I Ain’t Afraid of No Ghost

GhostGlow in the dark vinyl… is it a necessity? Well… no, but what music-infused medium is ever necessary? Generations of record collectors are turning in their graves as I type this. Today, was (is still in Hawaii) Record Store Day, and to celebrate the 30th anniversary of one of the greatest supernatural-comedy films of all time, Legacy, a sister company of Sony, released a ghostly 10” on this, the 7th annual holiday for record collectors.

Ray Parker Jr. is the real winner today, as his timeless anthem became immortalized in metaphysical glory for all record collectors from here until the end of time. The novelty that it is, was (I’m telling myself) well worth the $17.82 price tag Record Surplus (Santa Monica, CA’s finest) slapped upon it, and most importantly, resembles the first light-defying (natural or otherwise) slab of vinyl I’ve had the pleasure of owning. If anything, I can convince my SO that this record will help us maneuver through the blinding darkness that is scheduled to blanket our next, panic-inducing blackout. Functional, ghost-repelling mediums of music… well, all right.

Post #450 aka Dust it Off and Jerk It

Jerk ItComfort answers to no fashion Queen, and raunchy, sex-minded, worked-tongue-wiping, paid-lap-dance-dirty, baby-makin’ pelvic beats answer to no, conventional, receptive ear. Thunderheist, the Toronto based, globally minded, five-year international outbreak, very much like the cheese, stands alone. None match their sex = sex + more sex-resolved, blood-churning, infectious rhythms, and none do it so devilishly glamorous.

Words… that these are, do absolutely no justice to the concrete weight that, Grahmzilla and Isis effortlessly exhale with every gasping, rhythmic beat present in every one of these five, remixed (save for one) tempting trax.

If it ain’t dirty, it ain’t Thunderheist.

Editor’s note: For this, my 450th post, I’d like to thank global warming, overly-sensitive neighbors, and hangover victims, but seriously, I’ll thank the unspoken will that fuels so many able, and socially alienated victims… affordable whisky. Dust it off, dear frequenters of PG nonsense… dust it off and jerk it.

WMAD Welcomes Weezer

WeezerWeezer > Tenacious D in just about every conceivable equation, except for live performances. Pinkerton, the Blue Album, and to some extent the Green Album, are examples of some of the best pop-rock to hit the 90s and early 2000s. The D’s debut is flawless, but 2006’s The Pick of Destiny is virtually unlistenable. I was primped and properly anticipating one of the best nights of music entertainment I’d ever witnessed, that dreary day back in late 2001, but I left feeling unfulfilled by the mighty kings of Weez. Not knowing what to expect, and marginally perplexed by the unconventional pairings of these two seemingly unlinkable bands, I walked away, past a sea of parked, vacant cars, wishing the D had been the headliner. Subdued, shoe-gazing, stand-still rock certainly has its place, but the 22-year-old version of yours truly wanted no part of it.

Love American Style

Love“Anything you can pat your foot to is good music.” – Louis Armstrong

Love American Style, the 1998 reissue of the 1989 accompaniment to the legendary Paul’s Boutique record is not only the 64th release from Grand Royal Records (Guaranteed Every Time), but also one that was released on black, white, and of course this, red vinyl. Produced by both The Dust Brothers and the Beastie Boys, Love American Style includes the Hey Ladies singles in its entirety (b-side Shake Your Rump), while including Dust Brothers jams, 33% God and Dis Yourself in ’89 (Just Do It). Fans of Paul’s Boutique and the Beastie Boys alike will instantly recognize 33% God and Dis Yourself in ’89 (Just Do It) as rehashed instrumentals of the record’s a-side, which stand as monumental achievements of pre-Beastie Boys, all-Dust Brothers party-jams. Are the b-side’s two tracks worth seeking out this four-track 12”? You tell me.

Milwaukee Nightlife

20140415-201801.jpg Gone are the leisure-filled days of stopping off at the local record shop on the way home from school to snatch, if no necessary deals were found, free mock-ticket ads for upcoming Milwaukee area shows. This particular night in May of 2000 featured a masked gimp stage diving and picking fights with select, drunk patrons (Dwarves), a wall-echoing, room-filled chant of East Coast pride (“East Coast F— You” by Bouncing Souls), and an eager and overly-excited pop-punk-loving Milwaukee crowd rushing the stage to share the mic for a final encore (Dropkick Murphys). All-in-all, it was a rather memorable, aggression exhausting evening some 14 years ago.

