I’ll admit that I didn’t think much of Beach House’s Devotion when I first heard it back in ’07, but I will say, without any hesitation, that I strongly stand behind their choice of colored wax. Featured here is the Vinyl Me, Please 10th anniversary edition. I’m hopeful that time has been kind to this album, but I guess we’ll see.
So I’m contemplating, debating really, about discontinuing my Vinyl Me, Please subscription. For a few reasons, really, but mainly because my personal wantlist is so vast and varied, I feel the $30 / month price tag can be better suited on other, needed releases. That being said, I just received Miles Davis’ 1967 Sorcerer last night, this month’s Vinyl Me, Please release, and I instantly fell in love with the minimalist art by Santiago Carrasquilla (an art print and drink pairing come with each month’s record, for those of you unfamiliar with VMP). The debate to stay a subscriber was predominantly one-sided, until I saw this print. Most exceedingly frame-worthy, this print is single-handedly forcing another thoughtful evaluation of this monthly service. To be continued, I suppose…
Ladies and gentlemen, the Vinyl Me, Please 2017 Holiday Gift Guide… is… HERE! For record collectors, this foldout, 8-page catalog is like a Sears Christmas catalog from yore (1985, I’m looking at you). I strongly suggest becoming a member if you aren’t already. Exclusivity for the holidays makes for a great gift.
I’m a bit perplexed by the fact that I can’t find the Vinyl Me, Please store exclusive to Willie Nelson’s The Words Don’t Fit the Picture. Nothing appears in the search bar for “Willie Nelson” so my first thought is that it’s sold out, which is odd because VMP usually keeps the title online but notes its unavailability. The second clue to this great October ghost is that no 2017 reissue appears within tWDFtP album entry on Discogs. This could have been an premature advertisement, or it could very well be false advertising. Whichever carries more weight, I suppose is the valid answer.
I’ll admit a few things today. 1) My experience with The Notorious B.I.G. is very limited, and 2) I’m more excited for this month’s Vinyl Me, Please release than I probably should be. Ready to Die was Biggie’s debut album, and was originally released in September of 1994 by Bad Boy Records. That is, unfortunately, just about all I know about this classic East Coast hip hop album. Drop the needle, fool.
I am just a poor boy, through my story’s seldom… wait… wrong Boxer. I’m excited for this month’s Vinyl Me, Please release (vol. 56) in The National’s 2007 effort, Boxer. I’m not familiar with The National, but if VMP is distributing this album’s 10th anniversary release, it MUST be worth spinning. I will say, as an aside, that the Betty Davis debut rerelease (last month’s selection) was by far one of the best VMP releases yet. Keep it up, Vinyl Me, Please!
I’ll admit, I was pleasantly surprised by the wistful exuberance quietly erupting from Tennis’ fourth studio album, 2017’s Yours Conditionally. She was a polite dinner guest the other night while I enjoyed a lovely tuna quinoa dish with Mrs. Prudent Groove. Yours Conditionally was a Vinyl Me, Please release, Vol. 51 to be exact, and is housed in a VMP variant cover with exclusive pink and blue colored vinyl. She was released back in early March, but we’d only just gotten around to spinning it. Tennis… welcome to the collection.
I don’t know much (if anything) about Main Source, this month’s selection via Vinyl Me, Please, but I’m intrigued by the egg-like vinyl pattern. Originally released in 1991, Breaking Atoms appears to be Main Source’s debut album. When exploring new acts, I prefer (as I assume many, if not all of you do) to start at the beginning. Eagerly anticipating unscrambling this salty spin, for sure.
Last month’s VMP (Vinyl Me, Please) insert looks, well, it looks exactly like the picture on the left. Nothing too exciting on display, but what’s missing, and what could have been a full page ad was the (now out of print) debut reissue by The Avalanches, Since I Left You. Can’t WAIT for that one to show up.
So, quick story. I’m a member of Vinyl Me, Please, and outstanding record-a-month club that you should most certainly check out if you aren’t already a member. Well, last month’s double LP was Panda Bear’s Person Pitch, and instead of getting disc 1 and disc 2, what one would assume, I got 2x disc 1s. It actually took me a song to realize when I put the 2nd record on the platter. Anyway, I took a photo of my bastardized album, send it to Vinyl Me, Please, and in less than a week I received a brand new, fully functional double LP of Person Pitch, this time with correct discs. Vinyl Me, Please made right, and I’d like people to know that.
So the photo. The photo is the art print that came with Panda Bear’s Person Pitch (one comes with every month’s release, as does a pairing cocktail catered to that month’s specific album… it’s pretty damn cool). I’m not sure if there is a name of the print, but it’s original artwork by Mi Ju. Give respect where respect is due, kids.
Not only do I need to start taking photos that are much more level, I need to start mixing these luscious cocktails from the Vinyl Me, Please releases. They boast themselves as the best damn record club on the market, and they’re certainly not wrong. We here just need to utilize their many spoils. If you’re pondering a club where everybody knows your name, consider Vinyl Me, Please. It’s not shitty, and that’s a good thing.
Ok, so I may not love this insert simply because it’s reminiscent of inserts 50 years its junior, although that helps, but what really stands out is its simplistic, yet effective layout, not to mention its frame worthy design. This modern takes on vintage art, recently discovered last night, is just one of the things that makes this shameless collector secretly grin.