Unexpected needs call for unexpected tools. Case in point, the wife’s spatula to furiously remove disc one of Demon Days from the platter. There were definitely a few minutes there where the nervousness set in, but I was able to keep my cool. Surgery was a success, and the patient is doing well. The Dr. Seuss pencil (normal size) is the perfect center hole size, for those with similar issues. Cue the “The More You Know” jingle.
For just $2, back in 1977, you could have delivered, directly to your door, a special, 2 LP comp from some forward-thinkering heads of the Warners sample program. Van Morrison, Fleetwood Mac, Alice Cooper, and even The Doobie Brothers are all present and accounted for… and some Rod Stewart if that’s your thing… it’s certainly not mine. The sampler is simply called Limo, and currently fetches for… you guessed it, $2 over at Discogs. Head on over and check it out.
Looking forward to some Santa Barbara mischief this evening at the Roxy. I haven’t seen the Mad Caddies since around 1999 (my God, has it been that long?!), so tonight should prove to be a profound and nostalgic experience. But who knows? They’re getting old too and may just phone it in. Likely not, but a fun notion to ponder. If you look down and find yourself standing in the Los Angeles area this evening, head on over to The Roxy. Tix are still avail. Cheers.
I can venture to say that I’ve never listened to this record, or at the very least, it has been so long since I spun it, I’d forgotten that I owned it. Liquid Jesus’ Pour in the Sky from 1991 on MCA Records. These are the facts, but this obscure band’s details are lost (or hidden) on the interwebs. They don’t have a Wiki page, and Discogs casually lists them as indie rock… a catch-all for just about anything released between 1977 and yesterday afternoon. The cover reminds me of early R.E.M., but we’ll see how she spins. Sometimes, you don’t even need to leave the house to discover new records.
Everyone knows the iconic cover to Elvis Presley’s debut LP, but what few may recognize, outside of those who own, is its subtle back cover. Released on RCA in 1956, I present to you, for the first time on this site, Elvis Presley’s debut self titled back cover art. Disregard the purple pen scribbles.
A few things I didn’t notice about Art Garfunkel’s 1975 Columbia records release, Breakaway. 1) Richard Perry produced it (Mr. Perry is famous for his work with Harry Nilsson), and 2) the track My Little Town has Paul Simon on it, making it a legitimate Simon & Garfunkel song. Their last? Of that I’m not sure, but it’s a good day to find out. Thank you, 42 year old hype sticker!
I’m finding it more and more common when ordering albums online that certain, well-to-do sellers package the purchased item between empty, dilapidated record sleeves. Such is the case with this hollow cover of James Brown’s 1966 offering, Plays New Breed (The Boo-Ga-Loo). Not a huge James Brown fan, by any stretch, but I’m now finding myself interested in The Boo-Ga-Loo.
I didn’t realize until recently (he humbly admitted) that the original pressing of BS 2000’s vinyl-only debut was pressed on black wax. I’d heard rumors and praises about a Beastie Boys side project with the numbers “2000” in the title, and when Grand Royal released pink vinyl versions of the debut, I (stupidly) thought it to be the original. As it turns out, the black vinyl (and original) pressing was released in 1997, and the pink reissue followed two years later. It took until last week for me to 1) understand that I did not have the original of this album and 2) acquire the original of this album. This is now the third time I’ve purchased this album. BS 2000, you’re welcome.
For (what seemed like) an eternity, Rocket from the Crypt’s 2002 album, Live from Camp X-Ray (their 7th studio offering) was the last, resonating voice any of us heard from the world’s best live band (2003’s 2-track On the Prowl was nowhere to be found, at least as far as rural Wisconsin was concerned). As a ranking place in their catalog, it sits near the bottom (1998’s RFTC bringing up the rear), but it stood out, if only for the obvious reason, that it was the last-new Rocket thing heard. Since their hiatus, the band has released a handful of (mainly single-sided) 7″ records, in addition to a live recording of their “last” show from Halloween, 2005 and another All Systems Go compilation (their third), but Live from Camp X-Ray (not a live album) still stands as the band’s last studio album. Anyway, Vagrant Records still has copies of their 20 Years series up on their site. Nab these color variants while you can. This album, with all its faults, is still a classic.
Yesterday I organized my Enoch Light collection while listening to various 20s and 30s pop tunes. Enoch Light and the Light Brigade, Enoch Light and His Orchestra, Enoch Light and the Command All Stars, the awfully awkward band title morphing Provocative Percussion and Persuasive Percussion, and then just Enoch Light. (Phew!) It appears that I was taking in too much Enoch Light in a relatively short amount of time, which, really is no excuse, but today is the first day all 26 records are in their proper, alphabetical (then chronological) order. This means nothing to you, but I can enjoy my coffee now.
Mom and pop Dorsey must have been proud parents. Jimmy, older brother to Tommy, enjoyed an immensely successful career as band-leader and musician (clarinet and saxophone). He teamed up with his brother in the late 20s and early 30s to form The Dorsey Brothers Orchestra. The commercially successful brothers would go separate ways on separate labels, and would each find several years of critical acclaim. The Dorsey Brothers Orchestra would reunite in 1945, and again in 1954 to perform on Jackie Gleason’s Stage Show, a successful weekly hit television show centered on The Dorsey Brothers Orchestra (at this time, a new incarnation from the original). Both brothers would be dead by the end of 1957, but with the power of music, their legacy lives on.
(Very) likely acquired from Atomic Records (Milwaukee, WI) around the summer of 2001, this perfectly preserved Rocket from the Crypt logo sticks prominently on the office “coffee table.” A few other random bits and bobs linger around and throughout (needed to keep that organic Dole sticker), but this off-center design is one of my favs. RIP Atomic Records, and thanks for the free schwag!