Leave it to Mondo to release not one, but two colored vinyl versions of the NES classic, Contra. Side one features the NES version, while side two promotes the arcade version. Both sides at glorious 45rpm (for that maximum quality sound), this split red / blue colored vinyl version is the more easily accessible of the two releases (the other being a 2017 Comic Con exclusive). Up, up, down, down, left, right, left, right, B, A, start. Never forget.
Tag Archives: Nintendo
Read What You Listen To
I’m excited for these newly (ish) released 33 1/3 titles from Bloomsbury Publishing! Adding to the handpicked selects from this amazing series that already includes The Kinks are the Village Green Preservation Society, Paul’s Boutique, Double Nickels on the Dime, People’s Instinctive Travels and the Paths of Rhythm, and 20 Jazz Funk Greats (to name a few), is Dead Kennedys’ debut, Fresh Fruit for Rotting Vegetables, and Koji Kondo’s Super Mario Bros. Soundtrack. I can honestly say, I’m not sure which title I’m more excited for. These books are quick and entertaining reads, and with over 108 titles on albums by a diverse collection of bands (from Serge Gainsbourg to Joy Division), you’re certainly bound to find something that tickles your learning fancy. Here’s the checklist. Have a look, and get reading!
Spy Hunting Peter Gunn
I imagine, that for many TV watching thrill-seekers in the late 1950s and early 1960s, the Peter Gunn Theme is synonymous with well, the show Peter Gunn. The award winning Peter Gunn Theme (1 Emmy, 2 Grammys) was composed by the late, great Henry Mancini, and has been heard by just about every living soul the world over. I’d heard this so called Peter Gunn Theme, quite literally, countless times as a snot nosed kid, but had no idea who Henry Mancini was, and until just recently, had never heard of a suave, cool jazz-listening PI by the name of Peter Gunn. Hang in there… I’ll try to make this quick.
The year was 1987, and our local grocery store offered 2-day video game rentals. This was a fairly new addition to the existing VHS rental market, and served as an 8-bit lifesaver for many of my adolescent days. I saved up my weekly allowance and would bike down to the Piggly Wiggly grocery store (the village consisted of 1200 people, so you can imagine the trip didn’t take very long), and peruse the Nintendo Entertainment System new game releases. I’d always been a fan of spies (not entirely sure why), so the new release, Spy Hunter, caught my eye… and my $2. I waited in line to pay for my new 48-hour obsession, and without even looking at the MAD Magazines, I biked home as quickly as I could to see how many spies I could successfully hunt down.
If you’ve never played either the 1983 arcade or the 1987 NES version of Spy Hunter, its theme… the Spy Hunter Theme, apparently, goes by another, more popular name… the Peter Gunn Theme. I’ve grown to love Mancini, and although I’ve never seen a lick of Peter Gunn’s spy hunting abilities, I’m interested in checking it out. That being said, the Peter Gunn Theme will always and forever be known, at least for those of us who grew up in the 80s, as the Spy Hunter Theme. Watch out for those armored cars, kids, and don’t forget to return your rented cartridges. Late fees are a bitch!
Country Moog Music
Question: What do you get when you maliciously combine Country Music with the Moog synthesizer? Answer: An 8-bit Nintendo sounding, country groovefest titled, Nashville Gold.
“The combination of country music and the Moog brings it all together with a “Now” sound that will hold up for a long time to come.” Betsy Rothner knew this, and now, so do you. Gil Trythall, the brilliant mastermind behind this gap-filling, genre-breaking, crossover album “was born in Tennessee and still lives there with his Moog and some other people.” I hope Mr. Trythall’s Moog is paying its fair share of the bills or those “other people” might start to get uppity and turn Tennessee into a flour spilling, brick breaking riot fest (reference to the album cover).
“Mister, I says, this here’s a cotton-pickin’, finger-lickin’, barbecued, 110 volt, Nashville Moog.” – Gil Trythall on Nashville Moog.
I have no Earthly idea where I got this album, or why it exists to begin with, but somebody, somewhere in time thought they’d jump on the Walter/Wendy Carlos inspired Switched On bandwagon and capitalize on the 15 minute frenzy. This is NOT an album you’d simply throw on in the background at your next, vegetarian dinner party. This is niche music with a demographic consisting only of Gil Trythall’s roommates… the illusive “other people.”
November 20th, 1982
Before the Berlin Wall fell, before Cookie Puss and Professor Booty. Before Return of the Jedi. Before Lost, Seinfeld, Moonlighting and Breaking Bad. Before the Challenger exploded. Before Full Metal Jacket, the Hubble Telescope, and Mullet Heads. Before The Clash broke up. Before I’d survived my first Wisconsin winter. Before the World Wide Web, Flash and MP3s. Before Mad Cow, Def Jam and Netty’s Girl. Before the Dust Brothers and the Chemical Brothers. Before Cheers closed. Before Jimmy James, Country Mike and the Nervous Assistant. Before Nintendo, Powerpoint and CD-ROM. Before Johnny Ryall, Brass Monkey, BS 2000, the Tibetan Freedom Concert, Grand Royal, and the prequels. Before Ad-Rock…
There was Polly Wog Stew.
Released on November 20th, 1982 on NYC’s Rat Cage Records. Listen here.