When the first one hit, I found myself amongst a cloud of darkness, and a kitchen full of dirty dishes. When the second one hit, I (literally) ran to the office for my portable, and this 1985 release (Wax Trax! Records cat. no. WAX006), Lost Soul’s Club by the Blackouts. I’ve lived in Southern California for over 10 years and have never experienced a blackout, so, quick on my feet, I wasn’t about to miss an opportunity (however brief), to enjoy the Blackouts during an actual blackout. Lucky for me (less so for my SO), this one lasted three hours.
I’m still working on an actual, respect-given write-up about my portable turntable setup (battery operated Numark PT-01 and iBN24 iHome rechargeable speaker, gifted by my thoughtful, music-loving parents), but I will say this: the ability to listen to records literally anywhere and at literally any time is a luxury I’m rapidly becoming accustomed to.
It’s not entirely difficult to consider this Seattle-based foursome adequate participants of the late 70s, early 80s sewer-like wave of repressed energy, known today as punk, or as my Mother likes to call it, “the Devil’s music.” Missing, or rather, subdued is the raw, misguided anger found in Los Angeles and San Francisco based punk acts of the time. In its place resides the mature, but no less angry, rhythmically brilliant 1/3 new wave, 1/3 minimalist indie-rock, and 1/3 punk-influenced musicianship that somehow gets lost amongst the 33-year-old haze that was 1980.
Blackouts (here losing the The… on a side note and completing having nothing to do with this post, do you remember The The?) consisted of future RevCo, Ministry, R.E.M. (you read that right), Pigface, KMFDM (to name only a few) drummer Bill Rieflin, Roland Barker (brother of Revco, Ministry, Lead into Gold, Lard, PTP, Acid Horse, U.S.S.A. bassist Paul Barker… who would join this band immediately following the release of this EP), as well as Erich Werner and Mike Davidson, of whom I know virtually nothing about. Phew! That’s a lot of band-name dropping there, but you can begin to see the overall scope of this band’s, and subsequently, this EP’s brilliance. Or, maybe you can’t and you’d much prefer the screeching yelps of Katy Perry, or God forbid, Madonna! Either way, this 4-track EP comes highly recommended and should prove for an interesting listen if nothing else.
Featured today is one of the four (possibly five) different, albeit only to the trained eye, Wax Trax! Records inserts in my collection. It emerged from the deepest, and most sobering crevasses known to man (Luc Van Acker’s Heart and Soul, aka WAX018).
Listing the catalogue at only 18 albums (only 17 that were available at the time), this insert can be carbon dated to the fruitful, yet sardonically demonizing, year of 1986. In 1986, one could rest comfortably knowing they could, at any time, order the Al Jourgensen produced (Ministry, Revolting Cocks, Pailhead, Acid Horse, 1000 Homo DJs, Lard, PTP, Special Affect) Blackouts 12”, Lost Soul’s Club for only $5. (Which, in today’s world would only yield you a pint of half & half or a smug retort.) Found amongst the seminal releases from the grandfathers of the label are four different Wax Trax! Records t-shirts, many with varying sizes and colors. Those are $7, or about the value of two stamps today.
This is the 2nd Wax Trax! Records insert post from The Groove, and unless there is one hidden amongst my Ferrante & Teicher albums, this insert from 1986 is my oldest.
That is all. Have a good Friday.