ATCO Records (AKA The Stuff Atlantic Records Wants Nothing to Do With)

ATCONot only is Atco an unincorporated gaggle of pleasant homesteaders in Camden County, New Jersey, it’s also a record label and subsidiary of Atlantic Records Corporation (ATlantic COrporation… see what they did there?). Founded in 1955, ATCO served as an outlet for acts that, for one reason or another, didn’t fit the Atlantic Records format (Atlantic Records needs to lighten up if you ask me).

One of ATCO’s early releases is the 1964 compilation titled, Ain’t She Sweet. I don’t own this record… but I wish I did. It features The Beatles (with Tony Sheridan, recorded in 1961), and fetches a hefty $600 on Discogs. Keep an eye out for this one in the $1 bins.

What I dig most about these old inserts, apart from the frequent reminder of how to care for my records, is the variety of new bands I otherwise wouldn’t have heard of. Now, I’ve heard of Bent Fabric (Bent Fabricius-Bjerre), but I didn’t realize that most of his covers featured animals. My favorite from this insert is undoubtedly, The Drunken Penguin. That, coupled with Alley Cat, The Happy Puppy, and Never Tease Tigers just became the top four records in my want list.

Thanks to the nice people of Atco, and ATCO for the groovy suggestions.

Draw the Shades and Hide the Cats, Because the British are Coming

British SterlingArguably the best 30 track compilation featuring the monstrously influential British Invasion ever to be pressed to wax, this 1981 collaboration between Warner Special Products and Lake Shore Music marries the pinnacle of head-spinning talent that the Queen of England’s own had to offer… up to and including the 1961 single, My Bonnie, featuring Tony Sheridan and The Beat Brothers. The Beat Brothers, as you know, would eventually change their name to The Beatles… the band name this track is credited to on this compilation.

I’m not going to bore you with the A-1 list of exceptional talent highlighted here (The Hollies, Gerry and the Pacemakers, Unit 4+2, Donovan, Manfred Mann, The Zombies, Them, Chad & Jeremy, The Beatles, The Spencer Davis Group…), but I will (briefly) mention that someone off Discogs offered to buy my copy of British Sterling, which I appropriately, and respectfully declined. One of these days I’m going to gather enough motivation to digitize this double LP, but until that (dreadfully long and labor intensive) day, two flips for 30 tracks suits me just fine.

My BonnieAlthough I don’t consider A Whiter Shade of Pale by Procol Harum a pivotal part of the British Invasion, there is something striking about the 1-2 punch of Procol’s Shade followed by Tell Her No by The Zombies. Somebody knew what the hell he or she was doing when they made this compilation. To whomever that is… (raises Sun Records coffee mug) I salute you!

Golden Throat(s)

Golden ThroatsSo much can be said about this celebrity-singing-covers compilation. Essays that inspire men towards intergalactic travel, lifesaving breakthroughs in medicine, and profound human rights activism have been written, studied, and taught from this album (no evidence of this exists). Yes, many words have been spoken, but none pertaining to this album approach the colossal distinction of nobility, decorum, and heartfelt enthusiasm as the following two, majestic words: William Shatner.

William Shatner. The name alone is powerful enough to move mountains, but the man himself…  you see, is no mere “man” at all. Not in the common use of the word, anyway. He’s somewhat of a Superlative-man (please picture a striking red “S” on the broad chest of this transcendent man). He’s someone who can create galaxies with his thoughts, rectify world peace simply by offering a slight smirk, and, as evident from this album, is able to sends both The Beatles and Bob Dylan to shame-town by outperforming their classic hits, Lucy in the Sky with Diamonds and the timeless, Mr. Tambourine Man.

Aside from the obvious highlights already mentioned, this GOLDEN album features Leonard Nimoy singing a Creedence Clearwater Revival track, Mae West performing Twist and Shout, and Andy Griffith tackling House of the Rising Sun. The term eclectic was reinvented when this album was released.

William Shatner is a man transformed; a star that may die, but whose light will burn on for lifetimes to come. Golden Throats, although it only contains two of his brilliant works, is a beaming example of this. There may be 14 “songs” on this album, but for me, it’s a single with 12 bonus tracks. Golden Throats comes HIGHLY recommended.

Le moins cher Sgt. Pepper costume vous verrez aujourd’hui

Sgt. PepperEver wondered what it would be like to walk in the mighty boots of Sgt. Pepper? Well, you can’t, so stop dreaming for the impossible, and come back down to reality because presented here is (not at all) the next best thing.

Tucked deep inside my rather dilapidated copy of Sgt. Pepper’s Lonely Hearts Club Band is this lovely little “costume themed” Sgt. Pepper insert. Some assembly is needed, but with minimal work (scissors are required), you can amaze and confuse your family and friends by dressing up as the honorable Sgt. Pepper.

This cut-out kit includes:

1. Moustache (No Sgt. Pepper impersonator would be caught dead without one.)

2. Picture Card (To pass off as a valid and law-abiding photo identification card, presumably when questioned by authorities, or children with worried looks in their eyes.)

3. Stripes (To keep your Sergeant arms warm.)

4. Badges (Nothing says you’re serious about your appointed duties like a badge with a picture of yourself posted proudly upon your heroic chest.)

5. Stand Up (No Sergeant, ESPECIALLY Sgt. Pepper, would be caught parading around without a psychedelic, four-piece band. Here is a picture of that band.)

Halloween is several months away, but you can practice your army-commanding stature with this lovely, and surprisingly accurate, cut-out costume. (Mind-altering drugs and sitar sold separately.)

