Cold Life

Cold Life LabelIt’s the first rather cold day here in LA (if that isn’t the oxymoron to end all oxymorons), and it feels amazing. So, what may seem as a bit of a stretch for some (I’ll ask those to remain silent), today’s choice for the daily platter-player is the appropriate Cold Life EP by early-Ministry. I specify early-Ministry because the contents of the first seven or so years of the bands output sounds NOTHING like the music we’ve all grown to love and admire.

Cold Live CoverThose expecting the obsessive rage and severe crunch of Ministry circa: 1988-1996 (and beyond for that matter) will be extremely shocked (and instantly irate) upon first listen, and will demand a throw down claiming this new wave, funk noise is not Ministry at all. Well, my fellow tender meatheads, you’d lose that battle. Like a spitting, swinging light in the damp and musty basement of industrial music history, signs of classic Ministry illuminate in stabby bursts throughout these four, groove-happy tracks. They may be suffocated by early 80s synth-pop, but believe me… they’re there.

A must for the diehard Ministry fan, or the casual fan of the progressive lineage of industrial music as a whole, Cold Life, upon further spins, is not near as bad as it first seems, and after the cloud of fury subsides, it’s actually an extremely enjoyable listen.Wax Trax! Records Logo (1985)

Post #242 (AKA My Unhealthy Obsession with Belgium’s Greatest Band)

242There was little to no doubt as to what post #242 would give prominence to. My only fear was that I wouldn’t be back from Wisconsin in time to snap the appropriate pictures to accompany this particularly numbered entry. For nearly a decade, I’ve been addicted to the self-proclaimed Godfathers of EBM or electronic body music (wikipedia calls them pioneers… I’m onboard with that)… Belgium’s Front 242.

AgressivaAs aggressive as they are danceable, and as rhythmically astounding as they are painfully lethargic, Front 242’s brand of industrial dance music is just the kind of narcissistic noise pollution that calms the unsettling nerves of my unbalanced equilibrium. It certainly doesn’t hurt that this rotating four-piece signed to Wax Trax! Records and, in the mid-80s, toured with Ministry (which resulted in the historic and monumental creation of the super group, Revolting Cocks).

GeographyAllmusic lists Front 242 as Pop/Rock. If Front 242 is Pop/Rock, then Willie Nelson should be categorized as Speed Metal. With heavy synths, combative vocals (when there are lyrics, which is rather rare considering their 32 year catalog), and the pleasure-secreting cloud of rhythmic percussion, Front 242 invokes the offensive aggression of punk, with the mind-numbing social-fukk-fest of Techno, for that perfect combination of salty-sweet ear food. It’s quite possibly the best form of music I’ve ever had the pleasure of shoving into my head.

Sometimes, you just dig what you dig, and you could care less as to the politics involved. Front 242 knocked me out some 10 years ago, and I’m still, without any moment of hesitation, completely comfortable enjoying this blissful, unconscious condition.

The Journey

PG Office 1_smallerTrying to draw a roadmap of an individual’s personal music highway is like trying to find the island from Lost. There may be a straight line, that lasts for maybe a few weeks, like say my current Tim Hardin kick, but then the familiar landscape disappears into a dark, and uncomfortably moist alley of say, the Wax Trax! catalog, or God forbid, the salivating sounds of the time-sucking Minutemen. Both destinations I know and love all too well.

Like never-ending roots stemming from a strong and unmoving base, our own personal music paths are as organic and ever expanding as a giant Sycamore. Is that by design, or are we fishing bobbers floating atop a steady stream awaiting a dip below? (Waiting for Country Joe and the Fish perhaps? I had to.)

Ok, fine, enough with the metaphors. This will never happen, but I’d LOVE to attempt a personal map of my music listening history. I have no doubt it would take me several years, would necessitate several “gray areas,” and would likely require the X, Y, and dreaded Z axes. It’s all coming back to me now… I should have paid more attention in Math class.

Cowgirls from the Underworld

CowgirlI’m still trying to track down Underworld’s 1994 brilliant, Dubnobasswithmyheadman, so for now, I’ll have to settle on one of the many highlights from that album, their pivotal, dance party anthem, Cowgirl.

Presented on this 12” is a slightly longer version of the track (adding 26 seconds to the version found on the album), as well as a non-album gem titled, Rez. Both tracks feature electro-body-gyrating-rhythms-of-mind-melting-ecstasy perfect for long drives in the rain, angry walks to the post office, and generally any time when you want to please your mind’s eye (provided your mind’s eye likes to groove).

Dubnobasswithmyheadman was a breakthrough for Underworld, but I’ll get into that once I finally track down a copy. Underworld, the audio cloud of precipitating pleasure is not affiliated with the (throwaway) film series by the same name… nor should it be. Logod

Wax Trax! Records Insert from 1986

Wax Trax 1986 InsertFeatured today is one of the four (possibly five) different, albeit only to the trained eye, Wax Trax! Records inserts in my collection. It emerged from the deepest, and most sobering crevasses known to man (Luc Van Acker’s Heart and Soul, aka WAX018).

Listing the catalogue at only 18 albums (only 17 that were available at the time), this insert can be carbon dated to the fruitful, yet sardonically demonizing, year of 1986. In 1986, one could rest comfortably knowing they could, at any time, order the Al Jourgensen produced (Ministry, Revolting Cocks, Pailhead, Acid Horse, 1000 Homo DJs, Lard, PTP, Special Affect) Blackouts 12”, Lost Soul’s Club for only $5. (Which, in today’s world would only yield you a pint of half & half or a smug retort.) Found amongst the seminal releases from the grandfathers of the label are four different Wax Trax! Records t-shirts, many with varying sizes and colors. Those are $7, or about the value of two stamps today.

Wax Trax 1986 Insert BackThis is the 2nd Wax Trax! Records insert post from The Groove, and unless there is one hidden amongst my Ferrante & Teicher albums, this insert from 1986 is my oldest.

That is all. Have a good Friday.