I grew up on the Andy Griffith Show, so I felt inclined to procure at least one of the man’s albums for the collection, especially when said album was only $1 at a thrift shop. Released via means of Columbia Records back in 1972, Somebody Bigger Than You and I sees Mr. Griffith praising his deity with the twang of folk and country. The 7th studio album from this Hollywood great, Somebody Bigger… would be the first record since 1964’s Andy and Cleopatra on the Capitol label. At a specific time, in a specific place, this album fits the bill.
Monthly Archives: October 2018
Riot
So, I’m not a fan of social media, for a slew of reasons, but once in a while, my casual strolls through the Instagram and Facebook walls pay dividends. Case in point, this Riot Fest flexi pack from Fat Wreck Chords. See, I didn’t go to this year’s Riot Fest (or any of the prior years), but one of the punk dudes I follow posted a quick heads up that Fat was selling leftover flexi packs on their website for a cool $15. Included is a split between Mad Caddies and Face to Face, Snuff and Swingin’ Utters, and finally, Night Birds and NOFX. Flexis, as a rule, don’t contain a whole lot of quality, but this pack was a fun surprise. Thanks, Instagram dude!
Bound
It seems around the same time as my Creedence journey, or shortly there after (before?), I stumbled across a record store closing its doors. Everything in the store was half off, so after a solid hour (or four), I walked out with a treasure trove of goodies, including this Simon & Garfunkel 45, The Sounds of Silence b/w Homeward Bound. I remember ALMOST nabbing a Spinal Tap picture disc, that was proudly displayed on the wall (for another few weeks before the doors would be locked for good), but mostly, I remember being the only person in the store, rummaging through unexpected, and quite cheap (and potential) riches. I don’t recall the name of the store, but I’ll never forget the fate that timing allowed.
Travelin’
There were a solid few months, some several years back, where all I’d listen to was Creedence on vinyl. Around this time I was finishing up the stellar discography of studio albums (of which there are seven: self titled, Bayou Country, Green River, Willy and the Poor Boys, Cosmo’s Factory, Pendulum, and the often forgotten, Mardi Gras). 45s were fairly easy enough to come by, and this one from 1970 was a spoil from my travels… Travelin’ Band b/w Who’ll Stop the Rain. Both essential CCR numbers at any rpm.
How Do You Do?!
In addition to authoring classic children’s books (Where the Sidewalk Ends and A Light in the Attic were grade school favorites for me, as I assume they were for you), and many other vast and treasured avenues, Shel Silverstein was a prolific songwriter. He wrote hits for Loretta Lynn, Dr. Hook & The Medicine Show, and of course, for Johnny Cash on arguably one of his most famous tracks, A Boy Named Sue. Mr. Silverstein’s history, one I’m soon to further explore, dates back to the Elektra label with his 1959 album, Hairy Jazz. Good luck finding a copy on the cheap, and if you have an extra one, thank you in advance for sending it my way.
Vito’s
We have recently fallen in love with a local pizza joint that spins actual vinyl on Technics 1200s. Not only are the vibes groovy and handpicked by the staff, the pizza is New Jersey-style, and absolutely delicious. Might I suggest a little Jackie Wilson with a side of Garibaldi (red sauce, cheese, meatball, jalapeno, tomato). Delicious Pizza, you’ve got a valid competitor.
High Fidelity (aka “Barry, the Door!”)
Now, I was certain I’d already posted about this seminal soundtrack, but a quick site search conflicts with my shady memory. Originally released in accompaniment with the film in 2000, this 2015 colored vinyl version was a Record Store Day Black Friday, 15th Anniversary release from November 2015. There also appears to be a red vinyl version, limited to 500 copies “pressed exclusively for Red Bull Sound Select’s 30 Days in L.A.” (Thanks, Discogs.com). The only prior vinyl version came from Germany or the UK, and were extremely limited (not to mention fetch a hefty price online). 2016 black vinyl versions fetch for around $20, so options a-plenty.
Kiss Koncert
Yup… this concert was over 18 years ago (le sigh). Certainly not a fan of The Nuge’s political position, but he was fairly solid with Skid Row and solo. Kiss was, obviously amazing, though I wish I hadn’t missed the blood-spitting part of the rock n’ roll show. The overpriced beer that caused me to miss this classic experience only added insult to the injury.
First Edition, Fourth Album
Technically, this is the official first album released by The First Edition to be credited to Kenny Rogers & The First Edition, the first three albums listing the group as simply The First Edition. Ruby, Don’t Take Your Love to Town dropped in 1969, and features the ensemble’s rendition of the Kris Kristofferson-written classic, Me and Bobby McGee. A brief recording history of this song… Roger Miller was the first to record it in ’69, followed by Gordon Lightfoot, then arguably most notably by Janis Joplin in ’70, just a few days before her death. The track is number two on side A, and is a great one-two punch following this album’s title track.
C.A.U.T.I.O.N.
Presented here is the b-side insert to Operation Ivy’s sole studio album, 1989’s Energy. Not much else to say, really, save for that Caution and Artificial Life are the standouts, for me at least.
Evil Red
Rage’s second album, 1996’s Evil Empire was a (bit) more refined outing when compared to their debut album (that which was released four years earlier), 1992’s Rage Against the Machine. A classic, though not as highly regarded as their debut, Evil Empire recently received the Newbury Comics treatment, with this red colored vinyl pressing of 1200 copies. In any color or limited run, this album is a no-brainer.
The Prudent Groove 