Greatest Science Fiction Hits II AKA The Not So Great of the Great

GSFHIIIn the mood for great (not second rate) Science Fiction movie music favorites produced & arranged by Les Baxter & Neil Norman? Of course… it’s Friday, why wouldn’t you be? For those of you needing a little push in the ways of interstellar incentive, here’s what you’ll find on Greatest Science Fiction Hits II:

War of the Satellites (AKA Verizon Vs. AT&T)

Daughter of the Lesser Moon (AKA Girl from My First Wife)

Sinbad and the Eye of the Tiger (AKA 90s PG Stand-Up Comedy and the Feral Cat)

Voyage to the Bottom of the Sea (AKA Nope)

The Time Tunnel (AKA A Night of Heavy Drinking)

More from Star Wars (AKA Heavy Breathing from an Overweight, Yet Excessively Lucrative Franchise Creator)

And many more!

BACKShoot for the Galilean moons of Jupiter this early February (there’s an “R”) weekend, and hip yourself to the grandiose sounds of Neil Norman and His Cosmic Orchestra (produced & arranged by Les Baxter & Neil Norman) as they milk the last ounces of 70s groove-inspired, disco-influenced jazz-rock with this 1981 compilation of Science Fiction craziness from GNP Crescendo Records. If you find yourself poverty-stricken, but still long for the infinite sounds of the great unknown, this time-traveling collection will fit just about any budget-restricting needs.

TKATVGPS

TKATVGPSSimple, and to the point is today’s moderate theme. So, in case you were unaware, The Kinks would like God to save the following (have a nice day):

– Donald Duck

– Vaudeville

– Variety

– Strawberry jam, and all the different varieties

– Mrs. Mopp

– Good Old Mother Riley

– George Cross, and all those who were awarded them

– Little shops

– China cups

– Virginity

– Tudor houses

– Antique tables

– Billiards

– The Village Green

GSTKOh, and before I forget, The Kinks would also like it to be internationally understood that they will forever be known as the following aliases (again, hope you are having a nice day):

– The Village Green Preservation Society

– The Desperate Dan Appreciation Society

– The Draught Beer Preservation Society

– The Custard Pie Appreciation Consortium

– The Sherlock Holmes English Speaking Vernacular

– The Office Block Persecution Affinity

– The Skyscraper Condemnation Affiliate

What you do with this information is squarely up to you, just so long as you have a nice day. 🙂

RIP Frog

RIP FrogSomber moods cloud the stagnant winter air at the PG office this brisk January evening. Cannibalism within the otherwise serene fresh water aquarium has taken the life of our amphibious friend, the Frog. So, please, take 3:05 and lament with me, Paul and Art over the violent, yet inevitable passing of our office pet. RIP Frog. Your pain is now over. May you enjoy your justly deserved, and bittersweet sounds of silence.

Piles and Piles of Piles

BarbershopAs a collector, I have several piles of records neatly sitting around my office (AKA the Den, the Lounge, FitB Studios, etc.). There’s a pile “to be digitized,” another “to be photographed and inserted into Discogs,” another, ever revolving pile of “newly acquired and yet to spin before it goes into the collection,” and finally, the dreaded “getting rid of” pile. Eventually, everything that stays ends up in the big pile on the wall, also known as my record library, but before any pressed disc finds its welcomed home, it must first 1) be spun at least once, 2) be catalogued into Discogs and 3) be considered for digitizing. I’m strongly considering adding a 4th phase tentatively titled, “cleaning.”

Barber BackSo today’s number, The Top Ten Barbershop Quartets of 1967 (At the 29th International Quartet Contest of S.P.E.B.S.Q.S.A) had been neglected and left for dead amongst other soulless, breakable frisbees in the “getting rid of” pile. Now, I’m a nut for these obscure gems, but one thing I hate more than just about anything (aside from close-minded buffoons) is a record that skips. This detestable sliver in the side of paradisiacal beauty enrages me (much more so that it probably should), to the point where I never want to look at said disrupting maker of trouble for as long I live. Makes sense, considering additional copies of most albums can be acquired, but The Top Ten Barbershop Quartets of 1967 (At the 29th International Quartet Contest of S.P.E.B.S.Q.S.A) had been catching my eye as of late, and I (reluctantly) decided to reintroduce it back into the folds, attempting to ignore it’s glaring, skip goiter. The reason, not because of its kickass-ery, but instead, The Top Ten Barbershop Quartets of 1967 (At the 29th International Quartet Contest of S.P.E.B.S.Q.S.A) had been used on a short back in my film school days. As a self-inflicting maker of rules, anything that gets photographed or mentioned here on the Prudent Groove automatically stays. So, without further adieu, we welcome The Top Ten Barbershop Quartets of 1967 (At the 29th International Quartet Contest of S.P.E.B.S.Q.S.A) back to the family. That short has long been lost and has since receded into Memory Lake, but this album, like few before, has officially switched piles.

