So, I’ve wanted to transcribe the back cover to The Zombies’ (now legit) follow-up to Odessey and Oracle as I felt the band’s own explanation of what R.I.P. is will better suit those needing to know than me trying to piece together any sort of sloppy, half-baked narrative. So, without further ado, here is, in its entirety, the explanation of The Zombies’ R.I.P.
America’s love affair with The Zombies began in September 1964 with the release of, “She’s Not There,” and has more or less ebbed and flowed ever since. The song found almost immediate popularity on US regional radio charts and in October reached the national Billboard singles chart, rising to #2. In their homeland, the disc had peaked at #12 and The Zombies quickly earned the distinction of being more popular in the States. As proof, their follow-up release, “Tell Her No,” registered similarly, reaching #6 in the US and #42 in the UK. It would be their last UK chart single, leaving little room to redress the balance of their American popularity.
Despite radio and television appearances, two stateside visits and a slew of impressive singles on Parrot label, The Zombies also hit a commercial wall in America by the end of 1965. in 1966, they no longer bothered to invade the colonies and throughout 1967 they focused on recording an impressive long player, Odessey And Oracle. By 1968, they quietly disbanded due to the continued lack of interest in their fine recorded and live work.
As for their stateside record released, they seem to be well and truly buried. Following one single on Columbia (#Care Of Cell 44″), The Zombies’ new material was moved to the Date label. This seemed like the bitter end until a third single from the album, “Time Of The Season,” began picking up regional airplay in October 1968, long after it had been forgotten by the band and their label. Through the winter of 1968, it rose from the dead and by March 1969 had reached #3 nationally. As a result, Odessey & Oracle was also reissued in a revised album jacket and crept into the album charts the same month (reaching a high of #95).
Behind the scenes, The Zombies’ key songwriters, Rod Argent & Chris White, had made significant progress during 1968 to demo new material and were on the verge of launching a new band when this success lit up their phone lines. The Date label wanted a follow-up and fast. Despite the demand, it was unlikely that the original Zombies could be revived given that the other members had quickly moved on from music. Vocalist Colin Blunstone worked in insurance, guitarist Paul Atkinson focused on computers and drummer Hugh Grundy tried auto sales. Meanwhile, in the United States a group of imposters assuming the name of The Zombies toured the country, shamelessly riding on the success of “Time Of The Season.”
“We would never get together again,” remarked lead vocalist Colin Blunstone in February 1969, “we’ve all agreed on that. It was put to us, but we decided not to. There would be complications with contracts if we wanted to reform. it was not a case of me not wanting to join them, it was a mutual decision.”
However, no contractual issues prevented Argent & White from returning to the studio to record new material under the name The Zombies. At Morgan Studios in December 1968, they taped six new masters (“Imagine The Swan,” “Conversations Off Floral Street,” “Smokey Day,” “She Loves The Way They love Her,” “Girl Help Me” and “I Could Spend The Day”) and subsequently dusted off outtakes from past Zombies sessions spanning 1967-1966 with engineer Gus Dudgeon.
“Well,” explained Colin Blunstone in a rare interview with the UK music paper Top Pops published in March 1969, “CBS (Columbia/Date) wanted an album for America, so we used old tracks which had never been released. I sing on one side of the L.P. We brought the tapes up-to-date by adding certain things and taking away others. It sounds very complicated, but I think it turned out well.”
The “certain things” added where orchestration, backing vocals, additional keyboards and, in the case of “Walking In The Sun,” a new lead focal from Colin (who was now coaxed out of retirement and poised for a comeback under the name Neil McArthur with the revamped revival of “She’s Not There”). This album – evenly split between the new and the old – was given the clever title of R.I.P. and delivered to Date in early 1969.
Sadly, this project met its demise through commercial indifference, after a couple of pilot singles – “Imagine The Swan” and “If It Don’t Work Out” – failed to excite buyers (despite some snazzy cartoon promo ads). Although it undoubtedly features some of their finest recordings, this is the first legitimate issues of the R.I.P. album as it was originally intended in the United States. And so it seems that The Zombies, one of the finest groups to emerge from the 1960s, have gone on to an even more beautiful afterlife.
