This 1964 Kapp Records release of Satchmo’s Hello, Dolly! was more of a happenstance release, capitalizing on the Kapp Records success of Louis’ #1 hit single of the same name. Some sources say that Armstrong’s Hello, Dolly! knocked The Beatles’ Can’t Buy Me Love from the number one spot, but my sources may be inaccurate. 12 tracks of unmistakable Louis Armstrong trumpet bliss, Hello, Dolly! features Dixieland jazz renditions of Blueberry Hill, Jeepers Creepers, and A Kiss to Build a Dream On. Some days call for the subtle, honest brilliance of Louis Armstrong, and today is one of those days.
Not only is Bobcats Blues by Bob Crosby a riot of a blues album, its cover art is the best I’ve seen nearly all year! Released on Coral Records in 1956 (according to allmusic.com, although I believe this to be false), Bob Crosby and his merry band of saucer-lickers combine brass-happy jazz with the upswing ruckus of big band blues. Better known for their Dixieland ways, the Bobcats remain ambiguously cool while reminiscing the big band sounds of yesteryear (think the Dorsey Brothers, Les Brown or Glenn Miller on three pots of coffee).
This cat-astrophicly cool cover will remain, proudly I might add, on display in the PG office for the foreseeable future. With its combination of great, upbeat background jazz-infused blues, together with its amazing “cats on parade” cover, I strongly suggest you run out and adopt this album as soon as humanly possibly. Although Bob’s older brother Bing stole much of the family’s spotlight, mom and pop Crosby can’t help but view Bobcats Blues as the family’s crowning achievement.