It’s a rare occasion that we DON’T bring the portable turntable with us on overnight hotel adventures. We finished up this 6 LP set of Swing Hits but neglected to cover either Julian Lennon or NIN. Regardless, this portable beauty is a champ, and is certainly built to last. I highly recommend picking one up.
Though I haven’t spun Crass, of any sort, in quite some time, I’ll never stop fawning over their politically-charged, yet minimalist cover and label art. Crass was, as you well know, an art collective where their brash-brand of music played only a small roll in their onslaught of knock-you-over-the-head opinions. Today is a good day for Crass, but then again, so is tomorrow.
What I assumed was a t-shirt depicting Boba Fett holding up a boombox (Star Wars meets Say Anything) turned out to be a Beastie Boys Helly Nasty-inspired slipmat I’d forgotten I’d ordered. Since the now defunct Grand Royal Records slipmats go for insane amounts (well over $100), I figured it smart to jump into ordering any slipmat the Beasties are associated with. I encourage you to do the same. One can’t have too many slipmats, in my humble opinion.
I WAS going to speak to The Charleston City All Stars and their 1955 release from Grand Award Records (Enoch Light) titled, The Roaring 20’s Vol. 2, but it dawned on me that Mondo is offering up a double LP to John Carpenter’s legendary classic, the Original Motion Picture Soundtrack to Big Trouble in Little China tomorrow at noon CST. My alarm(s) are already set, so I recommend you find your way over to Mondo tomorrow and nab this essential classic (that is, of course, after I’ve nabbed mine).
So… I busted my needle yesterday… on Tim Hardin’s This is Tim Hardin. Lucky for the household that we have “spare” turntables scattered around, so I was able to get my (much-needed) Hardin fix. Now, in addition to being sick for destroying a few choice Hardin grooves, I’m in the search for a replacement needle. It never really ends.
For those in the know, Jaws is a bit of a big deal for us. What can I say? I married into it, so to speak. Anyway, the Hollywood Bowl is hosting a two-night orchestra and film pairing in late July. No, unfortunately it’s not John Williams conducting (it’s David Newman), but this opportunity is certainly not one to be missed. My wife (and working Editor of The Groove) has never been to The Bowl, and as Jaws is her favorite movie (she’s a keeper, am I right?!), this Hollywood Bowl Orchestra accompanying the original Summer Blockbuster duo was a no-brainer. Tix are still avail, so if you’re in the area, do yourself a solid.
Let’s take a quick moment and talk about Robert Plant and his 1983 album, The Principle of Moments… in fact, let’s not. Let’s save that for another day when I can re-spin in the attempts to uncover this fine and meaningful Principle. INSTEAD, let’s drastically shift gears to the forthcoming Mad Caddies reggae covers album due out on June 15th. A few sneaky digital tracks have surfaced, including a stellar version of NOFX’s She’s Gone from their 1992 classic, White Trash, Two Heebs and a Bean. Please do yourself a favor and follow the link over to Spotify and check it out. You’re going to want a copy of this 12-track album of classic punk songs with a Mad Caddies-infused reggae twist. I can’t wait for this album to arrive.
Well, this comes as a bit of a surprise to me and my wife, but there was an electrical fire at one of our neighboring brick & mortars back in November. Touch Vinyl was affected, and hasn’t been open since. We stopped by, without knowledge of the fire, which prompted an immediate internet scouring for “answers.” RIP Touch Vinyl. May the next stage in your evolution be a sound one.
This eye level POV is most often my immediate, how do the kids say, “go-to” pull section. About 33% Enogh Light, this middle alphabet region also houses, quite snugly, the Lagwagon and Led Zeppelin discographies, all of our Arthur Lyman LPs, and a minor sliver of the early M’s. Sacrificed here in this photo is symmetry for the rightful inclusion of Licensed to Ill (top left).
Well, if you’ve been taking care of yourself and happen to find yourself in a small or medium size shirt range, head over here for an exclusive May 16 t-shirt. My lazy ass just missed out on the large, but hopefully some of you will have more luck. Happy Lagwagon Day! (Photo courtesy of lagwagon.limitedrun.com)
I’m still contemplating this Newbury Comics exclusive for The Zombies’ Greatest Hits. Limited to only 500 pressings, this mono, single record contains all the classics you’d think of when someone mentions The Zombies, in new, remastered form. For more information, have a look at Newbury’s site here.
I couldn’t pass up the opportunity to purchase Yma Sumac’s Voice of the Xtabay, as a 12″ nonetheless! What the hell would have stopped ya’? You may ask. Well, Nosey Neil, I’d already been the proud owner of the original 10″, so my inner money-saver began prodding with “reasonable” questions… that was until I discovered that the 12″ not only contained all 8 tracks from the original 10″, but also all 8 tracks from 1953’s Inca Taqui. Pimped as A Capitol Records Value (sticker in top right corner), the clear and correct decision to obtain was swiftly and promptly applied. Let’s not forget that legendary Space Age Pop-per Les Baxter composed and produced Voices, so you pretty much know you’re getting quality music. The 12″ is a steal at any price, and comes highly recommended.
Since we were recently talking about it, have a look as the showcased albums from the Time Records Series 2000 collection, and count the number of percussion-based titles: Percussion on Stage, Percussion Espanol, Gypsy Strings and Percussion, and Concert Percussion for Orchestra. Four. I count four. Command Records knew it had a revolutionary and timeless release with Persuasive Percussion, which is further evidenced by its competitors, in this case Time Records and their Series 2000 team, trying at great lengths to cash in.