Which Digital Juke Do You Prefer?

Screen shot 2014-02-01 at 11.16.48 AMIn 2014, it’s incessantly difficult not to dabble one’s feet in the digital music pool. Analog may forever be King, but digital is Queen Convenient. With x tracks spanning y days, the finicky, stubborn, snail-like jalopy that is iTunes may finally see its last days here at the PG offices. So, the question I pose to you is, what digital platform do you all prefer? I’m looking for something that can handle a large (and ever growing) library and so far, I’ve been exceptionally disappointed with my various trials. Thank you in advance for your contribution to this rather mundane issue.

Sealed With A Kiss

JWEBack when Grand Royal Records went under, its remaining assets were acquired (by means of online auction) and distributed via the short-lived GR2.com site (it’s still up, but the store closed its virtual doors a few years back). It was at GR2.com that I began ingesting a good third of the Grand Royal catalog at insanely cheap prices. Since I’m a never-happy-completist-nut, any and everything released by Grand Royal, roughly 90+ records, were placed into an Excel doc, created and printed out by me, with some now years old chicken scratch as a quickly obtainable Need It vs. Got It list. Maybe my OCD began in my younger days when I tried desperately to obtain all 792 cards in the 1990 Topps baseball card set, but really, who knows.

BackThat brings us to the Josephine Wiggs Experience. Released in 1996, Bon Bon Lifestyle was the only record of any speed released by the band, and as you can painfully see (or not), this copy is still sealed. If asked what I’m waiting for, I wouldn’t be able to offer a believable retort, the stupidity in which is magnified considering I don’t even know what this band sounds like. Someday I’ll unveil her virgin grooves, but until then, she stands alongside Janis and Journey, eager and patiently awaiting her debut spin.

Just Keep Your Eyes on the Hands

Hulas vol2Thrift store hunting in The Valley yields some hip-swaying, luau-attending, hand-watching results. Who knew, am I right?! Recently acquired was this copy of Hukilau Hulas Vol. 2 (featured here, the back cover). “Keep your eyes on the hands” is more than a hula skirt-wearing, seductive suggestion for those looking for a quick lei (sigh), but instead, a graphic designer’s dream job featuring 16 (slightly) varied action-based hula illustrations.

But what about the music, you ask? Well, I have no Earthly idea! I just acquired this LP and haven’t had time to spin her grooves. A full report (from Interzone) shouldn’t be too far off.

HolyHulaSo, as you’ve (painfully) noticed, I’ve been rather lethargic and lazy as of late. It may have something to do with the thrill of 365 now being a skipping glimmer from the “less than” side A of the Groove, but all things considered… yeah, I owe you a decent post sooner rather than later.

The Groove would be the end of me if it weren’t for the three free rounds of drinks at the end of every year.” Thanks, Mr. Hardwick.

Uneasy Temperament

Tomita PlanetsToo many factors play into this half-assed, quick-release, interception of a post focusing on Isro Tomita’s 1976 adaptation of Gustav Holst’s The Planets. So, I recently acquired a handy, compact, portable turntable (with external, bombastic speakers) from the loving wings of my thoughtful and supportive parents. The details and photo-proof of this most recent player (and my 6th, functional turntable… I live in a two bedroom apt, people!) will soon be chasing the setting sun (meaning, there is a post yet to follow), so my abbreviated attempts at “getting in and getting out” of yet another responsible-laden post will here again commence post-haste! So, I’m spinning this record on my portable player, see…

Saturn… and Tomita’s The Planets barely near scared the living sh!t out of me! I’m forever a lover of ambient, wall-of-soundscape, ethereal electro, and when the focus is something as deep-rooted as Holst’s The Planets, one assumes safety will eclipse the ever-impending danger… or so I would stupidly think. Mid-2nd-side, sh!t got real (and I paused my friendly, online game of Madden 2012 for the PS3), and stared at my newly acquired portable player in sheer, revolting, mannequin-induscing pain. My educated guess would point my accusing finger toward Saturn, track V… but no one can really say for absolute certainty why my otherwise controllable paranoia began to spike a red-lined fever, forcibly, and emotionally, removing me from my daily routine (if ever there was a track that conjured up the remorseful, uneasy, “put me out of my mystery” feeling of core-stirring horror, paralleling that of Gaspar Noé’s Irréversible, Tomita’s Saturn is without question, that track). One thing was for absolute, and unquestionable certain… Tomita is a salacious wizard, whose talents live far below the clouds of obscurity, and whose albums I’ll (very) soon be acquiring.

