So, first and foremost, an esteemed apology for the blatant William Shatner reference in tonight’s post. The SO and I have started watching Boston Legal, a personal favorite, and this 1979, Peter Pan Records release (#1513) seemed arguably appropriate. The In Vino Veritas story is certainly one for the fan-boy ages, but, and I’ll disclose 100% honesty here, anything Shatner is certified gold. Props to Mr. George Takei for his prominent position on this 7”’ cover.
Decca Records spans an almost spectrum-like array of eclectic ear candy. Ranging from Children’s music (Winnie the Pooh), to Hawaiian music (Alfred Apaka), to Classical (Vivaldi), and last but certainly not least, to William Shatner (in whose 1968 album, The Transformed Man, I excavated this colorful insert).
It’s always interesting to see how creative these self-promoting record label inserts get in attempting to showcase their less-than-chart-topping-hit-records. I particularly dig this insert’s layout and how a simple arrow (repeated, obviously) can direct the eye to what the designer wants to showcase, and the order in which they want it presented. It’s almost a roadmap that effectively leads to the consumer’s ultimate destination… A New World of Sound… On Decca.
So much can be said about this celebrity-singing-covers compilation. Essays that inspire men towards intergalactic travel, lifesaving breakthroughs in medicine, and profound human rights activism have been written, studied, and taught from this album (no evidence of this exists). Yes, many words have been spoken, but none pertaining to this album approach the colossal distinction of nobility, decorum, and heartfelt enthusiasm as the following two, majestic words: William Shatner.
William Shatner. The name alone is powerful enough to move mountains, but the man himself… you see, is no mere “man” at all. Not in the common use of the word, anyway. He’s somewhat of a Superlative-man (please picture a striking red “S” on the broad chest of this transcendent man). He’s someone who can create galaxies with his thoughts, rectify world peace simply by offering a slight smirk, and, as evident from this album, is able to sends both The Beatles and Bob Dylan to shame-town by outperforming their classic hits, Lucy in the Sky with Diamonds and the timeless, Mr. Tambourine Man.
Aside from the obvious highlights already mentioned, this GOLDEN album features Leonard Nimoy singing a Creedence Clearwater Revival track, Mae West performing Twist and Shout, and Andy Griffith tackling House of the Rising Sun. The term eclectic was reinvented when this album was released.
William Shatner is a man transformed; a star that may die, but whose light will burn on for lifetimes to come. Golden Throats, although it only contains two of his brilliant works, is a beaming example of this. There may be 14 “songs” on this album, but for me, it’s a single with 12 bonus tracks. Golden Throats comes HIGHLY recommended.