After about 10 minutes of (deep) internet searching, I discovered that my copy of Simon & Garfunkel’s Sounds of Silence is a second pressing (of the three initial pressings). My copy is the last to feature the Tiger Beat magazine in Art’s jacket pocket. This would be airbrushed out on the third and subsequent pressings. Mine is also a German release, acquired at a storewide going-out-of-business sale some 15 years ago. Copyright states a release date of 1972, some 7 years after the album’s initial release. This doesn’t mean too much, other than now I want to bury myself in Bookends, my personal favorite.
1972’s Country Winners of the ‘50s is probably my earliest mail-order album offered from the minor-music-loving-money-snatchers, Columbia House. I have a rather unsettling confession to make. Back in Junior High, I was a member of Columbia House (as were the majority of my friends). Sure, I got suckered into 10 CDs for a penny, and nearly wept at the terribly overpriced, mediocre albums I was forced to purchase in order to round out my membership obligation. I believe Aerosmith got heavy play in those days… it was a dark time for sure.
Country Winners of the ‘50s is, in my opinion, a great representation of the “true” country sound. People scoff at my unashamed pride when I admit that I rather enjoy country and western music. What I (nearly always) need to explain is that I don’t listen to anything from either genre past 1980 (save for the Rick Rubin helmed American Recordings releases).
I look at this album cover and fancy the idea of canoeing across the bright, blue lake with my SO, ingesting the open, crisp air and savoring the soft warbling of rural birds making their majestic flight from shore to muddy shore. I doubt I’ll ever leave Southern California, but I often long for the serenity of the simple, calming life I left behind.
With a killer bassline and a catchy chorus, The Bangles found chart-topping success in the fall of 1986 with their #1 hit single, Walk Like an Egyptian. The fall of 1986… right around the time I was starting the 2nd grade.
I loved this track as a kid, and found a fresh new appreciation for it within the past few years, mainly due to the truck-driving bassline… not to mention that as a whole, this 80s single truly withstands the test of time.
If you haven’t in a while, Walk Like an Egyptian… you’ll have plenty of time to wait in traffic like a Los Angeleno, so why not give it a spin.