Happy Birthday, Prudent Groove!

TheGrooveTurnsOne

365 days ago The Prudent Groove set out on her (lethargic, nonsensical, unfocused) maiden voyage in the attempt to offer little more than a self-improving, daily exploration into the cold, solemn depths of my record collection. That was her initial objective. What she inevitably turned into was a time-sucking, ulcer-feeding, stress-fueled fireball licking the backs of my heels as I embarked on a full, creative sprint every day for the past year. Fireballs may be good motivators, but they’re still giant balls of death. Thankfully, I was able to stay one prudent stride ahead of what seemed like inevitable, groovy doom.

Seriously though, thank you for allowing me to waste your time. I’ve had an exceptionally rewarding year, and I appreciate every last set of eyeballs. I’ve met some incredible listening companions (all of whom are much smarter, and more musically knowledgeable than I), and I look forward to another fruitful year of sensational ear candy.

Happy birthday, Prudent Groove!

One Bourbon, One Scotch, One Beer

LiveThere are a dozen or so essential acts that invariably get handed down from parent to child throughout an 18 or so year upbringing. (It was 17 and some change years for me, although my folks would argue it’s been 34 going on 35 years… and they wouldn’t be completely inaccurate.) Certain essentials fit this bill: The Beatles, The Stones, Electric Light Orchestra, Led Zeppelin, The Boss, Ludwig Van, John Cougar’s Jack & Diane, Lynyrd Skynyrd’s Gimme Three Steps, Steve Miller Band’s Jet Airliner (AKA Jed & Lina), and of course, George Thorogood & the Destroyers’ One Bourbon, One Scotch, One Beer.

BourbonOnly once in my life have I approached a gleaming, beer-stained bar to order this unique combination of lubricating cocktails, and it just so happened to be in my hometown amongst like-Thorogood-loving friends, so the event did not go overlooked. Tis a time of esteemed celebration, for tomorrow, the Prudent Groove turns one. Do your head a favor, and spoil yourself with one bourbon, one scotch and one beer. The first round is on us.

Thanks to all the folks who instill the essentials into their kids. To those about to rock, the Groove salutes you!

“Yi wang si-i wa ye kan duo, Xin li bian yao la jing bao jin tian zhi, Dao. Anything goes.”

IndyMuch like the original Star Wars trilogy (the prequels be DAMNED!), the Indiana Jones trilogy (Crystal Skull be DOUBLE-DAMNED!!), possesses an obvious best, a least best, and a favorite. The painfully obvious best being Raiders, with the least best (in my opinion) being Last Crusade, leaves Doom as my all-time favorite Indy flick.

Om Namah Shivaya!

Indy LabelI was recently told, “All boys prefer Temple of Doom to Raiders.” I haven’t yet heard back from every Indy watching boy-child, so this claim has yet been verified. Whether you’re an idle-stealing Indy lover, a mining-car-roller-coaster-riding Indy, or father-son Indy, this 1984 Read-Along Adventure offers just the right amount of the infamous swashbuckling archeologist, in just the right amount of adventure-seeking time.

INXSK8

KickI had not heard INXS in nearly 15 years, and to completely sidestep the accidental death of frontman Michael Hutchence, it must be stated that I’ve always held a deep-rooted respect for this Australian pop-rock band. It’s not due to the success of their 1987 album Kick, although the four singles contained within (New Sensation, Devil Inside, Need You Tonight and Never Tear Us Apart) certainly help their cause, but instead, an unlikely (IN) X (S)-factor prominently featured on the cover that immediately, and forever gripped my attention.

Photo courtesy of http://www.visionstreetwear.com (bring it, gents!).

Photo courtesy of http://www.visionstreetwear.com (bring it, gents!).

I was seven at the time Kick made its way to the record shelves at the local K-Mart, and as a curb surfin’ knee-scratcher, I was enmeshed with the skateboarding world. So when a major label release (all I knew at the time) featured a professional deck on the cover (Vision’s 1986 Psycho Stick), it was something of a gravity-pulling, counterculture-wise nod to those “in the know.” A lifelong respect was forged that day, and although I was a Powell-Peralta kid myself, the inclusion of such a specific detail certainly did not go overlooked on my part.

