Good things often come in pairs… socks, cocktails, pears, and as far as I’m concerned, exotic bird caws and mysterious xylophone melodies are no different. Presented here are Arthur Lyman’s 1958 smash Taboo, and his 1960 follow up, Taboo Vol. 2. The former had been sitting in the collection for three or so years, but the latter just showed up at our doorstep (he shudders in the attempts to contain his excitement). Now, I’m slowly beginning to realize that drunken bird calls aren’t necessarily for everyone (though I’m not entirely sure why), but both Taboo volumes do a phenomenal job of uplifting the listener to bygone nights of exotic, island bliss (think dirty feet, tiki torches, and a lot of rum). For you newbies, start with Taboo (obviously), and when you’re ready for that perfect paired compliment, hunt down Vol. 2. Like with all other space age pop albums, the exotic sounds of Arthur Lyman come highly recommended.
Double your desire for Exotica with these (slightly) varying album covers from Denny Martin’s 1957 classic, Exotica (you remember… the album that spawned the genre, and subcategory to Space of Pop?! No?! Well, get with it, man!). Spectra Sonic Sound is not just a Nation of Ulysses track (as it turns out), and was apparently “the ultimate in High Fidelity” in the mid-to-late 1950s, or at least had legal rights to such a claim. With the same catalog number, I couldn’t tell you which version (left or right) came first, though I will say I find it hard to believe that one would consciously move away from the multi-color Spectra-Sonic-Sound logo on the bottom of the right version. Essential. Listening. Material.
We expanded the Martin Denny collection this weekend, tripled it actually, with the help of his 1959 album, Quiet Village – The Exotic Sounds of Martin Denny. Passed up Volume III of Exotica (stupidly), but managed to secure another 1959 classic of Mr. Denny’s, Afro-Desia. I don’t know what the hell was going on in the late 50s, early 60s, but things are getting out of control in a hurry!
Arthur Lyman just made my list of musically most wanted. His otherworldly album covers from the late 50s are something heavily deserving of frameable art, while his music carries a luscious, easy listening, space-age brilliance rarely found in today’s dollar bin. Hawaiian Sunset, released in 1959, was the followup to his 1958 debut Taboo, another captivating package necessary for any cocktail lounger on a budget. His album covers start to tame-out in the early 60s, but man, these late 50s covers are something of sheer, cheeky brilliance!