… It’s a Femur Bone…

FINALLY! The Burbs, the late 80s classic summer blockbuster (more like cul-de-sac-buster, am I right?!) gets a deserving vinyl pressing on this double, 180 gram “suburban sky” colored wax by Waxwork Records. This extended score by Jerry Goldsmith is flawless from start to finish, both in its superior audio quality, and its newly-imagined packaging. Some might scoff at he $36 price tag, but all things considered, this essential score, for the first time, of this quality, well, that’s something worth chanting about, right Ray?

The Music Machine vs. Rocket from the Crypt

Versus carries with it a strong connotation… perhaps it should be more like, The Music Machine as respectfully interpreted by Rocket from the Crypt, or The Music Machine who you’ve never heard of because you suck and don’t know shit about good music, but we do because we’re Rocket from the Crypt. However you label it, if labels are your thing, both The Music Machine’s debut LP, 1966’s (Turn On) The Music Machine and Rocket’s 1995 5″, Plays The Music Machine are a perfect pair of connecting puzzle pieces that help to line the interwoven fabric of the great rock n’ roll battlefield. This particular copy of Turn On is a RSD exclusive from last year, where both the Rocket 5″s were released by Sympathy for the Record Industry (original releases, both of them). If you’re into garage rock, own a garage, or hell, can SPELL garage, you need to check out both The Music Machine and (damn near) anything by Rocket from the Crypt. Happy Friday, kids.

Spearheading

Sun Ra has done a fantastic job of eluding me for much of my “listening career.” I caught wind of this intergalactic wizard only a few short years ago (when I’d bring my portable turntable into the office… you know, the day job…), and somebody from the Lighting team brought in an original, though severely damaged, copy of Sun Ra and His Arkestra’s debut LP, Super-Sonic Jazz. Since then, and rather recently, I’ve acquired the “space age pop” compilation Exotica, and this RSD Black Friday exclusive, Crystal Spears. If you’re in the riveting mood for avant jazz with little-to-no boundaries and a whimsical, yet rhythmic drive, take a deep, lasting breath, and give Crystal Spears a spin. Not one for the faint of heart, this record cuts deep, and should be spun quite regularly.

Zombie Zombie

Mainly just a post for the photo, but I’ll say, without a hint of hesitation, that as long as Newbury Comics keeps pressing exclusive vinyl releases of Odessey & Oracle, I’ll continue buying them. Maybe I’ve made this statement before… come to think of it, sure… I have. The Zombies have been nominated again (their fourth nod) to the rock and roll hall of fame. Fingers, toes, and wires crossed, they make it this year. They’re clearly deserving of the offer.

Riot

So, I’m not a fan of social media, for a slew of reasons, but once in a while, my casual strolls through the Instagram and Facebook walls pay dividends. Case in point, this Riot Fest flexi pack from Fat Wreck Chords. See, I didn’t go to this year’s Riot Fest (or any of the prior years), but one of the punk dudes I follow posted a quick heads up that Fat was selling leftover flexi packs on their website for a cool $15. Included is a split between Mad Caddies and Face to Face, Snuff and Swingin’ Utters, and finally, Night Birds and NOFX. Flexis, as a rule, don’t contain a whole lot of quality, but this pack was a fun surprise. Thanks, Instagram dude!

High Fidelity (aka “Barry, the Door!”)

Now, I was certain I’d already posted about this seminal soundtrack, but a quick site search conflicts with my shady memory. Originally released in accompaniment with the film in 2000, this 2015 colored vinyl version was a Record Store Day Black Friday, 15th Anniversary release from November 2015. There also appears to be a red vinyl version, limited to 500 copies “pressed exclusively for Red Bull Sound Select’s 30 Days in L.A.” (Thanks, Discogs.com). The only prior vinyl version came from Germany or the UK, and were extremely limited (not to mention fetch a hefty price online). 2016 black vinyl versions fetch for around $20, so options a-plenty.

Evil Red

Rage’s second album, 1996’s Evil Empire was a (bit) more refined outing when compared to their debut album (that which was released four years earlier), 1992’s Rage Against the Machine. A classic, though not as highly regarded as their debut, Evil Empire recently received the Newbury Comics treatment, with this red colored vinyl pressing of 1200 copies. In any color or limited run, this album is a no-brainer.

Just Another Shape on the Wall

Another day, another The Shape of Punk to Come pressing. I believe this brings the personal total to 7 different pressings of this essential album. This one just dropped from Newbury Comics and is limited to only 500 copies. $29.99 is certainly not a bad asking price for this double LP, and as of the time of this writing, they are still available from Newbury. Yes, 7 copies of the same record may seem a bit excessive, but as long as they keep pressing variants of this seminal album, I’ll keep buying them.

