Lately, I’ve been starting to acquire “youthful albums” I’d previously owned on compact disc. The Offspring’s Smash, Blue Meanies’ Kiss Your Ass Goodbye!, and now, Green Day’s Dookie. Limited to 1000 on transparent green vinyl, and offered as a Hot Topic exclusive, I’d been hunting down this green vinyl copy for more than a few years. I haven’t given it a proper spin, yet, having just received it in the mail today, but I’m happy to welcome the ol’ guy into the “wall of fame.” One by one, I’ll eventually own my original CD collection on vinyl. Next up, I’m thinking, may be Cypress Hill’s Black Sunday.
In June of 1999, Fat Wreck Chords released the optimistically ambitious Short Music for Short People, a novelty album featuring 101 bands spanning the punk rock spectrum in 30 second bursts. With grandfathers like Black Flag, Descendents, Circle Jerks, Misfits and Youth Brigade, to Fat mainstays Lagwagon, NOFX, Wizo and Strung Out, to fellow Epitaph Records mates Bad Religion, Pennywise, The Offspring and The Bouncing Souls, Short Music for Short People, as enjoyable as it is (and it really is), becomes exceptionally laborious when attempting to search for 1/101 of this record’s contents for just a 30 second reward. Lucky for me, I had a brief moment of clarity as a 19-year-old twit and picked up the compact disc version as well. That’s all gone as we wake up each day amongst the digital rays from our digital sun and pull up our digital socks and drive our digital stick-shift vehicles to our digital jobs to earn our digital wages and continue to get looked over for those digital promotions, but that’s neither here nor there.
As hilarious as it is catchy, and as arduous as it is enduring, Short Music for Short People is an aggressive achievement worthy of any open-minded listener. Also, you can learn how to make a bomb out of household objects on track 45, courtesy of The Offspring. Don’t try this at home, kids.
In the wake of my esteemed excitement for tonight’s The Night Marchers show, I’ve decided to showcase one of the grooviest looking records in my collection, Rocket from the Crypt’s 1998 UK single, When In Rome (Do The Jerk!).
Speedo (John Reis), who helped form Rocket from the Crypt and acted as lead vocalist and guitarist, recently formed The Night Marchers (and was previously a principle member of Pitchfork, Drive Like Jehu and Hot Snakes). So for those of you know didn’t know, now see the connection.
This picture disc shaped like the (Rocket from the Crypt) RFTC logo (as you can plainly see) consists of three tracks: When In Rome (Do The Jerk!), Tarzan and Tiger Feet Tonite and was the first single released from their 1998 album, RFTC.
RFTC, and its first single, When In Rome (Do The Jerk!) saw the band at odds with themselves as well as with their (then) label Interscope Records. Record sales were less than expected, which led to the band’s departure from Interscope in 1999. Longtime mainstay RFTC drummer, Atom left the band shortly thereafter to become a tour roadie (drum tech) for Weezer, before joining The Offspring, Angels & Airwaves and touring with Social Distortion and Alkaline Trio. Atom had been with Rocket from the Crypt on their previous five albums (all but their 1991 debut, Paint As A Fragrance).
When In Rome (Do The Jerk!) acts as a sort of tombstone-like visual representation of the high-water era of this incredible band; an era that many would argue to be their most prolific period.
This is an absolute must for any RFTC fan simply for its eye-catching shape and instantly recognizable RFTC appeal. It goes for a reasonable sum on discogs and comes HIGHLY recommended by The Prudent Groove.