Shelving shame, I loved (mainly) one track from Blink 182’s sophomore effort in 1997’s Dude Ranch, and that was track two, Voyeur. Presented here is a 2010 reissue on transparent orange wax. Little known fact, Drive Like Jehu drummer Mark Trombino produced this album, so for what it’s worth, Dude is deserving of a spin if only for that nugget of data, dude.
Chicago-based emo-pop punkers Tuesday released exactly one studio album in their short-lived tenure. Presented here is Freewheelin, then and now. On the left, the 1997 original from Asian Man Records, and on the right, the 2016 reissue from the same label. There were two variants with the reissue, a red / blue vinyl pressing limited to 300 copies, and this, a purple / blue vinyl pressing limited to 100 copies. For those of you Alkaline Trio fans who are unfamiliar with Tuesday, for shame! For those in the know, when was the last time you dropped the needle on this record? It still holds up! (He said with no hint of sarcasm.)
The backside to Potshot’s 1997 debut, Pots and Shots brings back so many post-high school memories. I couldn’t for the life of me find this on vinyl back in the day, and instead had to settle for this rambunctious album on compact disc. I’m certainly not complaining, but I’m a little pissed at myself that it took me nearly 20 years to finally track down a copy on wax. Any, acquisitions aside, groovy standouts were, and still are Radio, obviously, and my first introduction to this Japanese ska-punk (J-ska) group via means of Asian Man Records’ Mailorder is Fun! comp, Mexico (killer bass playing here), and Time (just catchy as all hell). Though I could understand only a fraction of the vocals, I absolutely fell in love with this album’s raw and uncompromising energy. Give it a (pot)shot, you may as well find pleasure… it’s ripe for the picking.
Oh, the power of Lard. 1997’s Pure Chewing Satisfaction was a burrowing larva harassing my ears on a rather routine basis some 20-odd years ago (picture a screaming Chekhov in Star Trek 2… you remember the scene). I. Simply. Couldn’t. Get. Enough. Sadly, releases by this industrial supergroup can only be counted on one hand (with an angry finger to spare), but Pure will always be the gateway drug to a heavily explorable universe of side projects, one-offs, and wasted anticipation. (Cocks head and wonders to self), maybe I should unearth my old mix tapes. Lard was a frequent flier on my sides (laughs to self), much to the dismay of my less-than-understanding friends.
1997’s Double Plaidinum by Goleta’s pop-punk poster boys, Lagwagon, was the first release by the band that I shied away from. In retrospect, I’m not exactly sure why I outright abandoned this release, since I jumped all over 1998’s Let’s Talk About Feelings, and the 2000 master comp, Let’s Talk about Leftovers. Double Plaidinum just sort of, didn’t exist in my late teen years, and is sitting there today 1) as a reminder of how much of a completest I’m not, and 2) as a 21-year-old afterthought waiting to be discovered.
Between my fits of laughter over movie quotes pertaining to tomorrow’s post, I remember an old, short-lived Chicago punk band from the Asian Man Records label. The Broadways released one studio album in 1997’s Broken Star. Presented here is a reissue from a questionable, yet recent year on gray marble vinyl. It’s either from 2008, 2014, or 2016. My memory tends to lag these days. Anyway, check out 15 Minutes for a good idea of this seminal band. You’re welcome.
I’ll be honest, I’m not exactly sure why I put this Millions of Dead Cops featuring Pig Champion 7″ onto my Discogs wantlist, but for a cool $3.00, I made it mine. This two track quickie features a b-side with Dark Clouds, and a wonderful a-side with I Don’t Want to Hurt You Dude, I Just Want My Shit Back. Released on Honest Don’s Records, a short-lived subsidiary of Fat Wreck Chords, this is a take-it-or-leave it mini party, but all things considered, I’m happy it lives in our collection.
This classic, $4 comp was an absolute staple during my “pizza delivery days” back in the early 2000s. Released by Fat Wreck Chords, Physical Fatness – Fat Music Vol. III was released in November of 1997, and became an annoying, can’t-put-down album of (somewhat) pop-punk greatest hits. Good Riddance, Snuff, Goober Patrol, Hi-Standard, and of course, Propagandhi, Me First, NOFX, and Lagwagon are all present, and aside from 1996’s Survival of the Fattest (Fat Music Vol. II), this is (arguably) the best comp Fat ever put out.