As I drink coffee from my Rob Roskopp Face mug (an awesomely outrageous gift, thangs, mang!), I look at this album cover and smile. Sure, 1/3 of that smile derives from the tunes, but 2/3 comes from that unforgettable childhood moment of joyful realization. Now, it’s time to FINALLY master that kickflip! Hey Bob…

Some Gilded Treasures Should Remain Buried

Black n RedContained below is lost debris found amongst the sea of filth that is my PG work folder. I have no idea as to its context, nor what groovy slab inspired such nonsensical ramblings, but when you’re in a hurry, anything seems plausible. (If you need a music suggestion for today, check out Rocket from the Crypt’s Hot Charity, or Tool’s Ænima. I’ve been stuck under an angry cloud as of late, and it seems my trusty umbrella has abandoned my side.)

There is something to be said about someone who can go from Beethoven’s 8th Symphony, to Thunderheist’s Jerk It 12”, to Harry Nilsson’s Pandemonium Shadow Show, to Rudimentary Peni’s Cacophony without the shimmering blink of an eye. What that something is, may be lost on the likes of me, but sometimes the logic breaks down in an extremely logical way. Get what I’m throwing down? No? Neither do I. If that’s the case, then you and I should be friends, or at least pen pals (suggested by someone who has never owned a pen).

Dig what you dig, and don’t listen to anyone who thinks they know what they’re talking about because, realistically, nobody really does. Take me for example. I enjoy annoying my neighbors, so much so that I create “neighbor annoy” playlists for my mid-day weekend adventures. Are they annoyed as I feel they SHOULD be, probably not. But does it make me happy none-the-less? You bet your ass!

Realistic Anti-Static Record Protector AKA Ziploc Bags for Your Records

RASRPStatic can be a bitch… a real, conniving, backstabbing, drop you off on the side of the road with nothing more than a toothbrush and an empty matchbook, leaving you to fend for yourself against the screaming locals of Ventura County, bitch. You catch what I’m saying. We’ve all been there. So do yourself and your future, Detroit-raised children a favor and invest in plastic, resealable bags for all your records! Realistic Anti-Static Record Protectors aren’t just for the “good” records (AKA your Tammy Wynette discography). Every groovy slab is worthy of protection, and with modern day technology, that dream has become Realistic.

What do I keep in my Realistic Anti-Static Record Protector? German Sing-Along with Will Glahe, of course! Does that question even need to be asked? Beware of static, kids! Protection… because if our parents had used it, none of us would be here.Zipped and Locked

Me & Julie Down by the Bowling Alley

Me First CoverEvery so often the (pitcher beer ordering) mood for late 90s pop punk versions of mid 70s radio hits rolls down the cherry wood lane of life and lands a perfect strike (phew… that came desperately close to being a run-on sentence… I miss those).  Times like this, it’s comforting (although not really) to know Me First and the Gimme Gimmes is good for a round, and some damn good classic covers.

This, their first full-length released on Fat Wreck Chords back in 1997, features pop punk-ified versions of John Denver, Kenny Loggins, Paul Simon, Billy Joel, Neil Diamond and some other hit-making individuals of considerable musical talent. Covers, not unlike Social Security, are the third rail of musical politics. On one hand, paying homage to a classic can be somewhat of a respectful gesture, but on the other hand, these lazy, talentless bastards could just be riding the coattails of other, more innovative artists. Lucky for all involved with today’s post, Me First and the Gimme Gimmes is comprised of a lucrative series of already established bands, so the results are smooth and well produced.

Me First VinylAllow me to introduce you to the band:

Vocals: Spike Slawson (of the Swingin’ Utters)

Lead Guitar: Chris Shiflett (of No Use for a Name and Foo Fighters… in that order, the order of importance)

Rhythm Guitar: Joey Cape (of Lagwagon)

Bass: Fat Mike (of NOFX fame, also the owner and operator of Fat Wreck Chords)

Drums: Dave Raun (of Lagwagon)

A pop-punk all-star band if ever there was one, Me First is deserving of a listen from fans of that 70s drawl, and bay area pop-punk. Now, set up those bumpers and let’s go bowling (courtesy of The Prudent Groove Lanes Across America Bowling League*).

*Does not exist

Did You Know?

DJ001Did you know that Adam “Ad-Rock” Horovitz of Beastie Boys fame wrote L.L. Cool J’s first single, I Need A Beat? Did you know that it was released in 1984, a full two years before the obnoxiously dominating full-length debut Licensed to Ill? Did you know that L.L. Cool was only 16 when he recorded this single?

Def JamDid you know that I Need A Beat was the debut record for the now prolific Def Jam Recordings, and is the owner of the coveted DJ001 catalog moniker? Did you know that this single, as well as L.L. Cool J’s 1985 full-length debut, Radio was produced by Rick Rubin? Did you know that Def Jam headquarters began and was run out of Rick Rubin’s NYU dorm room?

