London Broil

Wish I could make this hoppin’ holiday installment of the Liquid Kitty / Harvelle’s Punk Rock BBQ, but with family and friends pulling out all the stops, we’ll need to sit this one out. I hope those of you in the Los Angeles / Santa Monica vicinity enjoy this free, cheap-ass show! (Photo courtesy of Liquid Kitty’s Facebook page.)

Raging Insert (Part 1)

Also eligible for induction into the R&R HOF is Los Angeles’ own Rage Against the Machine (seems like I’ve been touching base with them quite a bit lately). Again, voting ends 12/9, so don’t delay! As an aside, or really, the point of this post, this two-parter, is a politically-charged suggestion by the band, from their Renegades release, about the pros of defacing domestic currency. Presented here is the first side of the Renegades insert. For a brief definition of defacement by means of the U.S. Department of the Treasury, continue reading.
Defacement of Currency
Defacement of currency is a violation of Title 18, Section 333 of the United States Code. Under this provision, currency defacement is generally defined as follows: Whoever mutilates, cuts, disfigures, perforates, unites or cements together, or does any other thing to any bank bill, draft, note, or other evidence of debt issued by any national banking association, Federal Reserve Bank, or Federal Reserve System, with intent to render such item(s) unfit to be reissued, shall be fined under this title or imprisoned not more than six months, or both.

Soul

2005 saw the 3x LP compilation release (Sold My Soul), a catch-all, smash track, greatest hits, of sorts, by Los Angeles pretty-boy-hoodlums, The Pharcyde, and was released on the extremely short-lived The Funky Chemist Records label (they only produced five records, including this one). Little-to-nothing can be found about this label (from a quick, Google / Discogs / Wiki search), but these 24-tracks are a fantastic place to start for the casual Pharcyde connoisseur. It was also released in compact disc, if that’s more your bag.

RIP Touch Vinyl

Well, this comes as a bit of a surprise to me and my wife, but there was an electrical fire at one of our neighboring brick & mortars back in November. Touch Vinyl was affected, and hasn’t been open since. We stopped by, without knowledge of the fire, which prompted an immediate internet scouring for “answers.” RIP Touch Vinyl. May the next stage in your evolution be a sound one.

The Return of the L.A. Cowboy

Woah, Nellie! This never before released 6-track EP from 1965 is a much needed breath of fresh air among the cloudy boulevards of smog city. Not since 1981’s Unforgiven (an uncompleted album) have we heard anything new from legendary songwriter Tim Hardin. Forget all the bells and whistles about the 45rpm, limited numbered edition, 180 gram vinyl, blah blah blah… THESE ARE NEVER BEFORE RELEASED SONGS BY TIM (MF) HARDIN! Obtain immediately, and at any price.

Gold-ish

Neil Diamond struck it rich with his 1970 live album, Gold. This is a 1973 reissue, but the material is the same as that on the original 1970 album (for those caring to know such things). The material was recorded on July 15, 1970 at The Troubadour in Los Angeles (a great, and relatively small venue). It’s a great listen, but don’t take my word for it. Extinct trade magazine Cashbox had this to say in October of 1969: “On stage Diamond radiates the same excitement that has made pop stars from Sinatra to Presley, and it’s a sensation that can’t be described, only felt.”

Mad at the Roxy, Ok!

Looking forward to some Santa Barbara mischief this evening at the Roxy. I haven’t seen the Mad Caddies since around 1999 (my God, has it been that long?!), so tonight should prove to be a profound and nostalgic experience. But who knows? They’re getting old too and may just phone it in. Likely not, but a fun notion to ponder. If you look down and find yourself standing in the Los Angeles area this evening, head on over to The Roxy. Tix are still avail. Cheers.

Swagger

Los Angeles-based Celtic punks Flogging Molly entered the entertainment bubble with their debut studio album Swagger back in 2000. The album would be critically acclaimed for their folk / punk / oi mix, and would represent a prolific start to a 17+ year career, up to and including 2017’s Life is Good. Late nights are prime hours to spin Flogging Molly, be it Swagger or otherwise. Just make sure you have enough whiskey on hand.

Live from the Crypt

rftc-show-studio-city-11x17-poster-v2-520So, here’s a show, a live, musical performance by my favorite band… in the city with which I live… and I, unfortunately, and with an honest heart, doubt I’ll be able to make it. What’s the killer… IT’S DAMN FREE! Find yourself in the Studio City area on a random Thursday evening looking for boots, mosey on down to Studio City and check out only the greatest rock n’ roll band and live performance of all time.