– Andrew Sandoval
We lucked out in finding New Worlds (Bill Murray, Jon Vogler and Friends) for about half off the (slightly overpriced) retail sticker of $25.99. This 2018 Record Store Day exclusive release of the 2017 compact disc was sold out at our local brick and mortar back in April, so I was pleased to see the discounted online price for this classic, double LP. Current copies on Discogs go for only $11.99, so order up, kids!
Man, I need to catch up on my spins. For their 24th studio album, The Kinks released Phobia. A 17-track diddy that would prove to be the band’s last studio effort. For Record Store Day this year, a double LP of Phobia was released on this fancy orange swirl colored wax. What’s better than The Kinks participating in RSD is that Phobia was only previously released on vinyl in Spain upon its original release back in 1993, and with copies going in the $800 range, this beautiful reissue was a no-brainer.
Woah, Nellie! This never before released 6-track EP from 1965 is a much needed breath of fresh air among the cloudy boulevards of smog city. Not since 1981’s Unforgiven (an uncompleted album) have we heard anything new from legendary songwriter Tim Hardin. Forget all the bells and whistles about the 45rpm, limited numbered edition, 180 gram vinyl, blah blah blah… THESE ARE NEVER BEFORE RELEASED SONGS BY TIM (MF) HARDIN! Obtain immediately, and at any price.
Harry Nilsson’s 1974 collaboration with John Lennon falls a bit short from misguided expectations, but is still a necessary inclusion to any collection focusing on pop music history. Pussy Cats was hyped as having been recorded during Lennon’s 18-month “Lost Weekend,” a period he’d spend in the early 70’s apart from Yoko. Nilsson’s broken voice and (obviously) medicinally-influenced demeanor are something to note in this gluttonous series of 10 tracks. Buy it not expecting much, and you’ll be pleasantly surprised. This 2018 RSD release on hardwood vinyl is limited to 1500 copies. Enjoy.
Presented here is our loot from this year’s Record Store Day. The big three were acquired (listed in order of necessity).
- Dr. Octagon – Moosebumpectomy: An Excision of Modern Day Instrumentalization
- Tim Hardin – Lost in L.A.
- The Kinks – Phobia
- Van Morrison – The Alternative Moondance
- Harry Nilsson – Pussy Cats
- Arthur Lyman – Bahia
- Leonard Nimoy – Mr. Spock’s Music from Out Space
One part feeling kind of lazy, mixed with a healthy dash of missing hype stickers, we’ll (briefly) stop to focus on this vibrant stamp on the left. This one is for Roy Orbison’s debut album from 1961, which received the RSD Black Friday treatment back in 2014. Numbered, limited, all that jazz, but most importantly, she’s an affordable way to enjoy this legendary artist’s first studio record. Thanks, hype sticker! You’ve done your job.
Did some late RSD Black Friday shopping and nabbed this groovy 10″ by At the Drive In. Apparently there exists a black / doublemint version limited to only 100 copies, but I’m happy to settle for this coke bottle clear w/ bone splatter version (but seriously, who comes up with these vinyl color names?!).
I was beside myself with excitement back in 2015 for this Record Store Day release of Rainbow Ffolly’s 1968 debut, Sallies Fforth… that was until I realized that it skipped on all three of my turntables. Brand new, extracted from beneath the cellophane coffin myself, and she skips… multiple times. This led me to believe, or at least consider, that it may be time to up the quality of my “everyday” turntable. So, once the fog of damage that is my car repair bill finally settles, it’ll be turntable hunting time. I guess it would be cheaper just to buy another copy of this classic psychedelic album, but I’m not one for taking chances.
So, it appears that Vagrant Records is doing a 20th anniversary vinyl rerelease series, and its two Rocket from the Crypt records are showcased. Both 2001’s Group Sounds (one of their best), and 2002’s Live from Camp X-Ray (not a live album, and neither 20 years old) are featured. The record to the left isn’t part of that series (I only just ordered the lot this morning), but instead was sold at both the band’s 2013 European reunion tour, and on 2013’s North American Record Store Day. Here is the Vagrant link if you fancy a look.
Check Your Head was released 25 years ago today. Crazy. Below is a copy and paste from the newsletter email from earlier today. Had to order the Brooklyn Dust Music hoodie. Had to.
