1985’s Vive Le Rock was Adam Ant’s last album before the English star (and 80’s sex icon) turned his focus to acting (stage, television, and the silver screen). New Wave pop rock lovers wouldn’t get the opportunity to spin another Ant record until 1990’s Manners & Physique, but if you’ve got a hunger for the flamboyant flash of Stuart Leslie Goddard, Vive can be had for under a Lincoln.
If my (faded) memory serves me right, and it very well (likely) may not, I didn’t get around to Porno for Pyros’ debut album until after diving head-first into their sophomore masterpiece, Good God’s Urge. Porno for Pyros (the album, not the band) is much more primal and resentful than their second album, so its absorption, in comparison to the more intimate and ethereal GGU, took a bit more time. I will say, that this album certainly does hold up (some 25 years later, or quarter of a century, if you REALLY want to feel old), and in any form, is quite deserving of a lifelong place in any collection.
Did a bit of a greatest hits over the weekend, spinning several personal classics, including Cattle Grind off Revolting Cock’s 1988 classic live album, Live! You Goddamned Son of a Bitch. This 10-track double LP is certainly not for the faint of heart, but is well worth the listen for those with an experimental disposition, and a general willingness to enjoy the art of noise.
Hats off to Tomato, the London-based art collective, for not only the otherworldly cover design to Underworld’s dubnobasswithmyheadman, but also the four-sided insert sleeves. dubnobasswithmyheadman is certainly a work of art, judging by the progressive house music alone, but the overall experience is exemplified by this gorgeous artwork. dubnobasswithmyheadman is, without question, an absolute must-have.
Think Southern Rock bluesiness of Brothers and Sisters (The Allman Brothers Band) coupled with that classic masterpiece of imaginative longing for a Southern-American lifestyle not experienced (Muswell Hillbillies by The Kinks), and you sort of get the gist of Stampede by The Doobie Brothers. The Doobies have (seemingly) always showcased the more up-beat, driving side of classic rock (like many, many others), while maintaining a funk not expected from a handful of country-based good ol’ boys. Stampede is undeniable Doobies… heartfelt lyrics, unquestionable harmonies, stellar electric guitar, and it also happens to be the band’s last album with Tom Johnston on lead vocals. He would later be replaced by Michael McDonald on 1976’s Takin’ It to the Streets. However you break it down, Stampede is a worthy spin.
Leave it to good ol’ boy Roy Clark to team up with Pringle’s (circa: 1978) to righteously promote “Hearty Country Style” flavored tube-chips on the back of his 11-track classic, Roy Clark Sings Country Style. Remember back in June when I inquired about what other prominent country legend was associated with a delicious, rural delicacy? Well, Mr. Clark, I stand corrected.
This beautifully designed, mid-century insert (from 1962) accompanied Harry Belafonte’s The Midnight Special album, and could be used (with $2) to redeem The Midnight Special Songbook. This special offer provided fans and purchasers of this album with information on where to send their $2 (Belafonte Enterprises, Inc.), and boasts about the amazing advantages of owning this great songbook: “Now you can sing… play… dance to these songs at parties, at informal gatherings, in the privacy of your own home.” So what’s stopping you? Put down that Two Buck Chuck (which is now no longer two bucks) and take advantage of this exclusive offer!
I botched the color vinyl version (green) of the most recent Mad Caddies album, Punk Rocksteady, but after spinning this yesterday, I’ve concluded that it just doesn’t matter. This album is PERFECT in any shade of polyvinyl chloride. One simply cannot go wrong with Solvang’s brand of reggae set to classic punk tunes. Buy. This. Record.
Though they’re currently banned from playing any major venue in the United States, NOFX was (and still pretty much is) a big event, especially at the (now defunct) Hollywood House of Blues. Can’t remember which date I attended, but I had to go solo for this one (2007). Bonus points for the inclusion of Pennywise on the same flyer.
Well, a very, very bad mistake can now be put to rest, thanks to my wife (thank you!). You see, I’d stupidly passed up a chance to acquire the limited, aqua blue double vinyl release of Old 97’s classic, Too Far to Care. Little did I know that the next opportunity, and the only other opportunity (for nearly 5 years) would price this album 3x – 4x higher than that copy I’d originally put back on the shelf (for shame!). Missed opportunities die a slow and painful death in the life of a record collector, as you well know, so I’m grateful to finally put this one into the ground.
Ok, so yesterday was showcasing an event from 2000, so let’s wiggle ourselves up just a year for the 2001 Vans Warped Tour. Featured (in Milwaukee) at this event were The Ataris, Pinhead, Guttermouth, The Vandals, The Misfits, Kool Keith (yes, THAT Kool Keith), Hank Williams III, Bouncing Souls, Rancid, Me First and the Gimmie Gimmies, AFI, 311, and of course, no early 2000’s riot event is complete without Less Than Jake. It was a-hell-of-a-lot-of-fun, as you can imagine, and I’m happy to have held on to this little piece of personal, entertainment history.
When the Blue Meanies are headlining over Alkaline Trio, you know you’re in the early 2000’s. Thanks to Mike Park (owner and creator of Asian Man records, and saxophone player for Skankin’ Pickle) for organizing this awareness show “promoting positive youth development through engagement in the arts and social change.” The foundation appears to be still going strong, and you can check out more about them here.
Front 242… a (long-lived) obsession back in my late 20’s. This particular show at the Avalon in Hollywood featured a sick visual accompaniment to this legendary Belgium band’s aggressive EBM soundtrack. I actually spoke with the videographer after the show and expressed my esteemed gratitude for his / their work. This, the Catch the Men tour would be to promote the band’s last studio album. They’ve since released several other live albums, but this show was definitely one for the ages. I’ve been meaning to see them ever since…
This flyer was obtained at Propagandhi / Avail show in Green Bay, Wisconsin back in the day. This was a nutty show, full of stinky Midwestern punks throwing themselves around to some damn-good Canadian pop-punk. Yes, I was one of those sweaty idiots. I’d forgotten all about this show until stumbling across this flyer. Good times.