Emm Gee Emm Wreck Herds

MGM Records, circa: 1968 was the “now” label, or so it thought. With the likes of Eric Burdon & the Animals, Roy Orbison, Herman’s Hermits, Sam the Sham, and Every Mothers’ Son, very few would argue that boasting claim. Throw in the father-son combo of Hank Williams & Jr., and you’ve got yourself “The Sounds of Now” er, then. Fancy design layout, too.

Bring it on Home

3rdWe’ve been sucked into the British Invasion vortex these past few weeks. A relatively calming and energetic state to find oneself, all things considered. On tonight’s rotation is the third studio album from Newcastle’s own, The Animals. Featured here is the 1965 US release on MGM Records titled, Animals Tracks, and as the cover boasts, contains their biggest set yet, but, you tell me… We Gotta Get out of This Place, Bring it on Home to Me, The Story of Bo Diddley, Don’t Let Me Be Misunderstood, and Bury My Body. Personally, I don’t feel the self-promoting cover claim is anything outside of hot-damn accurate.

Also

AlsoBroken into two parts by format limitations, Also Sprach Zarathustra by Richard Strauss saw a resurgence in record sales (speculation), evidenced by this 1968 release on London Records, photo featured to the left. Coming on the fiery heels of the globally successful masterpiece, 2001: A Space Odyssey, this particular pressing was pimped as “The Original Von Karajan Recording of Music Featured in 2001 A Space Odyssey,” and for reasons that or painfully obvious, would make for a worthwhile accessory to the MGM Records soundtrack. When long, turbulent days call for relaxing ear candy, Also Sprach Zarathustra thoroughly fits the bill.

… For Your Listening and Dancing Pleasure

Hyman60 tracks on one LP… are you kidding me? “Hells no” says Dick Hyman with his 1957 release, 60 Great All Time Songs Vol. 2 For Your Listening And Dancing Pleasure. As far as I can tell, there are four volumes total in the Great All Time Songs library, none of which I currently own, with the exception for the Vol. 2 you’re currently looking at. So, you know, there’s that.