Right on the Marx

First of all, take a long look at that 1987 hair. You didn’t look long enough… have another glance. Now, just think that there were only two artists in history, that being recording history, to reach the Billboard Hot 100’s top three with four singles from a debut album (Is the Billboard Hot 100 still a thing?). The first, Whitney Houston, and the second, Mr. Mullet, Richard Marx. This album was essentially the soundtrack to the summer of 1987! Don’t Mean Nothing, Should’ve Known Better, Endless Summer Nights, and Hold on to the Nights. I mean, k’mon! One man, one album, his debut, four singles, top three. History. Just like that.


This is…

This is Henry Mancini is a dynamite double LP “best of” release from RCA Victor. Released in 1970, This is contains the finest cuts from Mr. Mancini’s esteemed resume: Peter Gunn, Moon River, My One and Only, Mr. Lucky, March of the Cue Balls, Midnight Cowboy, and of course, The Pink Panther Theme. If you’re the casual Mancini listener and are looking for a catch-all release, This is Henry Mancini is exactly what you’re looking for.


Though not as well received as either 2003’s Animositisomina or 2006’s Rio Grande Blood (a play on ZZ Top’s 1972 album, Rio Grande Mud), 2004’s Houses of the Molé proved that 1) Ministry could sustain without Paul Barker, and 2) there would be, in fact, new Ministry music. Good, but not great, I’m just happy I can start filling in the much-needed Ministry discography gaps.

In the Beginning

A familiar sight to many of you who own, what I’ll argue to be, one of the top 10 recorded pop albums of all time. Van Morrison’s 1968 Astral Weeks is a timeless, immortal collection of eight tracks broken into two parts: In the Beginning (side A) and Afterwards (Side B). Though Astral Weeks is technically Mr. Morrison’s second studio record, it is, without question, his first, and best album.

Release Date Taboo

It never really dawned on me how damn similar these two album covers were. On the left, Arthur Lyman’s, Taboo, and on the right, The Legend of Pele. Now, what’s interesting, is that the internet can’t get its release dates straight. Some reputable sources are saying Taboo is Lyman’s debut album, released in 1958, while Pele was a 1959 release (with a few additional albums separating the year gap). Other sources are saying Pele was also released in 1958, and that Leis of Jazz (originally thought to have been released in 1959) is actually Lyman’s debut album, being released in 1957. Unfortunately, there is no clear source for this valuable information… give me some time.