File Under: Sumac – Female Vocal

I couldn’t pass up the opportunity to purchase Yma Sumac’s Voice of the Xtabay, as a 12″ nonetheless! What the hell would have stopped ya’? You may ask. Well, Nosey Neil, I’d already been the proud owner of the original 10″, so my inner money-saver began prodding with “reasonable” questions… that was until I discovered that the 12″ not only contained all 8 tracks from the original 10″, but also all 8 tracks from 1953’s Inca Taqui. Pimped as A Capitol Records Value (sticker in top right corner), the clear and correct decision to obtain was swiftly and promptly applied. Let’s not forget that legendary Space Age Pop-per Les Baxter composed and produced Voices, so you pretty much know you’re getting quality music. The 12″ is a steal at any price, and comes highly recommended.

A Series of Percussion

Since we were recently talking about it, have a look as the showcased albums from the Time Records Series 2000 collection, and count the number of percussion-based titles: Percussion on Stage, Percussion Espanol, Gypsy Strings and Percussion, and Concert Percussion for Orchestra. Four. I count four. Command Records knew it had a revolutionary and timeless release with Persuasive Percussion, which is further evidenced by its competitors, in this case Time Records and their Series 2000 team, trying at great lengths to cash in.

Music with Sound

Time Records and their Series 2000 collection is a great partner (or competitor) to the early Command Record albums. This self-proclaimed “demonstration record” is a perfect introduction to the series and contains choice selects from Jim Tyler, Hugo Montenegro, Maury Laws, Al Caiola, and Kermit Leslie (among others). If you’re looking to expand your Space Age Pop chops (and who among you isn’t?), check out Music with Sound.

Roughin’ It ’18 (March Edition)

When spending three nights within the confines of a rented studio apartment on wheels, a proper entertainment set-up isn’t just key, it’s borderline survival basics. The PG clan (consisting solely of my wife and me) each hand-picked 10 albums for our excursion… of which we’re down to about 12 after just one half day. But wait! Grady’s Record Refuge is just a quick Uber / Lyft ride away, so after the Tim Hardins and the Les Baxters are laid to rest, unknown gems from Ventura’s finest will get their spinning debut… inside a studio apartment on wheels.

From: Space To: Digital

SLOWLY beginning the much anticipated digitizing process of our Space Age Pop collection. The plan was to ingest all four volumes of Persuasive Percussion… I managed to gather only the first. This painstaking process will yield countless hours of road trip entertainment. I encourage all of you to digitize your collection. A 160gb iPod comes in handy.

A Rainbow of Fidelity

Nothing says, “hey, check out our rainbow of color” quite like fine, black and white type. ABC-Paramount’s Full Color Fidelity doesn’t mess around with “sound for sound’s sake,” so don’t even bother with them. Their no-nonsense approach to hi-fidelity is stamped on the backs of their coveted releases (this one from Candido in ’57), so have a quick read at the photo to the left and, oh, hey! Produced by Creed Taylor. Listen with confidence, kids.

Emitex 101

From what I could (quickly) gather, Emitex was a British-based cleaning material used by Parlophone in the 60’s, then by EMI Records throughout the 70’s. It was also a prominent badge on all British-released Beatles albums, such as this reissue of PMC 1202, Please Please Me. Several variations of this classic stamp are found around the web, but little has been preserved about the Emitex material itself. With more time, I’ll dig a bit deeper.

Free Records are the Best Records

So, here is another perfect example of the growing benefits that acquiring albums online can yield. I pulled the trigger on purchasing Candido’s 1957 Afro-Cuban Jazz number, Candido the Volcanic, and when it arrived, it was sandwiched, not on poppy seed buns, though, my surprise would have been about the same, but instead, between The Blues A La Dixie (Pee Wee Hunt, 1959), and Giant Steps (Woody Herman, 1973). Ladies and gentlemen, this are free records! Free! While I sip my Kona coffee and delight in my crackling dixieland blues, that I paid nothing for, and hurriedly scrape together a post that I should have submitted yesterday (note the date), I crack a smile and think of ways I can pay it forward. If anyone wants a digital copy of these or any other album you see here, email me. How’s that?

Happy 5th Birthday, Groove!

Five years ago today I started an asinine, little daily tradition focusing, let’s say, “inwardly” on my ever-growing collection, and 1828 posts later, I’m no smarter than when I began. I mean, let’s be honest here. I’m not saving lives (nor do I really want to), but that certainly is not to say that these past 1828 days 1) haven’t been worth it, 2) haven’t allowed me the opportunity to discover a plethora of adventurous new records to spin, and 3) the ability to rethink all the minute elements that make a “record collection.” Thank you for taking the time to assist me in rediscovering my collection, be it through 8-Tracks, Inserts, the short-lived Audio Odyssey (man, was THAT a mistake), and of course, the always-growing Colored Vinyl category. Cheers to you and your subtle enjoyment of analog entertainment. Happy 5th birthday, Prudent Groove!