Aside from Double Plaidinum, these five albums were Lagwagon’s discography for this young listener (some 17 embarrassing years ago), which makes this exclusive box set (limited to 519 copies), all the more exceptional. Have a look, then a listen, then hunt one down online. Released by Fat Wreck Chords back in 2011, she comes with a bonus reissue of the band’s first 7″… worth the price of admission by itself. Happy hunting, kids, and happy Friday!
Feeling a bit letdown today after having been outbid on Rocket from the Crypt’s coveted Rocket Pack… for the second time this year, so am clinging to the comforting grooves of Mr. Croce. This 1975 double LP collection from 1975 was nabbed for $4 in Vegas, and is littered with skips and major imperfections… much like my seemingly endless journey towards the Rocket Pack. Keep hunting if you can stomach the heartache, kids.
Or, something of the sort. Limited to only 100 pressings, the early 2016 copy of this magnificent 1997 album, is without question, on of the hidden gems of my humble collection. Featuring Dan Adriano, of Alkaline Trio fame, Tuesday’s only studio album is early, HONEST emo, in the best sense of the term. So, let’s be honest, here. Tuesdays come, as they do, and we can all get through them, with help from this album.
I’m excited to see New Jersey’s finest, The Bouncing Souls at the 3rd annual Horton’s Hayride this afternoon. An odd choice for the event, but I’m on board. Here’s to day drinking with coworkers down in San Pedro!
I just remembered the time I sold all my laser discs to afford a camping trip up the coast… anyway, Minutemen’s Buzz or Howl Under the Influence of Heat (1983 for those keeping score), is by far, in my humble opinion, the rawest non-single release from the San Pedro trio. Considered an EP, she contains 9 tracks, chief among them Little Man with a Gun in His Hand and I Felt Like a Gringo. There really is no bad place to start when it comes to this genre-bending troop, but if I had to pick, I’d say leave the 45-track Double Nickles on the Dime for a later adventure, and pick up Buzz or Howl.
An acoustic guitar on the solemn steps of some mysterious, ancient archway… nicely done, Mr. Morrison. My knowledge of this 1972 masterpiece, Van Morrison’s Saint Dominic’s Preview, is in desperate need of necessary, sponge-like absorbance. It’s been years since I’ve discovered this collection of hits, but I’m far from “knowing” it. All in due time.
Silk screened back cover to Money Mark’s debut 10″ Performing Chicken is a little lost piece of Beastie Boys (related) history that I recently discovered among my mountain of 10″ records this overcast Tuesday morning. From 1994 on Love Kit Records / Fido Speaks Music, Performing Chicken is classic, groovy downbeat with a bit of modern Latin flair. This mini-album is just the perfect tone and length for summer afternoon strolls to the hardware store for nubbins, or a quick trip to Kwik Trip for bagged milk. I’ve not heard anything that Mark Ramos-Nishita has touched that I haven’t fallen in love with, and I encourage you to give it a spin on your next trip to Jewish deli for turkey pastrami.
Strongly considering becoming an Anaheim Angles fan after what the Los Angeles Dodgers did tonight, though it pains me to say… to no end. Lucky for me, I’m a Milwaukee Brewers fan, and have no need to worry about any of our low budget pitchers throwing a perfect game, something that has only been done 23 times in Major League Baseball history… each team plays 162 games a year, just in case you forgot. Wishing you many, many sleepless nights, Dave Roberts.
As a break-off from Atlantic Records back in 1955, Atco Records served as home to non-soul / jazz / blues records throughout the early 1960’s and 1970’s, most notably Cream, Vanilla Fudge, Tim Hardin, and an early 1961 Beatles 7″ featuring Tony Sheridan (though some sources claim 1964). Before turning focus to mid-1970’s hard rock, Atco released catalog no. 33-210, which just so happens to be Tim Hardin’s earliest recordings (1963-ish), This is Tim Hardin. If the catchy logo doesn’t grab ya’, the historical significance of this genius’ earliest recordings should be enough to peak some interest, or at the very least, demand a spin on a random Thursday night.
Fat Wreck Chords’ subsidiary, Honest Don’s Records, was a heavy-spun favorite back in my early college days. Diesel Boy’s Strap on Seven Inch (a 7″, naturally) was my first introduction to the snotty Santa Rosa band, and I’ve been (nostalgically) hooked ever since. Venus Envy is the band’s second studio album, and just arrived on my doorstep. If you know a Don, keep him honest. If you don’t, have your way over here.
Los Angeles isn’t known for its groundbreaking radio stations, unfortunately, but there is one that, to put it lightly, and without blemish, stands above the less than appealing hoards, 88.9’s KXLU out of Loyola Marymount University. If yesterday’s Big Wednesday by Buffalo Daughter is any indication of this station’s wide scope, and it is, one can not properly prepare (nor should they), but instead, should allow for the unimaginable to spray forth from 88.9 (FM stands for frequency modulation, btw… sorry if you knew). My digital dial to and from work is daily fixed on this magnificent frequency, and I applaud the station’s self-proclaiming, non-commercial approach. It’s refreshing, and informative (don’t Shazam and drive, kids). If you find yourself in LA, tune in. Latin fiesta, aka Alma del Barrio, every Saturday and Sunday from 6 to 6, and the International Voice of Reason (Ivor) Fridays. You’re welcome.
God bless Newbury Comics, for they’ve produced a 300 white vinyl pressing of the Monks’ (only) album, Black Monk Time. 300 copies, ladies and gentlemen… and they’re still available. Here… you’re welcome.