When the Blue Meanies are headlining over Alkaline Trio, you know you’re in the early 2000’s. Thanks to Mike Park (owner and creator of Asian Man records, and saxophone player for Skankin’ Pickle) for organizing this awareness show “promoting positive youth development through engagement in the arts and social change.” The foundation appears to be still going strong, and you can check out more about them here.
It’s rather interesting, and a bit scary, how well time can erase memories. This flier is to the Metro in Chicago, circa: 2001, and it was preserved because our music-hoarding clan jotted down to the windy city to attend the August 23rd Please for Peace tour featuring Hot Water Music and Alkaline Trio, among others. Chicago was only a hop, skip, and a jump away from our humble dwellings off Lake Michigan in brew city, Milwaukee. I can’t say as that I remember much (anything) from this show, but it must have been good enough to keep the flyer. Other notable additions to the Metro in the summer of 2001 include Jimmy Eat World, Pedro the Lion, Good Riddance w/ Death by Stereo, and Rilo Kiley. Sometimes, and they’re not often, I miss the Midwest.
Or, something of the sort. Limited to only 100 pressings, the early 2016 copy of this magnificent 1997 album, is without question, on of the hidden gems of my humble collection. Featuring Dan Adriano, of Alkaline Trio fame, Tuesday’s only studio album is early, HONEST emo, in the best sense of the term. So, let’s be honest, here. Tuesdays come, as they do, and we can all get through them, with help from this album.
Back in 2008, Asian Man Records released their 2nd pressing of Alkaline Trio’s 2nd (and last great) album, 1999’s Maybe I’ll Catch Fire. Released on clear red / black swirl, orange / black swirl, 180 gram black and this, white / red swirl, the 2nd pressing contained 3000 records in total and I, of course, felt the need to purchase every variant. Add an original orange vinyl from the first pressing, and I think my Maybe I’ll Catch Fire collection is damn near maxed out.
When Alkaline Trio’s self-titled EP comp received its first vinyl release in 2008, it was given the rainbow treatment. Have a seat, because this is a hefty list. Orange marbled, gray marbled, clear with black smoke, brown marbled, and this blue marbled vinyl version. On constant rotation back in the early 2000s when it was first released digitally, Alkaline Trio is a great introduction to a pop-punk band whose glory days are far behind them, and deserves a proper listen, or at the very least, warrants owning five versions of the same album. Listen with pride, kids.
My history with the famed prodigy of sensual sleaze is both long and enduring. Having accidentally stumbled across his sexual shtick back in 2000 at a sold out Alkaline Trio / Hot Water Music show at a now unknown Chicago club, my 21-year-old self couldn’t quite comprehend exactly what the hell this beefy, golden-voiced Midwesterner was doing up on stage between sets. His passion and talent eclipsed the belly laughs and sneers from the late winter crowd, and I was instantly struck with a rush of awe and morbid curiosity. I believe he played two songs that night, one of them being an early favorite (thanks to this “show”) Baby Do You Like My Clothes?
This album, Har Mar Superstar’s first, features the two bonus tracks, Wet Lovin’ and Sexual Contractor, and was acquired at the now defunct Atomic Records in Milwaukee. I distinctly remember a brief conversation with the store clerk and his overt disdain for my purchase. To each their own.
Underneath the wet and slippery layer of erotic bravado is an imaginative and intelligent songwriter with a beautiful voice, and the zeal of a thousand burning suns. Go in for the laugh, come out with overwhelming appreciation.
Guilty pleasures are certainly fine… on occasion, and in moderation. Such is the case with Alkaline Trio’s 2000 comp, Alkaline Trio (read: soundtrack to my early 20’s). Pressed on a variety of colors, this version (orange marbled) was part of the first, vinyl pressing (back in 2008), and was limited to 500 copies. Last night got a little crazy, and this here guy was sitting on the platter when I woke up this morning. Moderation, kids.
Every once in a while on a gloomy Tuesday in Southern California, the mood for pop punk/emo strikes. It’s not often, but when those emotionally overcast skies offer no inspiration, it’s nice to know Tuesday is there to offer their slow-rolling brand of catchy, youthful memory inspiring groove music.
Perhaps known best for being the band Dan Andriano from Alkaline Trio played in before joining Alkaline Trio, Tuesday existed for little over a year and produced only one EP, Early Summer and one full length, Freewheelin’.
Releasing their entire catalog in 1997, Tuesday showcases the upbeat and darker side of Midwestern life, and shouldn’t be incorrectly lumped in with 2000-era, “cutting yourself for attention” Emo. Emo in the mid/late 90s held a completely different connotation than it does today. We called Fugazi Emo, if that gives you any idea of how deformed and self-righteous the term has become.
Tuesday is here but one day a week. Embrace the negatives of this world once in a while. You’ll gain a much more clear perspective on how great your life really is… that, or you’ll jumpstart that downward spiral you’ve been trying to avoid for nearly 15 years. Either way, Tuesday is there when you need them.
In the wake of my esteemed excitement for tonight’s The Night Marchers show, I’ve decided to showcase one of the grooviest looking records in my collection, Rocket from the Crypt’s 1998 UK single, When In Rome (Do The Jerk!).
Speedo (John Reis), who helped form Rocket from the Crypt and acted as lead vocalist and guitarist, recently formed The Night Marchers (and was previously a principle member of Pitchfork, Drive Like Jehu and Hot Snakes). So for those of you know didn’t know, now see the connection.
This picture disc shaped like the (Rocket from the Crypt) RFTC logo (as you can plainly see) consists of three tracks: When In Rome (Do The Jerk!), Tarzan and Tiger Feet Tonite and was the first single released from their 1998 album, RFTC.
RFTC, and its first single, When In Rome (Do The Jerk!) saw the band at odds with themselves as well as with their (then) label Interscope Records. Record sales were less than expected, which led to the band’s departure from Interscope in 1999. Longtime mainstay RFTC drummer, Atom left the band shortly thereafter to become a tour roadie (drum tech) for Weezer, before joining The Offspring, Angels & Airwaves and touring with Social Distortion and Alkaline Trio. Atom had been with Rocket from the Crypt on their previous five albums (all but their 1991 debut, Paint As A Fragrance).
When In Rome (Do The Jerk!) acts as a sort of tombstone-like visual representation of the high-water era of this incredible band; an era that many would argue to be their most prolific period.
This is an absolute must for any RFTC fan simply for its eye-catching shape and instantly recognizable RFTC appeal. It goes for a reasonable sum on discogs and comes HIGHLY recommended by The Prudent Groove.