HiFi Records was very proud to display and present their new, stereophonic albums with this vintage, foldout pamphlet. I’ll be honest. I had this whole post written up and (nearly) ready to publish when I received an error message (thanks, WordPress…) going into intricate detail (not really) about The Beatles and what $5.98 in 1960 was worth today, based, you know, on inflation. And now… I’m just going to be sick… and phone in this great opportunity for a classic post. SAVE YOUR SHIT, KIDS! Oh, and for those few wondering, a stereophonic record from HiFi Records in 1960 went for $5.98. That’s $50.59 today… Let that one sink in.
(Sigh) Yes, another Arthur Lyman album post. Don’t call it an obsession… call it a fixation of grand proportions. Bahia was one of Lyman’s six (yes, six!) releases from 1959. (Have a look at his discography at Discogs for the details.) Though “more of the same” could be argued, early Lyman records saw more of an adventurous approach from this esteemed island God. Honestly, and this is what I did, if you dig this type of Pacific Space Age Pop, you could nab up the bulk of Lyman’s studio releases for dirt-damn cheap. I’m talking like, $4 a pop if you’re looking in the proper corners. This fixation, I’m sure, will reach its pinnacle, but until then, it’s nothing but exotic bird calls and vibraphone grooves for this coconut-cocktail-sipper.
Originally titled Percussion Spectacular!, Arthur Lyman’s 1961 “haunting melody” track, Yellow Bird, became a major hit, and Percussion Spectacular! would bow to its rereleased name, Yellow Bird. Whatever the hell you call it, L-1004 (catalog tag release name from HiFi Records) is another classic space age pop release by the master of ethereal delight, Mr. Arthur Lyman, and should be strongly considered for your next social gathering.