Hey kids, stop the violence with your man, MY man, Mellow Man Ace! Circa: 1989 on Capitol Records, Mellow’s debut album, Escape from Havana featured, among many other (then) all-stars, both Delicious Vinyl owners Matt Dike and Michael Ross, as well as the ever-illusive Dust Brothers. Watch out for the explicit lyrics, but if you can gather your parent’s permission, you’re in for one peace-happy treat.
In 1988, I know jack about Delicious Vinyl records… but like any radio-worshiping Midwesterner, I knew every syllable to the song Wild Thing by Tone–Lōc. Produced by the legendary Matt Dike and Michael Ross (Michael Ross is the genie he’s giving us our wishes), and, not surprisingly, engineered by b-boy Mario C., this little 12” time warp is a who’s-who of Beastie Boys crossovers.
Including the aforementioned Matt Dike and Mario C. (you can’t front on that!), the illustrious credits continue with EZ Mike and King Gizmo (AKA the Dust Brothers, producers of the Beasties’ Paul’s Boutique), and none other than Wild Thing video director, and lady b-boy (Mike D’s wife), Tamra Davis.
I knew that when I discovered this album, being labeled as DV 1002, for only $4 at a small and dusty Long Beach record shop that a bit of my childhood would be reinstated. What I didn’t know, was how much of my young adult-era obsession was intimately intertwined.
Please, baby-baby, please!
Love American Style, the 1998 reissue of the 1989 accompaniment to the legendary Paul’s Boutique record is not only the 64th release from Grand Royal Records (Guaranteed Every Time), but also one that was released on black, white, and of course this, red vinyl. Produced by both The Dust Brothers and the Beastie Boys, Love American Style includes the Hey Ladies singles in its entirety (b-side Shake Your Rump), while including Dust Brothers jams, 33% God and Dis Yourself in ’89 (Just Do It). Fans of Paul’s Boutique and the Beastie Boys alike will instantly recognize 33% God and Dis Yourself in ’89 (Just Do It) as rehashed instrumentals of the record’s a-side, which stand as monumental achievements of pre-Beastie Boys, all-Dust Brothers party-jams. Are the b-side’s two tracks worth seeking out this four-track 12”? You tell me.
With little to no time today, I present Loops of Fury by the Chem Bros. Featured in the Playstation game, Wipeout 2097 (and released on the jam-packed, gonna-make-your-ears-bleed, but in a good way, soundtrack to the game titled, you guessed it, Wipeout 2097: The Soundtrack), Loops of Fury is a perfect example of late 90s Chem Bros, and stands as a highlight of Big Beat music in general.
With enough bass to make your neighbors call the cops, Loops of Fury would make a great addition to any collection, especially if pissing off your neighbors is your style.
The Chemical Brothers are known the world over for their elaborate, Big Beat landscapes. This isn’t news. Something a little less talked about however, but just as obvious and synonymous with their crunchy, heart-stopping grooves, is their visual persona. I’m not talking about their mind-melting stage shows. Instead, I’m talking about their nostalgically futuristic cover art and album design.
Presented here is not even the tip of the iceberg. The Chem Bros have been penetrating ear holes for over 20 years, and have released seven proper albums, one soundtrack, six EPs, five comp albums, one live album, 15 promo singles and 26 singles… with an eye catching design, layout and scheme unique to each release. This amazing print was offered as an insert in their 2008 double LP comp album, Brotherhood.
I’ve got a bunch of Chem Bros releases, so keep your eyes peeled, and your ears lubed because the Groove is about to go Big Beat berserk.
So, here’s a fun little nugget of Electronic music history (fans of either band have known this for years)… The Chemical Brothers used to be called the Dust Brothers, and the Dust Brothers used to be called, wait for it… well, they were always just the Dust Brothers, so yeah, gotcha there.
Dust Brothers 101:
First came the Dust Brothers. The ACTUAL Dust Brothers. The LA-based cut-and-paste moguls famous for their early work with Delicious Vinyl. The same guys who happened to produce the groundbreaking, never-before-has-there-been-music-like-this Beastie Boys album, Paul’s Boutique. Then, over in Manchester, a couple of Dust Brothers fans starting making some badass music of their own, (out of homage or straight, blatant, rip-off) and also starting calling themselves the Dust Brothers. So, there was a time when the world saw two sets of dusted siblings. That was, until the ACTUAL Dust Brothers threatened the Manchester Dust Brothers with legal action. Having released two EPs and one single as the Dust Brothers, the Manchester boys decided on a new name. Based off the critically acclaimed track, Chemical Beats (found on this EP), the Manchester duo adopted the moniker, Chemical Brothers, and the rest is Electronic music history.
Fourteenth Century Sky is the Chemical Brothers’ second release (when they were still calling themselves the Dust Brothers. We JUST went over this!). They would release one more EP (My Mercury Mouth) before pulling the Big-Beat-trigger and forever changing their name to the Chemical Brothers. This concludes the Prudent Groove inspired Cliffs Notes for Dust Brothers 101. Now, get outside. It’s a beautiful day.