Nothing with the moniker of Todd Terje ever yields a negative listening experience. So was the case with 2014’s It’s Album Time, and so now is the majestic brilliance of 2016’s The Big Cover Up. The mark of brilliance has a name, and said name is Todd.
Author Archives: The Prudent Groove
The Dude is In
Sex…
A “Round” of Drinks on the Groove
Not only do I need to start taking photos that are much more level, I need to start mixing these luscious cocktails from the Vinyl Me, Please releases. They boast themselves as the best damn record club on the market, and they’re certainly not wrong. We here just need to utilize their many spoils. If you’re pondering a club where everybody knows your name, consider Vinyl Me, Please. It’s not shitty, and that’s a good thing.
Greatest Hits? Nope… Just Green River
I know I said it before, but have a quick look at the tracklist for CCR’s 1969 album, Green River. The 2nd of three “best of” albums released that year (January’s Bayou Country, this, August’s Green River, and November’s Willy and the Poor Boys), Green River is absolutely essential listening material for any casual fan of Bad Moon Rising.
‘Nuff Said
Glen E. Fugazi
If Glen E. Friedman ever took a bad photo, I’ve never seen it. Early Fugazi, featured here from the insert to their 1988 12″, Fugazi, features a front row view of this vigorous band in violent, full swing. Spend the rest of your day Googling Glen E. Friedman’s work, then spin this album. Your Tuesday morning will thank you.
213 Flat Lines
Originally released as only one of 213 pressed on green vinyl back in 2007, The Flatliners’ first major label album, A Great Awake, received only one spin upon it’s initial reception, then was forgotten on the shelf. I remember it being new, but enjoyable, angry pop-punk. That goes without saying, as does this: this record is now in the “have to listen to” pile.
Incorporated Population: 1270
… and His Famous Orchestra
Abuse Your Illusion
Rings of Mystery
More Ebb, Less Flow
Split 7″
Death to the Kitty
Don’t Drop the Baby
It’s certainly not often that one’s favorite band, once considered obsolete (mainly due to the final, RIP concert one attended some 10 years back), releases a new track, then limits said song to a 440 7″ pressing only available at a recent Denver, CO show. As a Los Angeleon, I was excited to hear said news, but very worrisome of the avenue with which to obtain it. Thank you Discogs and your reasonably priced sellers. More Rocket, yeah, that’ll do.
NW8
In 1971, some long, 45 years ago, B.B. King kicked off his UK tour with the release of B.B. King in London. Featuring Steve Winwood and Ringo Starr (among several other all-stars), BBKiL (as nobody calls it) sits alone in the busied library as the only B.B. King album in the collection. Heartbreaking, I know, and definitely something to be rectified.A River of Green
Creedence came on at work yesterday and I was taken back to my grade school years when all I listened to, for what seemed like years, was Bad Moon Rising. I overdid it a bit on that track, and have since bypassed that track all together. Green River, Creedence’s third record, and album vehicle with which Bad Moon Rising came, is a non-stop roots rock trophy of classic Creedence. One of those albums that could easily be a greatest hits, Green River includes Cross-Tie Walker, Lodi, Wrote a Song for Everyone, Commotion, and Tombstone Shadow, among, obviously, Bad Moon Rising and the title track. Creedence is like the Kinks in that, once you start down the rabbit hole, it’s several months until you’re allowed to escape. Not a bad problem to encounter, to be honest.Life in the Fat Lane
Life in the Fat Lane, Fat Music Vol. 4 was my first introduction to The Ataris, and their late 90s summer classic, San Dimas High School Football Rules. They must have fallen into obscurity after that, as that was my only exposure to this crazy pop punk band. A quick Discogs check indicates that The Ataris, in fact, did NOT fall into obscurity as they put out a new, self-released album just last year. LitFL also houses Lagwagon’s May 16, Me First & the Gimme Gimmes’ My Favorite Things, and Tilt’s Old School Pig, all of which were late 90s personal classics. Anyway, enjoy your hump day, kids!Sun LP 1270
The 14th studio album by J.R. Cash was released in November of 1962, and was titled All Aboard the Blue Train, for those of you inquiring. Featuring several heavy hitters (Wreck of Old 97, Folsom Prison Blues, Rock Island Line), All Aboard the Blue Train is a collection of previously released Sun Records tracks (save for Blue Train), and was a cash in by Sun after Cash moved to Columbia. It’s a damn good album, as is anything by Cash, and comes highly recommended.









