What was, a short week ago, just entering my conscious via casual coffee conversation, is now a welcomed member of our record library. The 20th anniversary of the From Dusk Till Dawn soundtrack is featured on double blood-red splattered vinyl, comes with a foil-stamped number of 5500, and was officially approved for release by Quentin Tarantino and Robert Rodriguez. Not sure what that says, but it says something.
Excited to spin the newest from Death Waltz Recording Company (a division of mondotees.com), Angelo Badalamenti’s Twin Peaks: Fire Walk With Me. With subtle cover that’s similar in design to the 2016 release of the show soundtrack also by Death Waltz Recording Company (you see, for those of you who are anti-cherry pie and black coffee, Fire Walk With Me is the feature film that followed the cancellation of the famed TV series). Lots of new and exciting records hitting our doorstop these days. Happy spinning!
The magnificent soundtrack to the 1981 hilarious comedy Stripes JUST received its first vinyl release. Exclusively from CCVinyl.com, this red, white & blue striped record is limited to only 1000 copies, and is surprisingly cheap considering it’s a Varèse Sarabande release. Have a look, then give them your money.
Forgot to post this last night. I’ll screen grab offers from time to time so as not to forget to order an essential record. Case in point, this “official” (non promo) release of the Hanna soundtrack by the Chem Bros. $30+ for a single record release is a bit steep, but when she’s limited to only 1500 copies, the decision is a no-brainer.
Not enough can be said about the soundtrack to the 1993 thriller Judgment Night. Pairing unlikely acts for an entire album’s worth of new material was a brilliant marketing technique from Music Supervisor Karyn Rachtman. You may know her work as Music Sup on a few of these other masterpieces: Desperado, Four Rooms, Reservoir Dogs, Mystery Men, Boogie Nights, and Pulp Fiction, to name a short few.
After the vinyl release of the coveted Rushmore soundtrack, I’ve had an itch to acquire all the timeless Wes Anderson soundtracks. With the recent addition of The Darjeeling Limited (2015’s RSD release), there are but a handful of yet-to-be-released vinyl gems that top this fan’s favorite list. Bottle Rocket (obviously), and relevant here, The Life Aquatic with Steve Zissou. Both have never received proper vinyl releases, but this double colored vinyl comp of Seu Jorge studio sessions does the trick until an official release rears its waxy head.
Finally, the birth of my lifelong Kinks obsession gets a proper vinyl release. As with so many other groundbreaking introductions to inspirational and root-forming suggestions, this film, Wes Anderson’s 1998 released Rushmore, was a lifelong suggestion, introduced to me by a friend we’ll call MM. We’d seen The Royal Tenenbaums in the theater together, and shared a wall where Rushmore’s official movie poster hung prominently. Rushmore, the soundtrack, much (Rush) more than the film, garnishes so much historical weight, it’s at some times difficult to acknowledge that this day, a day in which the soundtrack to Rushmore on vinyl, is finally a reality.
File under: Too Good to Be True.
1978 was a great year for a lot of great reasons, leading that list is, of course, the Ralph Bakshi directed animated feature, The Lord of the Rings. Number 2 on said list would have to be Leonard Rosenman’s soundtrack to the film. This double LP album filled with fantastical circumstances of Magical proportions is a personal favorite among my circle (of two). Theme from Lord of the Rings (track one, side one) is played, proclaiming the victorious card player as the overlord supreme commander after a labored, yet smashing day filled with mana, spell-casting, and general adolescent buffoonery. This soundtrack is essential for a victorious lap following heated social battles, and for shaming the battered loser, all in one commanding spin. Recommended.
Let us, on the 13th day of August in the year of our Lord, 2015, give homage and respect to Mr. Henry Mancini and his unforgettable and ravishing work on the 1963 film, Charade. Often touted as “the best Hitchcock movie that Hitchcock never made” (by uncredited sources), Charade is a forceful little tart of a film with just the proper amount of Cary Grant schtick spliced with just the right amount of 1963 Technicolor Audrey Hepburn. It’s great for a nonchalant Thursday viewing, but doesn’t measure up to any of the Sunday Hitchcock classics. None of this, however, in any way takes away from the overpowering Henry Mancini brilliance. Good day.
You know, when a bootleg soundtrack to one of your favorite films majestically shows up on the wall of a Philadelphia record shop you happen to stumble into (mainly because of all the good craft beer… stumbling, that is), you know it’s going to be an “interesting” day. Said day happened, with great joy, until yours truly discovered a blue vinyl version of the same bootleg… $30 down the pipes, but the music is still stellar.
RIP John Hughes.
Bernard Herrmann (double N), and the Hitchcock extravaganza… get this masterful record, after all, it’s a Varese Sarabande release, and those in the know, know. Released in 1980, a solid year after my manifestation, Vol. 1 in the Soundtrack Series, this is certainly one to seek out. On a day of SEVERE disappointments, North By Northwest is a comforting chap.
I set out to acquire the Jaws soundtrack on 8-Track for the upcoming annual Jaws Day (July 3rd, don’t forget), and I ended up with a dirt cheap, fully functioning set of the following, all on glorious 8-Track: Jaws (Music from the Original Motion Picture Soundtrack), Star Wars (The Original Soundtrack from the 20th Century-Fox Film), and this copy of Star Wars – The Empire Strikes Back. All in (just about) perfect working condition. I never thought I’d enjoy the romantic static and bass-heavy warmth of 8-Track sound as much as I do… makes me glad I keep the player in the living room. My SO on the other hand…
Written by Ad-Rock and producer Rick “Def Jam” Rubin, the 1985 soundtrack (or “sound track” as it’s listed on the cover) to the smash-bang-hit, She’s On It, is little more than an elaborate, mediocre, wave two Beastie Boys offering. There’s a reason She’s On It never appeared on a proper album, and that’s because it’s shit. I love the Boys Beastie, but I’m sorry. This song is terrible… and the video is even worse. But… this razor-edged opinion in no way prevents me from seeking out this release to round out the collection. 1985 Beastie Boys was a very sad, but ultimately necessary phenomenon… one that would be all but eclipsed with the dawn of a new era (wave three), ushered forth by the impeccable Paul’s Boutique. It’s okay to question your heroes… RIP MCA.
With CCR, Hendrix, Dylan, and original compositions by Neil Young, the 1980 soundtrack to the Hunter S. Thompson laugh-riot, Where the Buffalo Roam, is classic, classic rock. Bill Murray, aka Mr. Thompson even does a goofy-ass version of Lucy in the Sky With Diamonds. Needless to say, this comp is worthy of any and every Gonzo out there.