I’d also like to add how atrocious it is to post from the WordPress app via iPhone. A hiccup in the Cal Ripkin-like post streak was in jeopardy more than a few times these past few days…

The Time I Almost Missed Bob Dylan

Bob DylanBob Dylan, for me, has never been the pedestal-placing monarch that many people view him as. I’ve always respected Robert Zimmerman, the Minnesota native, and have conveniently dodged his raspy snarls when hand-selecting my life’s playlist. I certainly have nothing against his revolutionary impact on pop music, or his distinctive brand of folk-rock, I guess I just never really got around to it. With the (more than) understood philosophy of “too little music, not enough time,” the bellowing observations of Mr. Dylan never made the cut. He’d been Chopped before ever entering my personal music kitchen, for those of you who are fans of The Food Network.

An opportunity presented itself back in (date) that would have been unbelievably stupid to pass up. My mom scored free tickets to a Bob Dylan performance in Madison, WI, and kindly offered them to me. Using the term scored as a drug reference when referring to my mother is humorous to me, and kind of appropriate for ol’ Bob’s transcendent vibe. Anyway, to make a short story even longer, my show-going companion and I got the time of the show mixed up (by a good couple hours) and we arrived just as ol’ Times They Are A Changin’ had started his 2nd encore. He played All Along the Watchtower, something else I didn’t recognize, and then he was gone.

Perhaps if I’d been more of a fan (or one at all), I’d have made sure of the correct time, but never the less, I can truthfully say, I’ve seen Bob Dylan.

The Genesis of an Obsession

20140413-153512.jpg Lifelong treasures seldom unveil themselves without fervent mining. This seemingly innocent moment marks the newest, documented genesis of my uncontrollable record obsession. Captured some 32 years ago, an astute observer may assume my DJ skills would have matured with age… unfortunately, I peaked at the age of two, and the extent of my record spinning abilities is limited to the dropping and lifting of the tone arm, aka the raising and lowering of a mechanical lever. I may not have been able to tie my own shoes, adequately feed myself, or speak without a lisp, but I damn well knew a good groove when I heard one.

When There is No Internet

20140412-233346.jpg When the internet goes down at the family B&B under the bellowing roars of a violent, Midwestern thunderstorm, The Groove takes an unscheduled backseat. Completed, but no way to transfer (without retyping from my phone), is a write up about the mishap surrounding my Bob Dylan experience, but instead, all I can offer is a poorly phone-o-shopped fanning of my ticket stubs. Don’t take your wifi for granted, kids.

Was Lou Rawls a Fan of Lasagna?

The slight discoloration in the top right is Goo Gone, not lasagna grease.

The slight discoloration in the top right is Goo Gone, not lasagna grease.

Q: What do lasagna-eating cats, the annual, festive day in which children of all ages celebrate and remember the dead, and soul legend Lou Rawls have in common? A: The 1985 animated television special, and Primetime Emmy winner, Garfield’s Halloween Adventure. I grew up on this 30-minute opus, and watching it on, or around Halloween has become a yearly tradition. It’s hard to believe this special is almost 30 years old, but anyway, the connection lives within the iconic voice of Mr. Rawls.

GarfieldDuring the special’s opener, This is the Night (Trick or Treat), and again on the sing-along classic, Scaredy Cat, Garfield’s cool, sleek voice is provided by Lou Rawls, and therefore solidifies the unexpected pairings of great soul music, and mischievous, lazy, cartoon cats. On Halloween, Garfield = Lou Rawls, aka Lou-Halloween-Field.

A Word Called Death

Death_largeDeath is more than just a five-letter word. Its vigorous weight is passed down from generation to generation without hesitation, and without cause for warning. It’s as timeless as an unforgettable memory, and as endless as hope itself. Death gives ever-needed sleep to an exhausted life, and provides that final exhale from all Earthly woes.

Death is present for few to ignore, a gaffe that many take for granted, and Death exists for those who are willing to remember. God save those who ever forget.