It’s All in the Reflexes

Man, do I love Mondo. Though there is a SDCC (San Diego Comic Con) pressing on clear vinyl with blue splatter (limited to only 500 copies), I’m more than happy to own this retail version on blood red splattered vinyl. This soundtrack to John Carpenter’s unquestionable classic, Big Trouble in Little China, is a remastered, double LP set, and sounds absolutely perfect. If you don’t already own the original 1986 soundtrack, or hell, if you do, treat yourself (right now) to this essential classic, and remember, it’s all in the reflexes.

Off Broadway

Between my fits of laughter over movie quotes pertaining to tomorrow’s post, I remember an old, short-lived Chicago punk band from the Asian Man Records label. The Broadways released one studio album in 1997’s Broken Star. Presented here is a reissue from a questionable, yet recent year on gray marble vinyl. It’s either from 2008, 2014, or 2016. My memory tends to lag these days. Anyway, check out 15 Minutes for a good idea of this seminal band. You’re welcome.

Mr. Bruce

To be completely honest, I’m not exactly sure where, or by what means I acquired Lenny Bruce’s first two records. Ebay maybe? This would have been quite some time ago, but it’s been a while since I spun either of them. Relatively tame, all Lenny Bruce-things considered, I’d still suggest both of these Fantasy Records releases to those of you into history and comedy, and generally anything good. To my knowledge, there are both red and black vinyl versions of both, so, you know, pick your poison.

Golden Planet

I’d been holding out for an original pressing of Digable Planet’s debut, 1993’s Reachin’ (A New Refutation of Time and Space), that was, until I discovered this limited gold vinyl 25th anniversary reissue from February of this year. As the first official vinyl reissue, this double LP is limited to 1000 copies worldwide, and doubles as an “Indie Record Store Exclusive” which is exactly where I found it. The Planets released a total of two studio albums (spanning 1993 – 1994), both of which are essential owns. Next up is 1994’s Blowout Comb, which I’m hoping will get the same 25th anniversary treatment next year.

Care

Well, a very, very bad mistake can now be put to rest, thanks to my wife (thank you!). You see, I’d stupidly passed up a chance to acquire the limited, aqua blue double vinyl release of Old 97’s classic, Too Far to Care. Little did I know that the next opportunity, and the only other opportunity (for nearly 5 years) would price this album 3x – 4x higher than that copy I’d originally put back on the shelf (for shame!). Missed opportunities die a slow and painful death in the life of a record collector, as you well know, so I’m grateful to finally put this one into the ground.

Two Tickets to The Park

Leave it to Mondo. Am I right?! At the end of May they reissued the 2 LP soundtrack to John Williams’ Jurassic Park. This 180g yellow and red swirl with black splatter color variant showed up on their site for about a day, and is now no longer available. Preowned copies are up on Discogs for $79 to $199.99, so I’m glad I ignored my hesitation and nabbed this gem when I did. Nobody beats John Williams. Nobody.

Technicolour Explosion

That’s the official vinyl color for this recent pressing (May 25th) of Odessey and Oracle by British chaps, The Zombies. Technicolour Explosion. (Yet) another Newbury Comics exclusive (limited to 1000 copies), this gorgeous reissue feels like 180 gram vinyl, though this perk isn’t noted anywhere in the item’s description. This is now our third version of this essential album, with (at least) one more to come… the US alt cover reissue from 1969.

Still Avail?!

It surprises and kinda weirds me out that this double LP of Deltron 3030 Instrumantals is still available from Newbury Comics. Limited to a staggering 300 copies, this 12-track giant strips out Deltron while preserving Dan the Automator and Kid Koala’s legendary foundation. If you have half a mind, are in to amazing conscious hip hop, and have $24 in your pocket or bank account… GET THIS ALBUM!

Pulse (The Goodies)

It was a Front 242 type of morning, as you can clearly see. I’d all but forgotten about all the groovy goodies inside the 2016 release from Alfa Matrix titled, <Filtered> Pulse. The gold record is limited to 242 pressings, and included is a nifty poster, a postcard type thing, and the 9-track CD of the record. For a solid (gold) EBM fix, look no further than <Filtered> Pulse (also available on clear & solid purple, solid yellow & black, and solid purple colored vinyl. All colors limited to only 242 pressings.)

30° Somewhere

The Promise Ring’s debut album, 1996’s 30° Everywhere is, was, and will forever be the soundtrack to dark and dreary winter evenings in Milwaukee, Wisconsin. Originally released on Jade Tree Records in a variety of colors (blue, grey, red, white, yellow…), this 12-track opus is considered an integral part of emo’s second wave. Most scoff at the term emo, and they’re not necessarily wrong, as the term has ballooned into absurd and embarrassing proportions, but this album, this band, at that time… well, there was little better.