1972’s Country Winners of the ‘50s is probably my earliest mail-order album offered from the minor-music-loving-money-snatchers, Columbia House. I have a rather unsettling confession to make. Back in Junior High, I was a member of Columbia House (as were the majority of my friends). Sure, I got suckered into 10 CDs for a penny, and nearly wept at the terribly overpriced, mediocre albums I was forced to purchase in order to round out my membership obligation. I believe Aerosmith got heavy play in those days… it was a dark time for sure.
Country Winners of the ‘50s is, in my opinion, a great representation of the “true” country sound. People scoff at my unashamed pride when I admit that I rather enjoy country and western music. What I (nearly always) need to explain is that I don’t listen to anything from either genre past 1980 (save for the Rick Rubin helmed American Recordings releases).
I look at this album cover and fancy the idea of canoeing across the bright, blue lake with my SO, ingesting the open, crisp air and savoring the soft warbling of rural birds making their majestic flight from shore to muddy shore. I doubt I’ll ever leave Southern California, but I often long for the serenity of the simple, calming life I left behind.
You almost made me wanna go Country. Now THAT is an achievement.
Hahahahahahaha! Well, it’s certainly not an everyday listen. Late 50s / early 60s country has subtle rock / rockabilly undertones worth checking out. Don’t get me wrong, one still needs to weed through the muck to find an oasis of quality, but the rugged journey is well worth it.
Country music given the right attitude, emotion and grit is Damn good music. I’ll take Steve Earle or Hank Williams Sr anyday over most of the fluff that played on indie rock stations these days.