A Portrait of A Portrait of Patsy Cline

Patsy ClineHere is a portrait of A Portrait of Patsy Cline. With heartbroken sass, the golden-throated goddess pillages through some of the lesser-known recordings in her short but remarkable catalogue on this, a compilation album by Decca Records from 1964. Released just a year after her unfortunate death, A Portrait of Patsy Cline is just one of many compiled arrangements released in part to celebrate the incredible, and enduring weight of Virginia Patterson Hensley’s (aka Patsy Cline) extensive work.

There are most certainly only two kinds of music… lovin’, and hurtin’… and nobody loved to hurt as much as the somber, lonely hearted Patsy Cline.

Out of Control

Out of ControlRemixed by the illustrious Alexander Paul Coe (aka Sasha), this promo 12” features just two tracks, Out of Control (Sasha Club Mix) and its b-side, Out of Control (Sasha Instrumental Mix). Freestyle Dust, the sub-label of Virgin Records exclusive to Chemical Brothers releases, must have had no shortage of funds when it came time to press their abundant catalogue, because I don’t think I’ve seen a Chem Bros single sell for more than $3.99, this one may have been a cold $1.99, and a steal at that! If you’re out and about and a Chemical Brothers release catches your eye, probably due to their elaborate cover art, it would be wise to snatch it up, but quick. In a nutshell, preferably pistachio, great dance music can be found at prices that are Out of Control.

Burn On

Sail AwayNative American for “crooked river,” the Cuyahoga spans 100 or so miles, twisting and bending through Ohio state shores, until it unloads into Lake Erie, the scariest of the Great Lakes. The river is famous for catching fire a reported 13 times since 1868, and is the subject of Randy Newman’s 1972 rolling, Baroque pop classic, Burn On.

Burn OnInspiration comes from many, varied mediums. Today’s post was influenced by last night’s movie of the week, the 1989 baseball classic Major League. Set in Cleveland, Ohio, the film’s opening features the serene, everyday life of the city’s residents set to the backdrop of Mr. Newman’s fiery piano rolls. Baseball, and therefore summer lingers in the air, as does the faint, distant smell of a glorious, polluted river engulfed in flames.

Min Com

Minimal CompactIsraeli dark wavers Minimal Compact blend a compelling combination of Middle Eastern influences, a Westernized, early 80’s love for the sax, looming, almost destructive industrial loops and effects, propulsive bass, appropriate hints of what sounds like an antique squeezebox, and a flavor I can’t quite place that conjures up images of David Cronenberg’s Naked Lunch on this, Minimal Compact’s 1984 effort, Next One is Real. I’ve owned this EP for several years, it being a Wax Trax! Records release and all, but I’m now listening to it with what seems like virgin ears. I’m on my third, consecutive spin.

LabelThe snarling chants bellowing from the opener, Next One is Real, reminds me of a spry Douglas McCarthy from Nitzer Ebb and, although I’m an enormous fan of the Ebb, the progressive, rhythmic flow of Disc O’Dell’s remixed work on Next One is Real and Not Knowing eclipse even the greatest in Nitzer Ebb’s stunning catalogue. And just like that, Minimal Compact has swiftly become my newly acquired audio fixation.

Tuxedo Junction AKA Things You Acquire, Then Completely Forget About

TJQ: What’do’ya get when you mix two parts 1977 dansco (dance-disco), one part swing / big band, and a fist-full of ice? A: If put into a shaker, shook until your arms felt numb, then poured into a martini glass, you’d get the perfect, intoxicating blend of traditional American fanfare with the (then) modern, club-packing, rhythmic-gyrating, pelvic-thrusting, controlled substance-ingesting roars of disco.

Limited EditionDays, and posts, like this really make me happy I started this little time-suck (the PG). I found this album several years back, and doubt if I’d ever listened to it… until right now. Attracted to its alluring, golden glow, the first in my (then) budding collecting, I snatched it up like a thief with an opportunity, then got distracted (probably by Image Comics, work, or God forbid, tech school) and forgot all about it. Listening to it now, with crestfallen, virgin ears, I can say it’s certainly not a record this collection needs, but it’s a fun trip to take, even if the ticket was purchased some 17 years ago.

Chicks & Speed: Carmen

FuturismVictorious, self-promoted back-patting often follows a discovery of unrelated mediums. My fandom of all things Wax Trax!, (X-Ministry member) Paul Barker, and kickass covers first drove me, at nauseating high speeds, to the Lead into Gold (aka Paul Parker) three-track EP, Chicks & Speed: Futurism. Thinking little-to-nothing of the embossed “chick with speed” cover upon its immediate acquisition, set up a cloud parting, heaven’s light-shining, all-aware, and never forgotten moment of connection and instant recognizable correlation some several (possibly three) years later.