Well, a very, very bad mistake can now be put to rest, thanks to my wife (thank you!). You see, I’d stupidly passed up a chance to acquire the limited, aqua blue double vinyl release of Old 97’s classic, Too Far to Care. Little did I know that the next opportunity, and the only other opportunity (for nearly 5 years) would price this album 3x – 4x higher than that copy I’d originally put back on the shelf (for shame!). Missed opportunities die a slow and painful death in the life of a record collector, as you well know, so I’m grateful to finally put this one into the ground.
Time for the ol’ car CD swap out. This happens every three or so months and, let me tell you, going from a 160gb iPod to a single-disc stereo take a bit of getting used to. Presented here is 1997’s vinyl-only self-titled BS 2000 (custom made… only two in existence) and the follow-up, 2000’s Simply Mortified. These were the only “studio” releases by the Beastie Boys side project BS 2000, and we’re about to rediscover them for about the fifth time.
It must have been nearly 15 years since I’ve spun The Pick, The Sickle and the Shovel by Long Island’s Gravediggaz. Just having (temporarily) exited my hip hop phase (one that had ignited back in Jr. High thanks to Columbia House and BMG… that seems like an eternity ago… man, I’m old), my days and evenings in late 1997 / early 1998 were instead given to The Clash and Ministry, among various pop-punk comps acquired at summer Warped Tours, but when a 19-year-old collector of, well, things, finds a pristine copy of some badass hip hop at a thrift store for about the cost of a basket of beer battered cheese curds, the hip hop torch begins to flicker again.
This Atari Teenage Riot double LP comp titled, Burn, Berlin, Burn! was my first introduction into the bat-shit-crazy world of breakbeat hardcore. It’s a fever-inducing, riotous collage of sound eager to invoke internal bleeding, and is perfect noise candy for Monday afternoons. Had it not been for Grand Royal, I likely would have never exposed myself to this brand of ear violence, but as it stands, great pleasure can derive from a certain amount of pain.
Back in 1997, alligator-fighting, pop-punk Floridians Less Than Jake released their third studio album titled, Hello Rockview. 1998, in all its majestic glory, saw a reissue of Rockview in a 7x 7″ box set, featured here. It shames me, but I haven’t heard this album (series of 7″ records) in nearly 20 years, having purchased it from a forgotten record shop in Milwaukee, roughly around that time. I’ve sold many records, for many reasons, throughout the years, but I’ve kept this box set. Something (something?) tells me, it was for good reason.
This 1997 reissue of The Bruce Lee Band’s debut album was the fourth release from Asian Man records, and features legendary label owner Mike Park (previously of Skankin’ Pickle) on sax and vocals. What’s more, the album’s backing band consists of the roaring Floridians, Less Than Jake (yes, that Less Than Jake). If you’ve not heard this tireless album, it’s actually much better than you’d ever imagine, and comes highly recommended. It’s taken me 19 years to find a vinyl version of this flawless album. Don’t let nearly two decades go by before you find yours.
Hyper-frenzied J-ska’ers, Pot Shot released their first LP by ways of Asian Man Records wayyyyyy back in 1997. Titled Pots and Shots (clever enough), she was released once on vinyl, limited to 2000 copies worldwide, and has yet to be reissued. I had to order this puppy from Japan as domestic sales were either nonexistent or hugely overpriced. Their hit, Radio was featured on the 1998 comp, Mailorder is Fun! and as it turns out, was my first introduction to this exciting band. They’re aggressively upbeat, ferociously frenetic, and unmistakably catchy. Shove them in your ear this holiday season.
I guess I didn’t realize my copy of Big Fat Love’s Hell House was still sealed. I’d dubbed a CD some years back, and snatched up this here fella during the Grand Royal liquidation dump. As Beastie Boys side projects go, this is an unusual one. She kind of flew under the radar, and although some of the material was recorded in 1987, it wasn’t officially released until 1997. Both Mike D and MCA got their hands dirty with this release (MCA more on the producing side), but an extensive breakdown of the band’s history can be found over at Beastiemania (your one stop shop for all things Ill).
Thinking of remodeling your lackluster bedroom? Why not try some punk-infused industrial goodness, aka LARD?! Math lesson: 101. Q: Dead Kennedys + Ministry = ??? A: LARD! I can throw a stone, hell, SEVERAL stones, MULTIPLE times, at everyone I know, and I won’t find ANYONE who’s into this band. Sounds like I need a new group of friends, does it not? Truth and honesty shoved down your throat with not so much as a chaser… let the LARD begin…