So begins Virus, the 2000 doomsday “single” off Deltron 3030’s debut album, Deltron 3030. Positive Contact, the 2001 single off the same debut, would have been my first choice for single-hood, but the Deltron team had a different plan. Back with Things You Can Do, this 6-track single contains the album versions, the stupid radio edits, and the chill instrumentals. Remember kids, Deltron 3030 released both of their studio albums as instrumentals, so consider that the next time you and your lover lock lustful eyes.
It. Has. Arrived. Still avail, FYI, and sounding amazing! One of the best hip hop albums I’ve ever spun. It’s machine versus man, man versus woman, woman versus your mother.
A shameful reveal here… I didn’t realize that when I purchased Dan the Automator’s 2002 comp, Wanna Buy A Monkey? that it was, in fact, actually, “selections” from the full CD version of this catch-all release. I mean, honestly, we’re only talking about like, four tracks, but still… I should be happy for the vinyl opportunity, but still feel a bit short-changed. Anyway, ignore me. You have your own problems to worry about.
Well kids, it finally happened. I finally nabbed a copy of Dan the Automator’s 1989 EP, Music to be Murdered By. Needless to say, I’m beside myself with excitement to spin this 7-track dinosaur for the first time. I’m not really sure what to expect from a 1989 Dan Nakamura, but I can’t wait to find out. In regards to timeline, it would be another 10 years from the time of this release before I’d even hear of the man (1999’s So… How’s Your Girl? by Handsome Boy Modeling School), so let’s just say this is gonna be a fun spin.
Please take special note of the cheeky details in the album art. Classic Automator.
The possibility of a Dr. Octagon show next month has gotten me 1) a little excited and 2) in the mood for Dan the Automator. Presented here is The Instrumentals version of Deltron 3030’s 2013 sophomore effort, Event 2, but, you know, like I said, the instrumental version of it. Be it Wanna Buy a Monkey?, his work on the video game 2K7, Lovage, or Handsome Boy Modeling School, one can very seldom (read: never) go wrong with a little Dan the Automator.
During my “all things Dan the Automator” phase I acquired, among a plethora of others, this 2006 soundtrack to the NBA 2K7 video game. As can be expected, each track is b-ball themed in both lyrics and song title (Baller Blockin’, Fade Away, Don’t Hate the Player, to name just a few), and makes for a perfect companion to the 2K7 Instrumentals album (which I do not yet have). As with (almost) all DtA releases, there is a stripped down instrumental release to accompany the full, words-from-the-silver-tongue version. Kind of an intelligent way to get people to purchase two of (nearly) the same album. I’m game.
Event 2 checked through interplanetary security some 13 years, a decade (+) some would say, after the initial ignition of innovative insanity spawned the red-eyed cloud of sophisticated satisfaction. Muddy your mind, and tap your toes, ’cause Deltron Zero and Captain Aptos have been serviced, and are accessible for all of your control-alt-deleted needs.
As an avid follower of all things Mike Patton, I’ll confess that it’s taken a bit of research and development to man the interweaving road of his illustrious and diverse career. Irony is a Dead Scene (The Dillinger Escape Plan with Mike Patton) skipped past my radar upon its first release, but I was happy to find my way with the 2010 reissue. Now with social media playing a fundamental roll with any discernible artist with a “like,” information for upcoming releases don’t require as much legwork.
Peeping Tom here, was an unplanned discovery during a time that (more or less) predated the uncomfortable knowledge of every artists’ every move. Gravy for us collectors, a bit awkward for the talent. Anyway, if you ever wanted to hear a wacked-out collaboration between Mike Patton, Dan the Automator and Norah Jones, Peeping Tom is your guy.
I did some DTA (Dan the Automator) research today, and boy-oh-boy, am I missing a truck-ton of records in THIS discography?! What I dig about this pioneer is his consistency in releasing instrumentals for his notable collaborations. Dr. Octagon, Lovage, and Deltron 3030, to name a tiny few. Deltron 3030, their first album at least (I need to revisit their 2013 follow-up) is classic, early millennial, sophisticated hip hop, and although Del is greatly missing, it’s a refreshing option in rediscovering this classic album.
So, I’m still trying to figure out The 45 King. Mix Dan the Automator, J-Swift, Jam Master Jay, and DJ Muggs into a violent apparatus that spins (turntable, blender, woodchipper), yet, predate all of these by at least a year, and you’ve got yourselves one heavy weighted, out-mutha-fuggin-standing collection of offhanded, subtly pleasing breakbeats. I’m dumbfounded! I honestly never know, but now, I’m on the hunt for the King’s entire Lost Breakbeat discography.
(Personal note: I’m digitizing this album as I type this. PG = fan of 45 King)
1. a style of popular music of US black and Hispanic origin, featuring rap with an electronic backing.
Dr. Octagon is an X-rated barrel-shot through the grotesque-minded brilliance of the lyrical magician Kool Keith, backed with the autonomous production of the genre-bending (never breaking) Mr. Dan Nakamura (AKA Dan the Automator), mingled with the turntable chemist DJ Q-Bert (as well as a slew of genteel guest stars). In short, Dr. Octagon is the last doctor you’ll ever need, because he’s the last doctor you’ll ever see. Your mother would not approve of this disgusting display of Hip-Hop-ery.
What would qualify as “your mother’s Hip-Hop” you ask?
– Fat Boys
– PM Dawn
– Vanilla Ice (after a sixer of Zima)
The doctor is out… call back after midnight to make an appointment with the receptionist.
(Please note that this is not an album review. This has been explicitly stated so that I may repurpose this album for a future, much less lazy-minded post, you dig?)
Dan the Automator, Del tha Funkee Homosapien, Kid Koala, Money Mark Nishita, Prince Paul, Damon Albarn, Sean Lennon, Mr. Lif, Peanut Butter Wolf… the list goes on (and on… the credits contain 19 entries, up to and including the G4 computer used to compose these ravishing beats).
All that bass is gonna’ break my ears.
Deltron 3030 exists within a futuristic and corporately antiseptic environment it created for itself. To overly simplify the enormity of this album, the phrase “smart hip-hop” could accurately be used. To overly complicate an already overly complicated concept album, the following phrase seems accurate; “think Dr. Octagon without the perversion, set 1030 years into the future, and triple the IQ.” This album is as hysterical as it is awe-inspiring, as forward thinking as it is historic, and a perfect album for people who don’t necessarily like hip-hop.
Heathens will breed heathens.
Deltron 3030 broke into the new millennium with their 21-track debut of the same name on October 17th, 2000. Fact. They have a much-anticipated follow-up due out on Tuesday titled, Event 2. Fact. With a 13 year gap between albums, this coming Tuesday should go down in astrological history. Opinion.