, Sid & Nancy. With some sources claiming a limited run of 1000 copies, and others saying 750, I felt it wise to enlist / convince a buddy to nab an additional copy. The music is run of the mill NOFX (and that’s a good thing), but the vinyl presentation is brilliant. Full disclosure here, I forgot to take a photo for today’s post, and was stuck with attempting to salvage whatever random record related photo I had on my phone… hence the birth, and by tomorrow, the ultimate death of this post. When your reminders go off, don’t ignore them…
It surprises me, to say the least, that this amazing Jade Tree comp titled, Jade Tree 25 Years, is still available! This adorable companion to late 90’s emotional rock collections is limited to only 250 copies, and yes, it’s still available! $14 and she’s yours!
(Cut to a week later)
Only thing is, I’m a liar. I wasn’t when I originally started this post last week, but today, yeah, sold out. Sorry for any failed excitement this may have caused.