Agustín Castellón Campos, better known as world-renowned Romani Flamenco guitarist Sabicas, released a back-to-back-to-back onslaught of wicked Spanish-folk with his Sabicas Volume 1 – Volume 3 (1957 – 1958) for Elektra Records. While currently on the hunt for Volume 1 and 2, I can say without hesitation that Sabicas, in any volume, is a terrific way to start out the week. Be on the lookout the next time you wander into your local brick & mortar. You’re welcome.
ABC-Paramount Records: Full color fidelity on a two-tone sleeve. Established in 1955 under the variation, Am-Par Record Corporation (the music collateral of American Broadcasting Company, which was then titled American Broadcasting-Paramount Theaters… the more you know), ABC-Paramount Records was home to some of the most prominent voices (I almost went with paramount) the late 50s and early 60s had to offer. With Fats Domino and Ray Charles leading the pack, other lesser-known artists (just because they’re less known doesn’t make them less than) like Mario Escudero, Sabicas, the Les Djinns Singers and Roy Smeck were given a platform with which to proclaim their love for the gift of music.
1961 saw the label branching out (far out, man) into the audacious world of Jazz with their subsidiary label, Impulse (featured in the photo above). Home to the likes of Charles Mingus, Max Roach, Duke Ellington, the Milt Jackson Quartet and John Coltrane, Impulse was managed by none other than CTI Records himself, Creed Taylor.
The label was eventually sold to MCA Records in 1979, and the relatively short-lived ABC-Paramount Records was discontinued shortly thereafter. As an aside, MCA Records was absorbed and rebranded as Universal Music Group in 1995, and has become the nation’s largest music corporation. The rest, as they say, is big fish eating little fish history (fishtory?).