I’ve been quietly waiting something close to 13 years to obtain this album. I’d held it in my hands a few times in the $40 – $50 range, but tended to fall back on the pieced together mp3 version instead of pulling the high number trigger. I now know why I’ve not been able to find the Slayer records at brick and mortars for like, ever (Reign in Blood, South of Heaven). It is, obviously, because I needed to have already been a lucrative owner of the first “heavy metal” album, as a means of respect and homage to the genre.
This album about jumped out at me today while at the Santa Monica BnM (you can figure it out), and I paid it nearly no mind other than to include it into my stack of Dead Man’s Bones and Bauhaus LPs (Bela Lugosi’s Dead and Mask), outside the obvious, “yes, this one is a no-brainer” type spiel. Long, heartfelt story short, I’d held out for a reason, for you see, this is a first mono, US pressing of 1968’s Vincebus Eruptum, and I squared it for only $11. Checkout the current market rate for this historical goldmine. Heavy metal was, in the minds of many, born with this album, and I just brought her home. Today was a good day.
I’ll be up in SF for a few days, but still wanted to submit my daily post. While up here, I thought I’d comment on SF bands that I find interesting (idea by Jason Hardwick). So, here is a list of a few SF area bands that I dig, with a youtube vid link to accompany them. Enjoy!
Their version of Summertime Blues is considered, by some, to be the first “Heavy Metal” track ever recorded. Blue Cheer formed in 1967.
Riddled with legal battles throughout their tenure (mainly 1985’s obscenity trial over the artwork from their Frankenchrist release), the Dead Kennedys were among the first US based Hardcore bands to gain discernible popularity in England. They formed in 1978.
Starting in 1981 under the name, Faith No Man, Faith No More saw a revolving door of lead vocalists until landing Mr. Bungle’s Mike Patton in 1988. 1992’s Angel Dust was considered to be highly influential throughout the 90’s and early 2000’s. Their recent reunion notwithstanding, they parted ways in 1998.
Gaining popularity at almost galactic proportions, HL&N were a personal favorite of mine throughout my childhood. Huey’s cameo in Back to the Future still makes me chuckle. Huey’s real name is Hugh Anthony Cregg.
The first from the SF area to gain mainstream success during the psychedelic rock boom, Jefferson Airplane would morph into Jefferson Starship, then regrettably, just Starship. They formed in 1965 and ended their initial run in 1972.
CCR was a band that I thoroughly enjoyed listening to when riding in my Dad’s truck as a youngin’. Thinking they were a Southern band until I got wise, CCR, since the early days of my youth, has never been far out of reach. That can’t be said for many bands I’ve come across. I think the majority of my childhood musical favorites were deemed “not worthy” during my first years as a teenager. I blame Lords of the Underground and Onyx. CCR began as Tom Fogerty & the Blue Velvets, then changed their name to The Golliwogs before settling on Creedence Clearwater Revival. CCR disbanded in 1972.
Oh, NOFX. There was a point in my life where I could simply not get enough NOFX. Those years have been put to sleep, but I still reminisce from time to time. Although they formed in Los Angeles in 1983, they currently create crass melodies up in the bay area, hence the inclusion on this list.
Active from only 1987-1989, and releasing only 1 studio album, Op Ivy went on to become underground cult Gods. Influencing such notable bands as Green Day, the majority of the Fat Wreck Chords cast, Sublime, and eventually turning into Rancid, the band of 4 energetic punk (ska-core to be specific) got their name from a series of American operated nuclear tests conducted on the Marshall Islands (in the northern Pacific Ocean) in 1952.
Avant-Garde Metal sensations, Primus launched into the public’s conscious back in 1984. Since then they’ve experienced several lineup changes, but never lost their original voice, bass player and lead singer Les Claypool. Claypool’s label, Prawn Song Records is a parody of the Led Zeppelin owned, Swan Song Records.
Another one of “those bands” that my father frequently played, the diggity Doobie Brothers are the subject of comedic utterance by Michael Douglas in the 1984 classic, Romancing the Stone. Don’t remember the line? Here it is. They also created some pretty bad-ass music. I’ve never met someone who’s admitting NOT liking the D. Bros. (They formed in San Jose, I know, but it’s close to SF. Give me a break.)