The Other Side of Abbey Road is a delightful little interpretation by legendary jazz guitarist George Benson of 1969’s famed Beatles album, Abbey Road. Released via CTI Records just a year after the original, The Other Side of Abbey Road features just five tracks, but takes careful consideration to combine up to three individual Beatles tracks into one Benson montage (take Something / Octopus’s Garden / The End, for example). George Benson’s guitar work is second to maybe Harrison himself, and as a whole The Other Side offers a fresh take on a classic, overheard album. Certainly not one to pass up.
My apologies to fans of the masterful, and iconic Ian Anderson, but there has never been a bigger, fear-invoking, badass flautist than Hubert Laws. Have a quick look-see at the bevy of influential and groundbreaking artists Mr. Laws has performed with: Chet Baker, George Benson, Ron Carter, Johnny Hammond, Freddie Hubbard, Milt Jackson, Quincy Jones, Herbie Mann, Mongo Santamaria, Leon Spencer and Walter Wanderley… and that’s only naming about half of his collaborators.
The man was even featured on an early Groove post about the “junk induced, vodka-and-coke spilling, dank, eye-burning, smoke-filled classic for the casual 1980 Contemporary Jazz fan in all of us,” the illustrious Empire Jazz.
The Chicago Theme is upbeat groove-jazz with a Starsky & Hutch-style flair, and comes highly recommended. Released on Creed Taylor’s prominent CTI label back in 1975, this six track funktastic medley tackles such well known incarnations as You Make Me Feel Brand New (covered by everyone from Boyz II Men, to Rod Stewart to Babyface) and Midnight at the Oasis (I can’t help but picture Ron and Sheila Albertson performing an abridged version of this track whilst auditioning for Corky St. Clair’s Red, White and Blaine in the timeless, Waiting for Guffman).
One doesn’t think “badass” when they think of the flute… Hubert Laws is here to rectify that, and but quick!