With a crown of shame, I humbly admit that despite owning this album for over four years, I doubt I’ve ever listened to it… which doesn’t make sense considering my strict, “needs a spin before cataloging” rule. Either that, or I was completely distracted and / or under some kind of influence upon its first and only spin. Either way, I’m listening to Hurley, today, for (what seems like) the first time.
It’s difficult not to like a pop album that pays homage to the awesome Jorge Garcia and his unforgettable depiction of Hugo “Hurley” Reyes from the adventstery (adventure / mystery) TV series, Lost. And leave it to Weezer to hammer out yet another rock solid album! I can’t recommend it just yet, having not finished my (second) first listen, but as far as I’m concerned, there is no bad Weezer album.
“I don’t know that I’ve ever listened to this!” He said aloud to an empty, shade-drawn room. Consentual Selections, the 2010 comp, a “collection of EP tracks from 1987 to 2009,” caught my eye earlier today. Limited to only 300 on blue and yellow colored vinyl, and only 1000 overall, this comp pressing makes for one of the more rare, and obscure in the Caddies’ library.
Having absolutely nothing to do with anything, please be on the lookout for James Booker’s The Lost Paramount Tapes. Look it up…
I had no Earthly idea what to expect when I picked up Record Store Day Presents High School Battle of the Bands, but for only $1.99, and sealed, I figured, what the hell. Released as part of 2010’s Collector Christmas, also known as Record Store Day, this nine track comp, quite understandably, acts more as a vehicle for parading individual tracks than that of a comprehensive album. With that in mind, the pool of talent displayed throughout this record overwhelmed me. The overall lurid inflection on the majority of these tracks assured me that what I found was something significant.
In a nutshell, Fender teamed up with the liberators at Records Store Day to devise a brick-and-mortar-record-store-sponsored-high-school-band-contest. The winning band was to win a bunch of free gear, studio time, and a slot on this record. It was up to some undisclosed record executives and members from the Fender Corp. to judge all the entries that eventually resulted in this record. I have no idea how many bands entered, but every single one of the chosen nine are studio/label worthy.
It’s gratifying to see my two home states, Wisconsin and California, representing four of the nine tracks on this comp. My only gripe is that the link to the free download is dead… my fault for waiting three years to get this album. Support the future of noise pollution and GET THIS ALBUM!