I remember being ecstatic upon hearing the news that Daft Punk was to do the soundtrack to Tron: Legacy (2010). I, as well as the rest of Western Civilization felt this was the perfect amalgamation of sophisticated electro-dance-upside-your-head-man and cutting edge motion picture special effects. But what seemed like a Ben & Jerry marriage turned out to be one resembling Ben & Jennifer (Lopez… remember Bennifer?).
Needless to say I was distraught with disappointment towards the lack of hard hitting, head crushing, swift musical justice that Daft Punk is known for (and quiet honestly the type of music that is expected of them). Don’t get me wrong and think I disliked the soundtrack. On the contrary. I thoroughly enjoyed it, but felt (to put it in baseball terms) it echoed a bunt single instead of the home run I was expecting.
I remember Los Angeles in late 2010 into early 2011 being absolutely, and undeniably Tron stupid. Billboards, stories of Comic-Con viral previews, murmurs in back alleys of the soundtrack being Daft Punk’s greatest album, billboards, news of Disney opening a Tron store, a cartoon series, everybody and their brother wearing Flynn’s Arcade t-shirts, and oh, did I mention billboards? It was arguably impossible to ignore.
Jump a few months ahead to April 16, the Christmas morning for record collectors, Record Store Day. Three versions of Daft Punk’s Translucence were released on 10” picture disc with blue, yellow and red rings. Featured here is the blue copy, which I think most resembles the actual Tron identity disc. Containing three tracks from the soundtrack, Translucence was a must for Daft Punk/Tron fans not only because it perfectly resembled an identity disc, but also because it featured a fourth track that wasn’t offered on the soundtrack; side 2’s Castor.
I will add, as an aside, that I feel The Chemical Brothers’ effort with the Hanna Soundtrack was far superior to the Tron: Legacy Soundtrack. Having stated that, I’d recommend them both.