The In Sound from 1995?

In SoundsThere seems to be a bit of controversy surround the release of the 199? instrumental compilation by the genre-bending kings, the Beastie Boys. The back sleeve indicates the copyright as 1994, it’s advertised in issue #2 of Grand Royal Magazine from 1995, it’s listed on Discogs.com as a 1995 release, then is given a 1996 release date on both Wikipedia.org and allmusic.com. MAKE UP YOUR DAMN, GROOVE-TASTIC MINDS, PEOPLE! One thing we can all agree on, however, is that this 13-track comp is nothing short of sheer brilliance.

In Sounds AdvertListening to this album, you would have no Earthly idea these guys were forged from Mt. Hip-Hop (or Mt. Hardcore, depending on what you consider their introduction to the social conscious to be). It’s as if 1975 dropped into the studio and graced the soundboard with its majestic polyester swagger to produce arguably the closest thing to a perfect album the world has ever heard. It’s staggering to realize this album is a comp, recorded over a 4-year period, and not the result of a neatly planned out instrumental album, the band’s first of 2 (the other being 2007’s Grammy award winner, The Mix-Up).

This album is a must needed addition to any collection, and although more talented musicians have played more groundbreaking music in this style (mainly throughout the 70s), the esthetic range of the Beastie Boys need not go overlooked.

Often Wrong, Never in Doubt

GR MagsLong and tumultuous is the road to a completed collection. Be it the full 792 cards in the 1990 Topps baseball set, all four collectible Garfield and Odie mugs released by McDonald’s back in 1978, or in this case, my half completed collection of Grand Royal Magazines.

With issue #1 released in 1993 (and one of the three I don’t have), and the final issue, #6, released in 1997, it’s safe to say the Grand Royal team was taking their sweet-ass time publishing these now sought-after mid-90s gems. That initial judgment of a painfully obvious (and very Los Angeles) lackadaisical workflow couldn’t be further from the truth as this current issue, issue #3, is JAM-MUTHA-TRUCKIN’-PACKED! Packed with what, you ask? How about interviews with Dr. Octagon aka Kool Keith, San Pedro’s own Mike Watt, and the Dalai Lama (conducted by Adam Yauch, RIP MCA), a guide to sneaking into hotel pools in the Hollywood area courtesy of Spike Jonze, an in-depth look at the paintings of Evel Knievel, horse racing tips from Pavement’s Bob Nastanovich, and countless, as well as fearlessly stunning, vintage album ads spanning from Weezer’s Pinkerton to Sukia’s Contacto Espacial Con El Tercer Sexo… and all of this by page 37 (of 140)!!

It’s taken me close to 20 years to acquire three of only six Grand Royal Magazines, and it’ll probably take me another 20 to secure the remaining three. The upside, however, is that it’s taken me nearly two decades to ingest the onslaught found within issues 2, 3 and 5, so when my ship finally comes in, I’ll have another 20 years of dynamite reading material at my grubby little fingertips. (Often Wrong, Never in Doubt is the title to Grand Royal Magazine issue #3, btw. A straight lift on my part.)Moog

A Nutritiously Balanced Vinyl Breakfast

GB IIBeginning around 1962, the flexi disc, or phonosheet, has been a low cost, low quality audio option for anything from Beatles Christmas “thank you’s” to fan club members, to a message from Biz Markie wedged inside issue #2 of Grand Royal Magazine that I need to dig out of the closet, to information on The New Ghostbusters Movie Mystery Sweepstakes found on specially marked cereal boxes back in 1989.

Only slightly thicker than a piece of paper, the flexi disc was a reasonable medium for offering audio, be it songs or clues on how to meet a REAL Ghostbuster, from unconventional sources. I imagine few of you to equate a box of breakfast with a vinyl record, but who knows. I’ve been surprised before. Once… he turns 9 this October. I joke.

This particular flexi disc boasts a chance for a very lucky participant to become an honorary member of the Ghostbuster’s team. (Really, it was just a cheap ploy to get people into theaters to see Ghostbusters 2.) All the groggy-eyed, little elementary school twerp needed to do was answer the following questions on a 3×5 card (apparently any other sized card would result in immediate disqualification from the mystery sweepstakes) and mail the answers along with their name, age and address, including zip code, and telephone number to the following address:

The New Ghostbusters Movie Mystery Sweepstakes

PO Box 4029

Beverly Hills, CA 90213-4029

Question 1: Name the woman who works in the art museum, who is Peter Venkman’s girlfriend.

Question 2: At what holiday does the big bust happen at the end of the movie?

Question 3: What US monument do the Ghostbusters work from to save the city?

Cheap ploy or not, I miss the days when I could stroll into a Piggly Wiggly and walk out with a record. For those of you dying to hear (what sounds like) the voice actor of Egon Spengler from The Real Ghostbusters cartoon show, a video of the record can be found here.