Man, ever since finding The Honeycombs’ US debut for $1 at my local b&m, I’ve been obsessed with Have I the Right?. So when I found out that there existed a French, split 7″ with my favorite band (The Kinks), I knew it was only a matter of time. Yesterday, the (relatively) brief hunt subsided, and we’re now the proud owners of this gorgeous split EP. Down side, I’m now on the hunt for other mid-60s French 7″ releases.
I know I’ve asked this before, but is a multi-skip record worth $1? I’m of the party that wholeheartedly screams “yes” to this question, especially when said $1 record is The Honeycombs’ debut album, Here are The Honeycombs from 1964. Like many things of the time, this US version houses a different cover and different title (UK / original version simply titled, The Honeycombs), though maintains the same track order as the UK original, which is interesting. Moving on, Have I the Right? was the first and highest charting single by the band, a group that would only release two studio albums throughout their lightning career. Although the popular British songwriting duo Ken Howard and Alan Blaikley are credited as having written Have I the Right? (and they did), it was this riveting pop group led by their talented female drummer that forced the selling of over a million copies. If you’ve forgotten the track, have a listen.
Don’t take my word for it (no, please don’t. I’m still wrapping my head around this “astonishing new achievement in stereo recording.”) Ladies and gentlemen, taken straight from the inner sleeve of Enoch Light and the Light Brigade’s 1964 classic, Dimension – 3 – .
Remember when you first discovered stereo recording? Remember the excitement of finding that a single groove on a record could actually carry two separate channels of sound? Remember the revelation that the solid mass of sound which was what you were accustomed to in phonographic reproduction could actually have directional values? And that this sense of direction could also provide a sense of perspective and depth? What a tremendous change this made in the pleasures and excitement that could be provided by a phonograph! Suddenly you were in a completely different world of sound! Remember? You can experience that same sense of discovery again.
Dimension – 3 – is one of the most unusual records that has ever been made. On it you hear for the first time the perfection and an extra dimension in stereo reproduction that engineers have been striving for ever since stereophonic recording was introduced.
Dimension – 3 – the amazing new recording technique revealed on this disc, makes it possible to achieve triple presence in sound reproduction! This means that you actually hear sound coming from three sources – even though you are only using the customary two speakers!
(Truncated… for more on the mysterious and marvelous Dimension – 3 – sound, check your local record retailer, or visit us again at The Prudent Groove.)
Some days, not all days, are good days for sound effects. Functioning more as a stock audio library than a casual dinner party favorite, and in this case, volume 9 of such, Authentic Sound Effects (created and produced by Jac Holzman) is your one-stop shop for the following (but not limited to) exciting, and necessary sounds: Sonar Pings, Helicopter Start Up and Take Off, Hospital Waiting Room, Turnstile, Jet Airliner (Jed & Lina) Interior, Geiger Counter, Sonar Pings, Avalanche, Whip Cracks, and of course, the Good Humor Truck. Tickle your imagination and check out Authentic Sound Effects Volume 9. You never know when that bellowing Building Demolition sound will come in handy.
Intoxicate your ears with this furry little squirt, The Drunken Penguin. Having been searching for this damn album for longer than I’m willing to admit, I’ve, in the process, acquired a few other ragtime, saloon-style piano records from Mr. Fabric, and am a much wiser, and well-rounded man as the result. Bent Fabric… (get to) know him… (get to) love him. This album was my introduction to the greatness that is Bent Fabric, and I implore you all to pour yourselves a heavy, taxi-calling glass.
On Invisible Tears, Ray Conniff (and the Singers) offered their laid back, pop-jazz renditions of popular tunes of the 1964 era. With tracks like, I Walk the Line, Waitin’ for the Evening Train, and yes, you guessed it, Invisible Tears, your evening of quiet, unassuming dining room waltzes is only an invisible tear away.
Happy 2016! Introducing… the latest addition to the collection, Introducing…, an original copy owned by my SO’s mother, gifted to me this holiday season. England’s No. 1 Vocal Group just found a welcoming, and respectful home. Dear neighbors, this is your soundtrack tomorrow morning. You’re welcome.
This 1964 Kapp Records release of Satchmo’s Hello, Dolly! was more of a happenstance release, capitalizing on the Kapp Records success of Louis’ #1 hit single of the same name. Some sources say that Armstrong’s Hello, Dolly! knocked The Beatles’ Can’t Buy Me Love from the number one spot, but my sources may be inaccurate. 12 tracks of unmistakable Louis Armstrong trumpet bliss, Hello, Dolly! features Dixieland jazz renditions of Blueberry Hill, Jeepers Creepers, and A Kiss to Build a Dream On. Some days call for the subtle, honest brilliance of Louis Armstrong, and today is one of those days.
The latest thrift store excavation yielding nothing, let’s say, groundbreaking, but the PG was willing and eager to bring home this pristine 1964 Boots Randolph LP, The Yakin’ Sax Man, the, you know, quote, unquote jazz / easy listening LP. Have yet to listen to it (that sometimes happens), but the cover is aces!