Well, now you do.

It’s Hard to Be Smart When You’re Young

MSDDrunk, angry and musically talented muggs who eat steel and drink gasoline should always be given a record contract. If indisputable evidence is indeed required, take a look at Empty Bottles, Broken Hearts, the 1998 release on Sub Pop by Seattle’s best, The Murder City Devils. Featuring the lumbering truck driver blues of every red-blooded fornicator who ever shoved a quarter into a vibrating jukebox, and back when bullying said jukebox actually meant something, MSD’s Ready for More was seldom, however overtly, and incorrectly overlooked.

BackLeft dormant and dingy amongst the filth and cold of my former Milwaukee winter days, The Murder City Devils seldom tend to resurface when things get a bit too heavy to bear. So, imagine my delight when I unconsciously find myself in the throes of another MSD bender, where the reigning cries of “I’m subtle, subtle like a T-Rex” knock the framed photos off my neatly painted walls. I shouldn’t necessarily be surprised, but every once and a while I’m caught off guard.

The Murder City Devils would have gotten a much more respectable write-up, had I not been served so much soul-cleansing rye. Perhaps next time, respect will prevail, but then again, that may be the whisky talking.

… And Now, Mr. Serling

TZoneIn honor of the Twilight Zone marathon my SO and I are currently feeding to our 2014 heads (along with sushi grade salmon and tuna), I offer an instrumental suggestion that lies between the pit of man’s fears, and the summit of his knowledge… but you know, conducted by Jerry Goldsmith for the 1983 classic, Twilight Zone The Movie.

Its unfortunate Mr. Serling, one of my all-time favorite writers, wasn’t alive for the making of this film. I can’t help but feel his involvement would have helped yield a much more substantial big screen result, mirroring that of the stunning television series. Rest in piece, Mr. Serling, and thank you for creating one of the more creative and thought provoking shows ever produced

It’s Beat Time, it’s Hot Time, it’s Monk Time!

Black TimeNow that the holidays are over (New Years isn’t so much a holiday as yet another excuse to party in excess), we can return to normal ramblings geared towards “real” music. You’ve gotta’ love the holidays, but man did I overdo it this year on the holiday ear candy.

I’ll try to get through this as quickly as possible, as I can’t help but assume you are still enjoying awkward family time. For the past four or so years, December has come to mean a few things: 1) the smog is down, 2) due to the mass number of LA transplants, there is a yearly exodus which leaves the streets clean and clear for the rest of us, and 3) for whatever reason, it’s Monk Time.

Black Time BackWhat is this Monk Time, you ask? Well, Curious Carl (not to be confused with Cowboy Curtis), Monk Time is that very special time of year when the inner monster craves the Earth-shattering sound of the original anti-Beatles. This sheer, rabid dog approach to 1965’s rock n’ roll was light-years ahead of its time, and although they only released one album (in Germany in 1966), these Five Upstart Americans (soldiers as they were) broke the mold with their inventive brand of cathartic, yet surprisingly melodic music. The Monks could be considered garage rock, if that garage were engulfed in flames and moments away from collapsing on itself threatening the lives of everyone within a three-house radius. If you’ve heard of the Monks, this is certainly not news, but if you haven’t, watch the documentary Transatlantic Feedback, and bug your local record store until they acquire for you a copy of Black Monk Time. Certain bands demand attention for their historic significance, and the Monks certainly fit that bill. I’m still in the market for my (obviously) reissue of Black Monk Time (originals go for over $600), but for now I’ll settle for the repackaged and almost identical 2011 release, Black Time.

Although the holidays may be over (and thank God for that… I did it to myself, I really shouldn’t complain… but I will), its rightful owners, the Monks, can once again reclaim December.The Monks Logo

Cats for Christmas

Christmas CatThere is only one thing better than the glorious excitement of Christmas morn, and that is, of course, a mother lovin’ cat wrapped in a box!! Leroy Anderson is a man of impeccable taste; this fact is certainly not up for debate. As the back sleeve proudly proclaims, “altogether this is an unusual collection brilliantly interpreted.” I’m seldom one for shameless self-promotion (he laughs out loud), but this assessment of Leroy Anderson’s fine orchestral conducting is the perfect blend of classic Christmas sentiment and celebratory holiday cat-friendly cheer.

The Prudent Groove wishes everyone a wonderland of holiday hilarity filled with lighthearted liveliness and mistletoe smooching merriment. Merry Christmas, everyone!