Another London Records insert today (actually, just the flip side to 11/28 insert to be exact). Featured here are a few early Stones offerings (Aftermath, Out of Our Heads, Flowers, and Got Live if You Want It!), Mr. Cat Stevens, The Moody Blues, and of course, John Mayall. Power Blues looks good, based solely on the cover (never heard of it / them / ‘er), and I’m kind of interested in what Savoy Brown sounds like. Caravan, meh. Anyway, enjoy this colorful snapshot of late 60s psychedelic pop rock, won’t ya?!
The elegant mysticism that surrounds the ethereal journey that is Days of Future Passed is as inviting as it is comforting, and is, for this blue-skied Saturday afternoon, the perfect melodic mate. The Moody Blues and I are forever intertwined, as they were the first live band I’ve ever seen. I used to scoff at that fact, but now embrace it with humbled pride. Thanks, Big Guy for introducing us.
Happy Saturday, kids! Please drink / consume responsibly.
London Recordings, with all her lofty divisions, offered a red, white and blue window into the mid-60s English Assault, and was home to some pretty significant acts producing some pretty extraordinary cuts. Their mainstay, and supplier of the label’s flowing honey, were, as you’ve probably guessed, the Rolling Stones, but what I didn’t recognize until earlier today was how many other British Invasion favorites, or in this case Teen Beat favorites, also strolled under the London Recordings umbrella. Unit 4+2, the Moody Blues, the Zombies, and Them all saw early offerings on London, or one of her sisters, and in such a short amount of time, helped propel this label into the upper, heavily coveted realms of rock n’ roll history.