CarmenI’d heard Georges Bizet’s legendary opera, Carmen, several times prior, although I couldn’t necessarily pinpoint when and where, but this ear-ingesting fact is unimportant. What’s profoundly relevant is the striking similarity, i.e. blatant ripping off (homage?) of the 1955 Columbia Records (CL 735) discharge by André Kostelanetz and His Orchestra to the 1990 Wax Trax! Records release. Nowhere during the opera’s IV acts does the swelling drama invoke even a hint of the Chicago based American industrial offered by Lead into Gold, and nowhere throughout the 19 minutes of Chick & Speed: Futurism is a hint of Carmen revealed.

The struggles to continue the lifelong search of the ever-illusive relation between these two albums marches on, and perhaps always will, but the journey’s soundtrack, as well as its alluring cover art, certainly is provocative.Carmen Futurism

Meco Plays Music from The Empire Strikes Back

EmpireMeco’s nightclub talents are sprinkled throughout my collection in healthy, respectful numbers, which is fairly gracious considering his brand of big screen-nabbing, dance floor-packing, Disco Duck-inspiring, funk-fused disco is little more than the same groove, repeated over several, action-packed themes, ad nauseum. Somebody somewhere likely said, “Slap a Star Wars logo on it, and the kids will eat it up!” Mr. / Mrs. Somebody was right, or at least, I can think of no other terrestrial reason to own this 10” RSO Records release from 1980.

YodaThis five track EP is exactly what you’d expect from Meco. Heavy synths, big brass, groovy bass and a hefty, four-on-the-floor disco beat. Meco mainly lives within the bowels of obscurity these days, but the man demands respect for creating a recognizable and danceable sound both familiar to big screen enthusiasts, and Saturday night ragers alike. If Star Wars and Other Galactic Funk isn’t enough for your calloused ears, seeking out this 10” may feed that Meco bug.

A Recipe to Die for!

RecipeDirected by Nathanial Hörnblowér (MCA aka Adam Yauch’s behind the camera alias), the Body Movin’ video, a farcical exploration into the fascinating, yet nonsensical action-adventure-thriller, was the 2nd single off the band’s 1998 Hello Nasty album, as well as the follow up to the widely received radio smash, Intergalactic. The B-Boys have long been known for their outrageous music videos (1989’s Hey Ladies comes to mind), but in my opinion, nothing tops the grandiose scale of a ninja Ad-Rock sword fighting with a monocle sporting, P-Jam wearing MCA for a diabolical fondue recipe. Anyway, it’s worthy of a watch, so here goes… happy Wednesday!

RIP MCA

http://www.youtube.com/watch?v=DV-mrqlMBi8

BP b/w P

BPBlack Powder b/w Punkture by French / American duo Motor is a simple, yet hard hitting EBM / Tech-NOH two-track 12” from Novamute records, and I’m proud to say was, without a hint of shameful regret, a record that seldom left the platter back in early 2007. Released in 2006 along with their debut album, Klunk, Black Powder is perfect for turning your office into a Vegas after party in just under two minutes (rhythmic light wands not included). Motor’s brand of filthy dance, four on the floor beats are certainly nothing new, but WELL worth getting into.

Is Pat Boone Worth Your Dime?

Dot InsertFrom the Six Fat Dutchmen, to Billy Vaughn, to the Lennon Sisters, to Pat Boone singing Hymns We Love, Dot Records is home to almost 600 albums, whose complete, full-color catalogue can be had for a measly double nickel. Unlock the door to the (piercing) enchanted sounds of Eddie Peabody on Man With the Banjo, or roll along with the Spaghetti Rag playin’ Jo Ann Castle on Ragtime Piano Gal, or better yet, exercise your inner desire for mid-50s variety shows with Calcutta! by Lawrence Welk. Yes, all the albums you could ever hope to want are here on Dot Records, so don’t delay! Cut and fill out the attached coupon, flip that puppy into an envelope and mail it to:

CouponDot Records, Inc.

Dept. C

Sunset and Vine

Hollywood 28, Calif.

A lifetime worth of (regrettable) unforgettable musical euphoria awaits you!