So, I’ll admit that I had to look this up, and from what I retained, here goes. (Clears throat) 35mm, when referring to audio / sound recording, was a technique championed (in the music recording world) by Enoch Light and Command Records (Mr. Light’s label). Feature films of the time were using 35mm for their film prints, and when stereophonic and widescreen advances became the popular buzz around Hollywood, Mr. Light utilized this technique to record his Space Age Pop, which, if I’m understanding this correctly, allowed for more instruments / artists to be recorded individually due to the wider, 35mm film. Magnetic sound recording had been the norm at the time, but 35mm offered much more range, which Mr. Light wisely capitalized upon. Anyway, pretty much any Command Record release from the time will diligently detail this unique and groundbreaking recording process, and I encourage you to discover the magnificent (and magnetic) wonders of 35mm sound.
200 days ago I had a stupid, ridiculous, time-suck of an idea that (reluctantly) set itself free into this world… this illustrious (and regrettable) collection of short-tempered blurbs known as, The Prudent Groove.
Do I offer free downloads? No… (unless you email me). Do I solve even a smidge of the world’s problems with this 365 consecutive day project? Hello no, and I don’t even attempt to pretend that I do… except, yeah, I have unwarranted and unstable proof that my daily ramblings bring a bit of black (groove-intensive) sunshine to each and every reader, by way of my precise, personal (albeit strikingly intimate), subdued, and voyeuristic means.
Take The Groove for what it is… pure, unadulterated drivel.
The Groove is a self-deprecating dead-end that serves the purpose of one man, and one man alone… some wayward chap in Belfast, Ireland… I’m just kidding… I wanted to further my communal expressions, and I gave myself a daily task. Well, it’s been 200 days, and you may be asking, “Was it worth it?” The quick answer is, “Dear God, no!” But the truth… as far as I’m willing to admit is, “Yeah, I’ve had my moments.”
Like the Westward bound forefathers, and/or the curious, and moderately insane settlers of early Americana, The Prudent Groove marches on. Let’s just hope Typhoid doesn’t rear its ugly head while I’m attempting to forge across this self-imposed river of creative nonsense. If I’ve learned anything from The Oregon Trail, it’s that Malaria is a bitch, and hunting is better left to the experts. Choose your grooves cautiously, ladies and gentlemen, and always, I’m not joking here, ALWAYS feed your oxen.
Today, why not try a bit of big band swing from Charlie Barnet’s 1959 album, More Charlie Barnet? After all, it was made from 35mm Magnetic Film, and the cover sports an artist’s rendering of vintage headphones… and the “R” in Charlie is made up of a saxophone, so you know it’s a winner.
This is 1959, and size matters. Until the launch of “the remarkable Everest sound”, we’ve all been, collectively and obliviously, shortchanged when it comes to the quality of our audio recordings. You see, standard tape size for recording audio (that will later be transferred, then pressed into a platter spinning, groove disc) is ¼” or 6.35mm. Conventional stereo recording is ½” or 12.7mm (feel free to view the picture for tape scale). But Everest, with its 1) No distortion from print through, 2) No distortion from lack of channel width, 3) Absolute minimum of “wow or flutter”, 4) Highest possible signal to noise ratio, and 5) Greatest quality and dynamic range ever recorded, well tape stock used by Everest clocks in at a whopping 35mm! How you feeling now, standard and conventional stereo recording? Not so good, huh? Once you go thick, you’ll never get sick. Once you drop thin, you can’t help but grin. Or how about, once you go fat, you’ll never look back… I give up.
This is Everest… the peak of achievement in recorded sound!