Time Records and their Series 2000 collection is a great partner (or competitor) to the early Command Record albums. This self-proclaimed “demonstration record” is a perfect introduction to the series and contains choice selects from Jim Tyler, Hugo Montenegro, Maury Laws, Al Caiola, and Kermit Leslie (among others). If you’re looking to expand your Space Age Pop chops (and who among you isn’t?), check out Music with Sound.
We went in looking for a receiver, and came out with a bootleg copy of The Beatles Christmas Album. It was, in fact, on sale, so there’s that, but the Sherwood S-7100A receiver had been sold earlier in the day. The search continues for the perfect, vintage receiver.
When spending three nights within the confines of a rented studio apartment on wheels, a proper entertainment set-up isn’t just key, it’s borderline survival basics. The PG clan (consisting solely of my wife and me) each hand-picked 10 albums for our excursion… of which we’re down to about 12 after just one half day. But wait! Grady’s Record Refuge is just a quick Uber / Lyft ride away, so after the Tim Hardins and the Les Baxters are laid to rest, unknown gems from Ventura’s finest will get their spinning debut… inside a studio apartment on wheels.
SLOWLY beginning the much anticipated digitizing process of our Space Age Pop collection. The plan was to ingest all four volumes of Persuasive Percussion… I managed to gather only the first. This painstaking process will yield countless hours of road trip entertainment. I encourage all of you to digitize your collection. A 160gb iPod comes in handy.
Now, this is what I’m talking about when I go on and on (and on) about a successful, yet casual dinner party. Guests bring albums to explore (in addition to genuine Cuban rum and cigars), and the house is filled to the brim with the love that only a social family can muster. T’was a good evening. Anyway, Calibro 35… I’m about to hunt you down…
Nothing says, “hey, check out our rainbow of color” quite like fine, black and white type. ABC-Paramount’s Full Color Fidelity doesn’t mess around with “sound for sound’s sake,” so don’t even bother with them. Their no-nonsense approach to hi-fidelity is stamped on the backs of their coveted releases (this one from Candido in ’57), so have a quick read at the photo to the left and, oh, hey! Produced by Creed Taylor. Listen with confidence, kids.
With an astounding career spanning 1947 – 2001, big band crooner Vic Damone quietly left the stage this past Sunday. He was 89. RIP Vic Damone (6/12/28 – 2/11/18).
Happy to report that Ion Audio’s customer service received 5 out of 5 stars with their handling of my recent hinge issue. I emailed them about purchasing a dust cover hinge replacement and they responded, the next day, saying that a new hinge was already on its way. I received it three days later. Thanks for making nice, Ion! #dustitoff
Next week Sunday… don’t forget!
From what I could (quickly) gather, Emitex was a British-based cleaning material used by Parlophone in the 60’s, then by EMI Records throughout the 70’s. It was also a prominent badge on all British-released Beatles albums, such as this reissue of PMC 1202, Please Please Me. Several variations of this classic stamp are found around the web, but little has been preserved about the Emitex material itself. With more time, I’ll dig a bit deeper.
We had our first equipment malfunction of the new year when the hinge that holds the dust cover snapped. Though I’ll admit that the turntable looks much better without a dust prevention device, I’m not going to enjoy cleaning the intricate nooks and crannies beneath the tonearm in a few short weeks. Currently on the hunt for a replacement hinge.
So, here is another perfect example of the growing benefits that acquiring albums online can yield. I pulled the trigger on purchasing Candido’s 1957 Afro-Cuban Jazz number, Candido the Volcanic, and when it arrived, it was sandwiched, not on poppy seed buns, though, my surprise would have been about the same, but instead, between The Blues A La Dixie (Pee Wee Hunt, 1959), and Giant Steps (Woody Herman, 1973). Ladies and gentlemen, this are free records! Free! While I sip my Kona coffee and delight in my crackling dixieland blues, that I paid nothing for, and hurriedly scrape together a post that I should have submitted yesterday (note the date), I crack a smile and think of ways I can pay it forward. If anyone wants a digital copy of these or any other album you see here, email me. How’s that?
Five years ago today I started an asinine, little daily tradition focusing, let’s say, “inwardly” on my ever-growing collection, and 1828 posts later, I’m no smarter than when I began. I mean, let’s be honest here. I’m not saving lives (nor do I really want to), but that certainly is not to say that these past 1828 days 1) haven’t been worth it, 2) haven’t allowed me the opportunity to discover a plethora of adventurous new records to spin, and 3) the ability to rethink all the minute elements that make a “record collection.” Thank you for taking the time to assist me in rediscovering my collection, be it through 8-Tracks, Inserts, the short-lived Audio Odyssey (man, was THAT a mistake), and of course, the always-growing Colored Vinyl category. Cheers to you and your subtle enjoyment of analog entertainment. Happy 5th birthday, Prudent Groove!
Cheers to another pop-punk band doing another groovy beer. This time, Pennywise and their collab with Lost Coast Brewery appropriately titled, Pennywiser. I’ve yet to try it, but it appears to be a modest or “easy drinking” session IPA, and if my sources are correct, has a limited release dating back to last September. For a full list of participating venues, have a hop over to the band’s official site here. Cheers.
The real estate market within my library is growing increasingly scarce. This unfortunate fact has made me second, third, and fourth guess my vagrant decisions to grant specific records access to this congested population. I mean, would I really keep Ace Cannon’s Memphis Golden Hits if it wasn’t for the gaudy cover? Or how about two copies of Asia’s Alpha, not to mention (by mentioning) 8 copies of Sean Lennon’s debut, Into the Sun… well, that one seems viable, but still! All of these one-offs start to add up, and before anyone is the wiser, space becomes a great concern.
Good things often come in pairs… socks, cocktails, pears, and as far as I’m concerned, exotic bird caws and mysterious xylophone melodies are no different. Presented here are Arthur Lyman’s 1958 smash Taboo, and his 1960 follow up, Taboo Vol. 2. The former had been sitting in the collection for three or so years, but the latter just showed up at our doorstep (he shudders in the attempts to contain his excitement). Now, I’m slowly beginning to realize that drunken bird calls aren’t necessarily for everyone (though I’m not entirely sure why), but both Taboo volumes do a phenomenal job of uplifting the listener to bygone nights of exotic, island bliss (think dirty feet, tiki torches, and a lot of rum). For you newbies, start with Taboo (obviously), and when you’re ready for that perfect paired compliment, hunt down Vol. 2. Like with all other space age pop albums, the exotic sounds of Arthur Lyman come highly recommended.