That Time Vinyl Me, Please Made Right

pandaSo, quick story. I’m a member of Vinyl Me, Please, and outstanding record-a-month club that you should most certainly check out if you aren’t already a member. Well, last month’s double LP was Panda Bear’s Person Pitch, and instead of getting disc 1 and disc 2, what one would assume, I got 2x disc 1s. It actually took me a song to realize when I put the 2nd record on the platter. Anyway, I took a photo of my bastardized album, send it to Vinyl Me, Please, and in less than a week I received a brand new, fully functional double LP of Person Pitch, this time with correct discs. Vinyl Me, Please made right, and I’d like people to know that.

So the photo. The photo is the art print that came with Panda Bear’s Person Pitch (one comes with every month’s release, as does a pairing cocktail catered to that month’s specific album… it’s pretty damn cool). I’m not sure if there is a name of the print, but it’s original artwork by Mi Ju. Give respect where respect is due, kids.

 

Boingo

boingoWhat I once thought was Oingo Boingo’s first release, 1980’s Oingo Boingo, is actually their third, following 1976’s 7″ You Got Your Baby Back and 1978’s extremely limited 10″ titled Demo EP (only 130 copies released). Regardless of its apparent lack of exclusivity, this 10″ predates their epic 1981 studio debut, Only a Lad, and is the perfect soundtrack for a lazy, salsa-making day.

Enjoy…

crlpA friendly reminder that Columbia Records (now owned by Sony Music Entertainment) would like for you to enjoy the world’s greatest catalog of high-fidelity records… superbly performed and recorded on Columbia 33 1/3 LP Records. Your favorite artists… your favorite music reproduced with matchless clarity and realism.

Enjoy Columbia Records, and have a great Friday doing it.

Break the Blues, not the Bank

breakers1966’s Blues Breakers with Eric Clapton, aka The Beano Album, is John Mayall’s first studio album, and his second overall. Featuring a comic-reading, and marginally defiant Eric Clapton, Blues Breakers with Eric Clapton is widely considered John Mayall’s most popular, although not best, output, and is ranked by Rolling Stone magazine at number 195 of The 500 Greatest Albums of All Time. Also, I found it at my local brick and mortar for only $1 (hence the title of this post).

8-Track Stack, Jack

eightThe eventual overflow of media consumption often yields an entirely new media with which to consume. 8-tracks aren’t new around these parts, we’re just finally starting to get serious about them. With any collection, the bar is set, achieved, then moved. This endless cycle continues without rest or hesitation. The current bar is The Kinks are the Village Green Preservation Society, an 8-track only two people in the online community own. Both have refused my offers to purchase this holy grail of magnetic tape sound recording technology, so this dimly lit search trudges on.

Special thanks to my folks for nabbing up $0.25 8-tracks on their many thrift store adventures.

Happy 4th Birthday, Prudent Groove!

img_0827Well, four years ago today we dropped the needle on a cryptic and probing experiment called The Prudent Groove. This daily chore of unknown ends (and plagued beginnings) has forced us (me) to peer into the ceaseless collection with a slightly skewed and exotic perspective. (A perspective found primarily at the bottom of empty bourbon glasses and disorganized half-thoughts.) Evolution, in its lazy way, has certainly taken its form here at The Prudent Groove, but we are no closer to any conceivable goal than we were the day before we began, which, today, would be exactly four years and one day ago.

This process has been monumentally rewarding (on a personal level), and I’ve had the pleasure of interacting with patient, like-minded groove-hunters along the way (all who are much smarter, and more knowledgeable than me).

From the casual passersby to the daily squatters, thank you for allowing us to waste your time. Happy 4th birthday, Prudent Groove!

Special thanks to Old Man Hardwick for the photo art and early birthday wishes.

A Tremendous Emotional Experience

afWhen someone, let’s say Timmy. When Timmy thinks of a tremendous emotional experience, Timmy often doesn’t think of achieving this tremendous emotional experience by listening to high quality records. Timmy is a fool. What Timmy isn’t realizing is that Timmy isn’t in tune with Audio Fidelity Records. If you own a bow tie, or know what one is, you can enjoy a smoke, a stiff buttoned-up shirt, and the high quality hi-fi listening pleasure of Audio Fidelity Records. Don’t be a Timmy. Treat yourself to a tremendous emotional experience. Go ahead. You’ve earned it.

How to Ignore the Incoming Storm…

bikinisFor the saddest (and most abhorrent) day in this nation’s modern day history, let’s drown our sorrows in, and (attempt to) ignore the incoming storm of racist ignorance with Bikinis and Bongos. Because, let’s face it… heavy, heavy drugs won’t be near enough to get us through the next 1461 days.

The Sound of the Seventies

tommyvigThe Timmy Vig Orchestra’s 1968 The Sound of the Seventies boasts a very presumptuous title… not to say it wasn’t completely spot on (redundant, I know… but I’m sticking with it). Anyway, I was going to dive into this elaborate concoction about how this is how the seventies SHOULD have sounded and blah, blah, blah, but then I ran into personal, and very time consuming issues. I’ll have to circle back on this one, because she’s an essential grab.

Havana, 3 A.M.

havanaHavana, 3 A.M. is another fundamental and necessary Space Age Pop album from the late 1950s / early 1960s, or so spaceagepop.com would have you believe from their 10 Basic SAP Albums, my current checklist. This Afro-Cuban collection, a “New Orthophonic” High Fidelity Recording, spans 12 Mambo-tastic tracks and is sure to get you on (or off) your feet, regardless of the time of day. Havana, 3 A.M. was Perez Prado and His Orchestra’s fifth album, released in 1956 on RCA Victor (LPM-1257), and is a perfect place for any up-and-coming Space Age Pop-stronaut to start. Happy hunting, kids.

Prowl

prowlFinally got my red vinyl copy of On the Prowl by Rocket from the Crypt. I’d stupidly passed it up at Amoeba the last time I was there. $35 and something like 6 months ago. Lucky for me it was still there on Saturday, and the price had dropped to $30. Not bad considering roughly 100 – 200 were pressed. Pette has it valued between $75 – $100, so not a bad find.