So admittedly, it’s been a while, but I went to pull out Viva! La Woman, Cibo Matto’s debut album on Warner Bros. Records from 1996, and to my dismay, I noticed that my copy is sealed! All those years listening to Viva! and Stereo Type A must have been digitally, come to think of it now. I have zero recollection of any hint of reasoning why I would have kept this classic record sealed, but here it lives, suffocating in time. Now, the question is, obviously, whether to keep this virgin record cocooned, or to free it for the celebratory maiden voyage… Where’s my knife?
Chaka Khan feels for us, guys. This is, obviously, very exciting news! By the looks of things, she’s been feeling for us since 1984, or so Warner Bros. Records would like us to believe. I for one am both not surprised and pleasantly pleased about this new found observation, and with the holiday coming up, we could all use a little more feelings from Chaka Khan, am I right?
Metallica’s 1991 self titled album stands out for me, or the Junior High me, as one of the first, popular, bootleg albums to circulate my clique (nearly our entire 7th grade class). I received a 3rd generation cassette which I borrowed for a few days to make a 4th generation (my 1st generation), then proceeded to Enter Sandman for the next 24 years. This non-cassette, double vinyl copy is a 2008 remastered reissue, and in a pinch, gets the occasional, late evening spin. If you’re looking for a copy, and believe me, you most certainly should, I’d suggest shying away from the original (fetching $143.38 currently on Discogs.com), and instead, dig around for this remastered version ($34.39, also on Discogs.com). That is, of course, if you don’t already own a 5th generation bootleg cassette.
In 1990, Jane’s Addiction released their 2nd studio album, Ritual De Lo Habitual. Three Days, Been Caught Stealing, and Classic Girl all debuted with this legendary album which was, for over a decade, their last. She, and her older sister, 1988’s Nothing Shocking each got heavy play throughout my high school years, and with everything ingested during those impressionable years, received its proper graduation to “ownership on vinyl.”
So reads the warrior of accountabilities pin on the lapel of the heavily saturated, liver-wigged, bloodstained, and anti-patriot of yesterday’s future on the cover of Ministry’s 1996 album, Filth Pig. Scumbags reunite and cast your hollow vote for this season’s cosmetic romance, and paint those faces of joyful optimism and mirroring nationalism with the juice stains of filtered truth and industrial bruising.
I’ll place here, a lovely little 1970 promotional blurb about the almighty Kinks from the Warner Bros. / Reprise Records comp, (yesterday’s) Looney Tunes and Merrie Melodies. Featured amongst the comedically informative booklet that accompanied this amazing comp, The Kinks are fashioned with great respect, and chuckle-heavy-esteem. It’s fun to see Kink-day adverts.
This exceptionally deceiving, unusually vivacious three record comp by Warner Bros. Records titled, Looney Tunes and Merrie Melodies features not the usual cast of characters you’d typically expect based on the Fudd-y duddy cover. You won’t find Speedy Gonzales, Foghorn Leghorn, or even Daffy & Bugs, but instead, a hearty helping of Frank Zappa, Arlo Guthrie, Captain Beefheart, Jimi Hendrix, Black Sabbath, Van Morrison, Little Richard, Randy Newman, The Grateful Dead, Alice Cooper, James Taylor, and The Kinks, among others.
Chosen as more of a symbol than a Saturday listen, this diverse compilation, in a way, represents the eclectic nature of the Prudent Groove which, today, turned two years old.
Happy 2nd birthday, Prudent Groove! You weren’t expected to survive, and there were several days when you narrowly escaped angry extinction. Thanks to everyone who stopped by for a photo for their iTunes metadata, left a comment, or got a chuckle out of this nonsense. 730 days is a hell-of-a long time, and 730 posts is exactly 730 too many. Thanks for stopping by!