1986 was a very fruitful year for the Beastie Boys. Nearly every track from their debut LP saw a 12″ or 7″ release (It’s the New Style b/w Paul Revere featured here), and the band, with a lot of help from producer Rick Rubin, sold a very sizable amount of records. This hype sticker, and the music it promotes, is now 30 years old. Crazytown. RIP MCA.
Category Archives: stickers
Le Soundtrack
(Less Than) Mystery Sticker
Not much of a mystery after all, especially considering the last track, but the lack of band reference on this promotional sticker is slightly interesting, if at the very least moderately comical. Although this sticker has (clearly) seen better days, the music within this (not-so) cryptic album remains as timeless as hypocrisy itself. Stay angry, my friends.
Happy Holidays, Here’s a Sticker
$3.99
Sale is Unlawful
So, by this sticker’s disclaimer, is the Atlantic Recording Corporation storing this copy of The Honeydrippers’ 1984 album Volume One on my shelf for free? I haven’t seen any checks coming in, and furthermore, was my purchase of this album done in an illegal fashion? Am I an accomplice for trading cash for this licensed promotional record? All these questions, and many more on tomorrow’s episode of, The Prudent Groove.
The Future of 2000
The record on which this sticker is attached was small in stature, but large in overall significance. With only four tracks, Eye of the Cyklops from Mix Master Mike was the first record I’d owned, or even seen, that featured a copyright date that didn’t start with 19. Released March 21st of 2000, I’d purchased this record for its mind-blowing shockability, but have since been happy with the music contained within. I am, as I assume many of you are, ashamed to admit how long ago 2000 now seems.
The #1 Pop Group of the ’80s
I’ve never considered Air Supply to be the #1 pop group of the ’80s, and I doubt I ever will. I mean, Making Love out of Nothing at All sounds a little politically incorrect if you take it literally, but it is a damn good song. A smash? Meh. Also, why is the “all” in “all their classics” underlined? I’m surprised the copywriting team only used one punctuation mark to help sell the fruits of these 1980s Gods. At the end of the day, this 32 year old sticker offers a glimpse of Arista Records’ “gotcha” selling points, and deserves to be remembered (to be quickly forgotten again by tomorrow’s post).
Stick it to Me
Secured atop the cellophane sheath to Faith No More’s Sol Invictus, their latest, is this color-printed marketing sticker promoting this release’s colored vinyl (or lack there of) goodness that lives within. In about 5 or so years this sticker will be dropped from social consciousness (if it hasn’t already), as do most, if not all throw away marketing stickers, so let’s take a moment today and pay a little attention to the subtle, short-lived details that surround a modern album’s release… or don’t. I’ll have no way of knowing what the hell you do. Happy hump day!
Respect the Soundtrack
Comedy in Outer Space
So, when the decision to purchase an album is based on the 50+ year old advertisement stuck to the cover of an unheard album, you know there is a problem. Jose Jimenez, and the 1960? promo sticker that surrounds Jose Jimenez at Hungry and I starring Bill Dana, is the culprit here, and I am the helpless victim.
Return to Rhome
This could have been pressed on oil black, single vinyl with no bonus tracks or download card and I still would have thrown fists full of my hard earned cash for an opportunity to own Old 97’s insanely classic debut, Hitchhike to Rhome. Lucky for me, this puppy is the Cadillac of vinyl releases, as clearly stated by this marketing sticker, and needless to say, I’m giddy over FINALLY owning this uncompromising release.
GHS/XXXG 24148
Stick It
…of the Year
In 1962 (from what I can gather), Stan Kenton was Playboy’s Jazz Leader of the Year. What does this mean you ask? It means that his 1962 Capitol Records album, Adventures in Time, A Concerto for Orchestra got a blaze orange sticker (with now 53 year old adhesive) slapped prominently across this album’s minimal cover. 53 year old stickers on album covers, man! K’mon!
Budos
Back to back sticker posts?! Well, yeah… no shame on this, here end. This one, from my latest addition, comes with a radiant review from Slayer drummer Dave Lombardo. Not that I needed any coaxing when it comes to The Budos Band, but ANYTHING that comes with a Slayer-related stamp of approval is fair game as far as I’m concerned. More on The Budos Band to come… unless I forget, or lose interest.
Stick What… Stick This!
Stickers promoting albums that showcase no signifying identification on their covers intrigue me a bit. I’m not entirely sure why, but it may have something to do with the idea that these stickers are meant to be discarded along with the plastic factory seal on which they live. With that humble thought in mind, stickers like this, found on Tool’s 2005 vinyl release of the 2001 album, Lateralus, would, by 2015, be all but extinct from the social conscious. It’s stupid, I know, but I treat these little additives as bonus time capsules that need preserving with the same amount of care as the records themselves. Just another thing to keep, save, hoard, and appreciate, I suppose.
Includes Free MP3 Download
iFloyd
The SO is out of town, which means bachelor weekend for this here guy! So the first thing I do… start organizing my 45s… Apart from deciding to start a new RFTC 7” collection, I discovered this outdated sticker / sampler album insert. Titled iFloyd, the now defunct 14-track sampler featured a few previously unreleased tracks (from Me First and the Gimme Gimmes, Against Me!, and Dead to Me), and a slew of classic Fat Wreck Chords mainstays, reminiscent of the old Fat Music comps. Unsure of what to do with this dinosaur, I decide to leave ‘em shoved inside one of the 45 boxes, to be discovered again at a later date. Happy Friday, kids!
Sticker Me Friday
As far as I know, this Buddy insert from 2000 (Grand Royal Records… surprise, surprise), is a faux sticker. The scissor, dotted line divider is a pretty good indicator of the three separated parts, but I’m pretty sure it’s printed on paper. The keyboard BS 2000 logo is beyond stellar, while the playful percussion jobber raises more questions than answers. Nevertheless, this insert is a classic snapshot of the goofy, anything goes ear candy ushered forth by Grand Royal Records circa: 2000.
Prudent Groove suggestion: Save this image out at high quality, and print on sticker paper. Instant stickers of the BS nature.