Today is the 25th anniversary of the release of “Check Your Head”! To celebrate the iconic release we’ve got some classic apparel from that era. Check out the new tees and hoodie available and order yours in bundles with the Remastered Double-LP version of Check Your Head. We also also have a few copies of the Limited Collectors Edition Hardcover 4xLP but once those are gone, they’re gone! You don’t want to miss out on this 8-panel gatefold package with foil cover inlay, packaged in a fabric-wrapped, black foil-stamped hardcover “coffee table book” case. Both the Double-LP and 4xLP are pressed on 180-gram vinyl.
As an added bonus, the first 500 orders will get a free Beastie Boys Classic Logo Enamel Pin (US addresses only).
Check it all out at the Official Beastie Boys Online Store today!
Please contact email@example.com with any questions you may have.
Kings Road Merch
Hype stickers that deliver… SMoaSP (Shadowy Men on a Shadowy Planet), at their best, in their entirety.
Between rain delays and episodes of Murder She Wrote, I was able to get through a few records this weekend. One of which was this Record Story Day release by bay area misfits NOFX titled, Sid & Nancy. With some sources claiming a limited run of 1000 copies, and others saying 750, I felt it wise to enlist / convince a buddy to nab an additional copy. The music is run of the mill NOFX (and that’s a good thing), but the vinyl presentation is brilliant. Full disclosure here, I forgot to take a photo for today’s post, and was stuck with attempting to salvage whatever random record related photo I had on my phone… hence the birth, and by tomorrow, the ultimate death of this post. When your reminders go off, don’t ignore them…
Death of a Clown received an outstanding rerelease on this Dave Davies Hits 7″ for 2016’s Record Store Day. One of three Kinks releases, Dave Davies Hits also contains the personal fav, Susannah’s Still Alive. I, of course, say this with all due respect, but thankfully, Dave’s personal career didn’t take off in 1968. Village Green, Lola, Arthur, and Muswell were all to follow, and I for one can’t imagine what they would have been without master Dave on the 6-string.
Reason #242 why I keep the shrink wrap affixed to my records, this 2015 Kinks promo sticker from the Dedicated Kinks reissue 7″. Exciting it is not, but potentially interesting some years down the road? Absolutely. Happy holidays, kids!
It’s always an amusing and rewarding scene when you go bargain-record hunting with your significant other. We paid $0.33.3 for this Paul Whiteman interpretation of George Gershwin’s Rhapsody in Blue 10”, and it was clearly one of the highlights of our voyage. Encourage your SOs to join along in the hunt. A lively and vibrant world is sure to drop square on your platter.
Finally, a reasonably priced vinyl version of the Original Soundtrack to High Fidelity. It only took 15 years, but this Record Store Day Black Friday exclusive was well worth the wait. The Kinks, The Velvet Underground, The Beta Band, and The Thirteenth Floor Elevators to name only a few rampant cuts covering four sides of wax make for a damn good compilation album. This album is best enjoyed while accompanied by Johnny Cash’s autobiography, Cash By Johnny Cash.
One wonders what Joe Strummer would think of his first Clash record being released on blue / white split vinyl for Black Friday… My interjections of Joe’s disdain for this release aside, she does make for a perfectly viable reason to fork over $29 for an album one already owns three times over. One never, ever goes wrong with The Clash, and this was, most certainly, $29 very well spent.
After the vinyl release of the coveted Rushmore soundtrack, I’ve had an itch to acquire all the timeless Wes Anderson soundtracks. With the recent addition of The Darjeeling Limited (2015’s RSD release), there are but a handful of yet-to-be-released vinyl gems that top this fan’s favorite list. Bottle Rocket (obviously), and relevant here, The Life Aquatic with Steve Zissou. Both have never received proper vinyl releases, but this double colored vinyl comp of Seu Jorge studio sessions does the trick until an official release rears its waxy head.
Looking for some grade A (+) Mike Patton on a budget? Why not spring for the 2012 Ipecac Recordings box set (also a Record Store Day release, so, that gets a tag), Eponymous to Anonymous. Spanning Tomahawk’s first three albums, this forward-thinking box comes, complete, with room for their 4th release (and future release as of the time of this set’s release), 2013’s Oddfellows. As a “comp” this release sees the first vinyl pressing of both Tomahawk’s first (and best) album, Tomahawk, 2007’s Anonymous, as well as a reissue of 2003’s Mit Gas. Seriously (I really wish I didn’t need the seriously), for those of you into quality vibes without all the schticky bullshit, get this box set. Happy Friday and drive safely tonight, kids!