A Nutritiously Balanced Vinyl Breakfast

GB IIBeginning around 1962, the flexi disc, or phonosheet, has been a low cost, low quality audio option for anything from Beatles Christmas “thank you’s” to fan club members, to a message from Biz Markie wedged inside issue #2 of Grand Royal Magazine that I need to dig out of the closet, to information on The New Ghostbusters Movie Mystery Sweepstakes found on specially marked cereal boxes back in 1989.

Only slightly thicker than a piece of paper, the flexi disc was a reasonable medium for offering audio, be it songs or clues on how to meet a REAL Ghostbuster, from unconventional sources. I imagine few of you to equate a box of breakfast with a vinyl record, but who knows. I’ve been surprised before. Once… he turns 9 this October. I joke.

This particular flexi disc boasts a chance for a very lucky participant to become an honorary member of the Ghostbuster’s team. (Really, it was just a cheap ploy to get people into theaters to see Ghostbusters 2.) All the groggy-eyed, little elementary school twerp needed to do was answer the following questions on a 3×5 card (apparently any other sized card would result in immediate disqualification from the mystery sweepstakes) and mail the answers along with their name, age and address, including zip code, and telephone number to the following address:

The New Ghostbusters Movie Mystery Sweepstakes

PO Box 4029

Beverly Hills, CA 90213-4029

Question 1: Name the woman who works in the art museum, who is Peter Venkman’s girlfriend.

Question 2: At what holiday does the big bust happen at the end of the movie?

Question 3: What US monument do the Ghostbusters work from to save the city?

Cheap ploy or not, I miss the days when I could stroll into a Piggly Wiggly and walk out with a record. For those of you dying to hear (what sounds like) the voice actor of Egon Spengler from The Real Ghostbusters cartoon show, a video of the record can be found here.

Missing George

Missing George

George Harrison is missing. He’s gone and, to be frank, I’m not sure he’s coming back. No note was left, not even a casual scribble on a matchbook. He may have left word with Paul, Ringo or John, but as you can see, the boys aren’t talking.

Well, what about the music, you ask? The music is safe and sound. And the sleeve? The sleeve is fine… for now. No, the only missing party to my copy of 1968’s The Beatles is George Harrison.

I can’t blame him for going rogue, what, with all the majestic wonders that await an eager traveler in their visceral quest towards discovery of the vast, colorful world that exists outside my music library. In perspective, I’m surprised this odyssey into the arousing unknown wasn’t made sooner.

George Harrison is gone. I must come to peace with this. George Harrison, is gone.

We miss you George. We wish you well, but most importantly, we all hope you remembered to pack a handkerchief for your bemoaning 6-string. The boys and I will be fine. Write when you can, and may your new home offer everything you couldn’t find here.

1989: Saturn Outhouse

Pitchfork Cover, LoverBefore breaking Lou Brock’s coveted career Major League stolen base record of 938, a very young Rickey Henderson had to steal his first base. Before The Beatles could release the immeasurable Sgt. Pepper’s Lonely Hearts Club Band, they had to play backup to Tony Sheridan. All legacies have a beginning, and before the Hot Snakes, the Obits, Drive Like Jehu, the Sultans, The Night Marchers and the crème de la crème, Rocket from the Crypt, before modern day rock ‘n’ roll emerged from the heavens and established itself as “the majestic sound from the Gods,” there was Pitchfork.

Rick Froberg, meet John Reis. Get through your handshakes and your pleasant introductions quickly, because over the next 25 years you’ve got four singles, one EP and seven albums to write, record, produce and release under the heading of three different bands: Pitchfork, Drive Like Jehu and Hot Snakes. Get busy boys… the world is waiting.

Insert-siesThe first recorded ANYTHING by both Froberg and Reis (their musical rookie card), Saturn Outhouse contains the same melodic, in your face, sky-high level of energy found in Drive Like Jehu and Hot Snakes, and like those bands, sees Froberg on vocals and Reis on lead guitar. It’s evident, as seen from Reis’ more recent work, how much he is influenced by mid-60’s obscure garage rock, but Saturn Outhouse sounds more like an Ian MacKaye-headed Fugazi than anything released by the Seeds.

To the causal listener, Pitchfork can easily, and understandably, be confused for Drive Like Jehu, and vise versa. The two bands have striking similarities (scratching vocals by Froberg, piercing guitar by Reis, melodic, drawn-out landscapes), but the difference lies in the level of maturity exuded by both Froberg and Reis between Pitchfork’s demise (1990) and the birth of Drive Like Jehu (later in 1990).  I haven’t matured that much in 33 years, and these guys crossed that mark in their early twenties! Quiet simply put, Froberg and Reis were adolescents, yes, but they were also music legends in the making.

Pitchfork Back, JackContaining the tracks, Thin Ice, Goat and Sinking, this little necessity of music history can be had for a surprisingly cheap amount. Starting at only $6.54 over at Discogs, this gem can, and should, be sought after by any, and every fan of the majestic, modern day rock ‘n’ roll sound.

The Very Best in Music

Pink UA InsertWhen one thinks of the “very best in music,” certain monumental artists come to mind. Such as Chucho Avellanet, Del Reedes, Jimmy Roselli, Ray Barretto, Farrante & Teicher, Patty Duke, Lena Horne, George Jones and The Beatles… I see nothing out of place here.

United Artists Records, the Proudest Name in Entertainment, would like you to consider these other groundbreaking acts the next time you noodle around your local record store. If that deep urge to hear a crooning Del Reedes sing your favorite Jim Reeves tunes, consider Del Reedes Sings Rim Reeves. Conversely, instead of scratching your head until it bleeds in deep consideration of which (of many) Ferrante & Teicher albums would best suit your planned roofie-filled evening with your next Match.com date, why not make it easy on yourself and let Ferrante & Teicher do the work for you and simply ask for, Only the Best.

With catalog highlights like these, your pride is sure to match that of United Artists Records, and in no time at all you will agree that they are indeed the very best in music.