Oh, the Summer of 1998

IntergalacticMy fondness for the summer of 1998 stands unmatched (as far as late 90s summers are concerned). I’d spent the bulk of my high school years blasting Beastie beats (much to my parents’ dismay), and that summer’s theme song, Intergalactic, would prove to be the first Beastie Boys single in nearly four years (a streak of lifetimes when you’re between the ages of 15 and 19).

I distinctly remember listening to the radio (an extremely rare thing at the time, and a practice exclusively unheard of today), waiting to hit play + record on my cassette player in the hopes of capturing this new, legendary song. The single was released in mid-May, but in Madison, Wisconsin, if you weren’t present when ANY Beasties single was displayed, your chances of obtaining one were next to nil. This was 1998, before the internet as we now know it, and a full year before Napster. Back then, if you wanted music, you had to hunt, and often times, you came home empty handed.

It’s sad to admit, but I’ve all but disowned Intergalactic now, along with its album, Hello Nasty. However, I’ll never forget the perpetual excitement that stuck to my early adulthood (not unlike Midwestern humidity), and this cover, above all others, transforms a weary man in his mid 30s back into a wide-eyed, overly vocal, and optimistic young man. Oh, the summer of 1998.

2001: A Space Odyssey

Odyssey CoverThere exists a finite number of films that match the vast, mind-numbing greatness that surrounds 2001: A Space Odyssey… and that finite number is zero. No other film captures the imagination, the theology, the spectacular visual effects, and the brilliant forward thinking quiet like 2001, and the soundtrack that accompanies this visual adventure, albeit a collection of classics, is nothing short of essential listening material for any, and every fan of the medium.

Released in 1968, the Original Motion Picture Soundtrack to 2001: A Spacy Odyssey captures that eerie sense of uncertainty and foreboding doom that is seemingly inevitable for the lineage of mankind. Long, drawn-out landscapes (track three’s Lux Aeterna), dispense agitated spasms of echoed ambiguity, almost as if a spaceship, or a lifeless body, were floating within the vast unknown that is outer space. The first half of the album, before The Blue Danube kicks in, is very grim and despairing, which is exactly the subtextual emotion needed for the beginnings of the inevitable end. The journey into the soul is not a day at the beach.

Odyssey BackMuch like the opening track, Also Sprach Zarathustra, Johann Strauss’ The Blue Danube is, and forever will be unified with 2001: A Space Odyssey. Both songs have been used in a barrage of other films and commercials, but I couldn’t name a single one of them. If the visual wonders of this film are the planet, then its music is the planet’s gravitational pull. Forever will they be linked, and forever will they rely on each other to exist.

Like the stars of a constellation traveling light-years to reach our retinas, 2001: A Space Odyssey will forever live as the greatest romantic achievement in cinematic history, and it is supported, in large part, by its shining light… its penetrating and hermetic music.

Not unlike the open and infinite vacuum of the vast intergalactic void, this music is much, much bigger than we are, and it needs to be ingested into our pores and delivered from our radiating conscious so that we can experience, and through that, understand the meaning behind man’s true potential.Odyssey Experience