For those in the know, Jaws is a bit of a big deal for us. What can I say? I married into it, so to speak. Anyway, the Hollywood Bowl is hosting a two-night orchestra and film pairing in late July. No, unfortunately it’s not John Williams conducting (it’s David Newman), but this opportunity is certainly not one to be missed. My wife (and working Editor of The Groove) has never been to The Bowl, and as Jaws is her favorite movie (she’s a keeper, am I right?!), this Hollywood Bowl Orchestra accompanying the original Summer Blockbuster duo was a no-brainer. Tix are still avail, so if you’re in the area, do yourself a solid.
Let’s take a quick moment and talk about Robert Plant and his 1983 album, The Principle of Moments… in fact, let’s not. Let’s save that for another day when I can re-spin in the attempts to uncover this fine and meaningful Principle. INSTEAD, let’s drastically shift gears to the forthcoming Mad Caddies reggae covers album due out on June 15th. A few sneaky digital tracks have surfaced, including a stellar version of NOFX’s She’s Gone from their 1992 classic, White Trash, Two Heebs and a Bean. Please do yourself a favor and follow the link over to Spotify and check it out. You’re going to want a copy of this 12-track album of classic punk songs with a Mad Caddies-infused reggae twist. I can’t wait for this album to arrive.
Well, this comes as a bit of a surprise to me and my wife, but there was an electrical fire at one of our neighboring brick & mortars back in November. Touch Vinyl was affected, and hasn’t been open since. We stopped by, without knowledge of the fire, which prompted an immediate internet scouring for “answers.” RIP Touch Vinyl. May the next stage in your evolution be a sound one.
This eye level POV is most often my immediate, how do the kids say, “go-to” pull section. About 33% Enogh Light, this middle alphabet region also houses, quite snugly, the Lagwagon and Led Zeppelin discographies, all of our Arthur Lyman LPs, and a minor sliver of the early M’s. Sacrificed here in this photo is symmetry for the rightful inclusion of Licensed to Ill (top left).
Well, if you’ve been taking care of yourself and happen to find yourself in a small or medium size shirt range, head over here for an exclusive May 16 t-shirt. My lazy ass just missed out on the large, but hopefully some of you will have more luck. Happy Lagwagon Day! (Photo courtesy of lagwagon.limitedrun.com)
I’m still contemplating this Newbury Comics exclusive for The Zombies’ Greatest Hits. Limited to only 500 pressings, this mono, single record contains all the classics you’d think of when someone mentions The Zombies, in new, remastered form. For more information, have a look at Newbury’s site here.
I couldn’t pass up the opportunity to purchase Yma Sumac’s Voice of the Xtabay, as a 12″ nonetheless! What the hell would have stopped ya’? You may ask. Well, Nosey Neil, I’d already been the proud owner of the original 10″, so my inner money-saver began prodding with “reasonable” questions… that was until I discovered that the 12″ not only contained all 8 tracks from the original 10″, but also all 8 tracks from 1953’s Inca Taqui. Pimped as A Capitol Records Value (sticker in top right corner), the clear and correct decision to obtain was swiftly and promptly applied. Let’s not forget that legendary Space Age Pop-per Les Baxter composed and produced Voices, so you pretty much know you’re getting quality music. The 12″ is a steal at any price, and comes highly recommended.
Since we were recently talking about it, have a look as the showcased albums from the Time Records Series 2000 collection, and count the number of percussion-based titles: Percussion on Stage, Percussion Espanol, Gypsy Strings and Percussion, and Concert Percussion for Orchestra. Four. I count four. Command Records knew it had a revolutionary and timeless release with Persuasive Percussion, which is further evidenced by its competitors, in this case Time Records and their Series 2000 team, trying at great lengths to cash in.
Time Records and their Series 2000 collection is a great partner (or competitor) to the early Command Record albums. This self-proclaimed “demonstration record” is a perfect introduction to the series and contains choice selects from Jim Tyler, Hugo Montenegro, Maury Laws, Al Caiola, and Kermit Leslie (among others). If you’re looking to expand your Space Age Pop chops (and who among you isn’t?), check out Music with Sound.
We went in looking for a receiver, and came out with a bootleg copy of The Beatles Christmas Album. It was, in fact, on sale, so there’s that, but the Sherwood S-7100A receiver had been sold earlier in the day. The search continues for the perfect, vintage receiver.
When spending three nights within the confines of a rented studio apartment on wheels, a proper entertainment set-up isn’t just key, it’s borderline survival basics. The PG clan (consisting solely of my wife and me) each hand-picked 10 albums for our excursion… of which we’re down to about 12 after just one half day. But wait! Grady’s Record Refuge is just a quick Uber / Lyft ride away, so after the Tim Hardins and the Les Baxters are laid to rest, unknown gems from Ventura’s finest will get their spinning debut… inside a studio apartment on wheels.
SLOWLY beginning the much anticipated digitizing process of our Space Age Pop collection. The plan was to ingest all four volumes of Persuasive Percussion… I managed to gather only the first. This painstaking process will yield countless hours of road trip entertainment. I encourage all of you to digitize your collection. A 160gb iPod comes in handy.