80

Bay area ska-punksters Link 80 were huge among my inner circle back in the late 90s thanks, in large part, to their inclusion on Asian Man Records’ 1998 compilation, Mailorder is Fun!. If you’re in the mood for upbeat skacore with a punk attitude, look no further than Link 80, and for the love of everything holy, get your hands on Mailorder is Fun!. 29 tracks of pure, late 90s ska-punk bliss!

& Slow

Earlier, back in 2015, we touched upon the much anticipated release of Lead Into Gold’s 2015 “official” single from 1991, Low & Slow, and, like a fine wine, this 3-track 12″ has gotten better with age. Lead Into Gold has since released another, 3-track 12″ (this year’s A Savage Gift), so I’m hoping that a good response will force some more, dynamic industrial noise from Paul Ion Barker. (Raises glass) Here’s hoping!

200 Years

My first exposure to Lawrence Welk was by means of the Lawrence Welk Show. This was a beloved entertainment hour by my grandparents which we’d watch almost nightly (though at the time, G.I. Joe or Heathcliff was more my speed). I purchased 200 Years of American Music, a double LP, in memory of my grandparents, and she acts as a pretty good reminder of that period of my life.

A Little Touch…

1973 was a good year for a lot of people. I wouldn’t know, personally, but Mr. Harry Nilsson released an album of 20th-century standards for his 10th studio album, whimsically titled, A Little Touch of Schmilsson in the Night, so 1973 couldn’t have been all that bad. Using Sinatra arranger Gordon Jenkins, A Little Touch clocks in at just over 36 mins over 12 songs, and though praised for Nilsson’s prominent vocals, it only received modest chart success. Regardless, A Little Touch is well worth the price of admission, and is a perfect spin for those foggy, Southern California days, or anywhere you can plug in a turntable.

Tie

3-Way Tie (For Last) was the final album released by San Pedro legends, Minutemen. Frontman D. Boon would tragically lose his life in a car accident almost immediately after 3-Way‘s release. One of this energetic guitarist’s last work of art was the painting used for the cover. A bit sad, all around, and kind of a departure from their previous albums, 3-Way features a handful of covers (CCR, Meat Puppets) that neatly pay tribute to this Southern California band’s early influences. Like with all Minutemen releases, 3-Way Tie (For Last) is essential listening material. RIP D. Boon.

Premium Color Vinyl

One part feeling kind of lazy, mixed with a healthy dash of missing hype stickers, we’ll (briefly) stop to focus on this vibrant stamp on the left. This one is for Roy Orbison’s debut album from 1961, which received the RSD Black Friday treatment back in 2014. Numbered, limited, all that jazz, but most importantly, she’s an affordable way to enjoy this legendary artist’s first studio record. Thanks, hype sticker! You’ve done your job.

Golden

Presented here is, more or less, my latest obsession… Mr. Roger Miller. Mono on the right, stereo on the left, this classic “greatest hits” album can be had for about a quarter online (this doesn’t include shipping, mind you), but you can likely find it in the $1 bin at your local brick and mortar. All the singles are here, Dang Me, Atta Boy Girl, Do-Wacka-Do, In the Summertime, England Swings, Chug-A-Lug, and of course, King of the Road. I’d define Roger Miller as country in name only. He’s more of a goofball with an acoustic guitar any anything resembling Waylon, Johnny, or Willie, which makes him an easy and likable target for those not too fond of the genre as a whole. I guess, if pressed, what I dig most about Mr. Miller is his shining positivity. You can’t roller skate in a buffalo herd, but you can be happy if you’ve a mind to.

The Kids…

What we know: The Kids Are Alright is a delightful little track released by The Who in August of 1966.

What we also know: The Kids Are Alright is a rockumentary, featuring The Who, released in May of 1979.

What we also, also know: The Kids Are Alright is a double LP soundtrack to the aforementioned rockumentary, and contains some of this legendary band’s greatest hits.

The Kids… Are Alright

Sofa King Cool

Sofa King Cool not only perfectly sums up the late 1990’s with its outlandish play on words and Teletubbies-inspired cover art, it also marks the third studio release (of four) by Santa Rosa skate punks, Diesel Boy. Not much has come from the band after their 2001 effort, Rode Hard and Put Away Wet, and then they unofficially split, playing their last show in 2002 (some 16 years ago!). There were rumors of a new album around the 2010 – 2011 mark, but nothing has come to fruition. My 19-year-old self misses these guys, but their studio offerings speak for themselves.

Mad

If you can get past the nearly unavoidable reflection of the photographer, you’ll notice that you’re looking at two versions of Duck and Cover by Solvang’s reggae-ska-punks, Mad Caddies. The first release, you’ll want to look to the record on your left, is the standard black vinyl release, the first pressing, from way back in 1998. Until 2011, this was the only version available for pure, listening pleasure. That’s where the record on the right comes in. Limited to a slim 199 pressings, this splatter green vinyl is the second of only two pressings of this essential album, and today, fetches from a cool $70, to a whopping $189.99 on Discogs. My advice, check Fat Wreck Chords early, and often.

Italian Guitars

Time Records Series 2000 (S2023) features Al Caiola & His Orchestra hammering through 12 Italian-based, Space Age Pop, guitar-focused tracks. Torna A Surriento, Nights of Splendor, and Arrivedirci Roma are a few of the key standouts, but overall, Italian Guitars is a perfect, half-thought, lazy day groove record. It’s a Series 2000 record, so you’re know you’re getting quality sound. Pour yourself a hefty glass of Montepulciano and enjoy!

Cast Iron

1969’s best selling album (in the US), was also the second studio effort by San Diego psychedelic rock Gods, Iron Butterfly. In-A-Gadda-Da-Vida, the song, occupies the entire second side of the record, and clocks in at a whopping 17:05. Atlantic Records wouldn’t see a more successful album until the release of Led Zeppelin’s IV in 1971. Which begs the question, why has it taken me so long to obtain this piece of modern rock history?!

When the Light Goes Out

Nowhere among the sea of self-taughting verbiage is Enoch Light’s name found on this, seemingly LAST installment in the Persuasive Percussion series. Complete with abstract minimalist cover, PP 1966 holds steady with the original four installments, but doesn’t offer very much other than, “more of the same.” That’s certainly not to say that Persuasive Percussion 1966 isn’t worth a spin, it just lacks a bit of that late 50’s flair found so prominently with the originals. The lack of Enoch Light may have something to do with that.

Ivy

Remaining consistent with the recent Operation Ivy / Lookout! Records trend, presented here is the first side insert to Op Ivy’s Energy. I could be wrong, but I believe all Op Ivy covers and inserts were done by Jesse Michaels, the band’s vocalist, but that could be something I made up as a teenager. Anyway, lots of noteworthy lyrics here, so mix yourself a cocktail, and enjoy some urban poetry.

Picture This…

Back in October of 2004, Rancid Records (a subsidiary of Hellcat Records… I think) released Operation Ivy’s Energy on “limited edition” picture disc. These were all the rage (in my head) back in the mid 2000’s. Hot Topic, yes, THAT Hot Topic, had just about every classic punk album in picture disc form, so I couldn’t pass up the opportunity for yet another copy of this seminal album. I believe that makes four different copies in the collection… and there’s always room for more!

No Devotion

I’ll admit that I didn’t think much of Beach House’s Devotion when I first heard it back in ’07, but I will say, without any hesitation, that I strongly stand behind their choice of colored wax. Featured here is the Vinyl Me, Please 10th anniversary edition. I’m hopeful that time has been kind to this album, but I guess we’ll see.